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Ocean Vuong and Rebecca Solnit
June 18 @ 7:30 pm - 9:30 pm
Ocean Vuong discusses his new novel, On Earth We’re Briefly Gorgeous with Rebecca Solnit.
Praise for On Earth We’re Briefly Gorgeous
“A bruised, breathtaking love letter never meant to be sent. A powerful testimony to magic and loss. A marvel.” —Marlon James, author of Black Leopard, Red Wolf
“On Earth We’re Briefly Gorgeous will be described — rightly—as luminous, shattering, urgent, necessary. But the word I keep circling back to is raw: that’s how powerful the emotions here are, and how you’ll feel after reading it – scoured down to bone. With a poet’s precision, Ocean Vuong examines whether putting words to one’s experience can bridge wounds that span generations, and whether it’s ever possible to be truly heard by those we love most.” —Celeste Ng, author of Everything I Never Told You and Little Fires Everywhere
“This book—gorgeous is right there in the title—finds incredible, aching beauty in the deep observation of love in many forms. Ocean Vuong’s debut novel contains all the power of his poetry, and I finished the book knowing that we are seeing only the very beginning of his truly magnificent talent.” —Emma Straub, author of Modern Lovers and The Vacationers
“Ocean Vuong runs up against the limits of language—this book is addressed to a mother who cannot read it—and expands our sense of what literature can make visible, thinkable, felt across borders and generations and genres. This is a courageous, embodied inquiry into the tangle of colonial and personal histories. It is also a gorgeous argument for astonishment over irony—for the transformative possibilities of love.” —Ben Lerner, author of Leaving the Atocha Stationand 10:04
“One is not often given the chance to apply words like “brilliant” and “remarkable” to any novels, certainly not first novels. Thank you, Ocean Vuong, for this brilliant and remarkable first novel.” —Michael Cunningham, author of The Hours
About On Earth We’re Briefly Gorgeous
On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.
With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.