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May 8, 2017 @ 7:30 pm - 9:30 pm UTC+0
Alia Malek discusses her new book, The Home That Was Our Country, with Micheline Marcom.
Praise for The Home That Was Our Country
“In The Home That Was Our Country, Alia Malek masterfully weaves together the personal and the political, and in so doing creates an unforgettable portrait of modern Syria in all its complexities and tragedies. Malek renders multiple generations of family, friends and neighbors vividly but unsentimentally, and what emerges is a portrait of a great people held back by tyranny. As Syria suffers through its darkest days, she reminds us of the humans behind the statistics. Completely engrossing and lucid, the book explains Syria’s devolution better than anything I’ve read.”―Dave Eggers
“What Alia Malek has done in The Home That Was Our Country is nothing short of extraordinary. With deep love and clear-eyed honesty, she weaves together the story of a family and the history of a country. Malek addresses the personal and the political like no other writer I have read recently. This book is an urgent and necessary read.”―Laila Lalami, author of THE MOOR’S ACCOUNT
“Alia Malek’s beautiful, arresting portrait of a Syrian family over generations takes you straight to the heart of that country’s agony. Malek brings you inside the intimate world of a Damascus apartment building, while weaving in her own experiences as a journalist-laying bare the struggle for freedom like no other work I know. The Syrian war is perhaps the most profound moral and political crisis of our era, and this unforgettable book will forever change the way you see it and the Middle East.”―Anand Gopal, author of NO GOOD MEN AMONG THE LIVING
About The Home That Was Our Country
At the Arab Spring’s hopeful start, Alia Malek returned to Damascus to reclaim her grandmother’s apartment, which had been lost to her family since Hafez al-Assad came to power in 1970. Its loss was central to her parent’s decision to make their lives in America. In chronicling the people who lived in the Tahaan building, past and present, Alia portrays the Syrians-the Muslims, Christians, Jews, Armenians, and Kurds-who worked, loved, and suffered in close quarters, mirroring the political shifts in their country. Restoring her family’s home as the country comes apart, she learns how to speak the coded language of oppression that exists in a dictatorship, while privately confronting her own fears about Syria’s future.
The Home That Was Our Country is a deeply researched, personal journey that shines a delicate but piercing light on Syrian history, society, and politics. Teeming with insights, the narrative weaves acute political analysis with a century of intimate family history, ultimately delivering an unforgettable portrait of the Syria that is being erased.