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DTSTART;TZID=America/Los_Angeles:20200219T190000
DTEND;TZID=America/Los_Angeles:20200315T210000
DTSTAMP:20260506T233358
CREATED:20191220T052034Z
LAST-MODIFIED:20191220T052034Z
UID:54389-1582138800-1584306000@litseen.com
SUMMARY:Word for Word presents: RETABLOS By Octavio Solis
DESCRIPTION:Featuring the Chapters Retablos\, The Way Over\, Consuelo\, El Judío\, La Migra\, La Llorona\, Nothing Happens\, The Quince\, Mexican Apology\, El Segundo\, Neto\, My Right Foot\, and Jeep in the Water\nFebruary 19 – March 15\nDirected by Sheila Balter and Jim Cave \nWord for Word’s latest full production is from author & playwright Octavio Solis. Retablos is a coming of age memoir; each chapter a memory tale\, verging on fable\, which paints a dreamlike picture of life in El Paso in the 60’s and ’70’s. Drawing from his own childhood\, Solis says that he wrote these stories “to see how that skinny brown kid riding his bike out there in the desert made sense of his complicated\, deeply beautiful and troubled world.” Octaviosolis.net \n\n\n\n\nTICKETS\n\n\n\n\n“A retablo is a devotional painting\, playwright Octavio Solis tells us. In this poignantly written\, heart-warming coming-of-age memoir\, Solis pays tribute to those cornerstone moments in his life\, negotiating borders at once personal and cultural\, with such color that the reader is left spellbound. Astonishing\, what more can I say?”\n—Greg Sarris\, author of How a Mountain Was Made and longtime Word for Word friend \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAn Evening with Octavio Solis\nJoin us on February 27. The evening’s performance of Retablos will be followed by a conversation with the author\, moderated by Greg Sarris. Both writers are longtime friends of Word for Word. Mr. Solis is a nationally renowned playwright in addition to being a prose author\, and Greg Sarris is Tribal Chairman of the Federated Indians of Graton Rancheria. The evening includes a reception and book signing to cap off the night. \n\n\n\n\nPURCHASE TICKETS FOR THIS EVENT
URL:https://litseen.com/event/word-for-word-presents-retablos-by-octavio-solis/
LOCATION:Z Space\, 450 Florida Street\, San Francisco\, CA\, 94110\, United States
CATEGORIES:San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Retablos-by-Octavio-Solis.jpg
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DTSTART;TZID=America/Los_Angeles:20200224T180000
DTEND;TZID=America/Los_Angeles:20200224T203000
DTSTAMP:20260506T233358
CREATED:20200216T011730Z
LAST-MODIFIED:20200216T011730Z
UID:55864-1582567200-1582576200@litseen.com
SUMMARY:In Search of My Robot: Media\, Racialized Gender\, and Creativity
DESCRIPTION:Robots\, like any technology\, are not “objective” or “universal”; instead\, machines reveal the process of social formation. This talk by poet\, scholar\, and new media artist Margaret Rhee demonstrates how forms of difference—such as race\, gender\, and sexuality—are shaped by and co-constitutive with technological developments. Specifically\, Rhee illustrates how the robot is a locus of racialization for Asian Americans within modernity’s distinction between humans and machines. \nRhee is the author of Love\, Robot\, named a 2017 Best Book of Poetry by Entropy Magazine and awarded a 2018 Elgin Award by the Science Fiction Poetry Association and the 2019 Best Book Award in Poetry by the Asian American Studies Association. For more information\, visit artsdesign.berkeley.edu. \nMargaret Rhee is a poet\, scholar\, and new media artist. She is the author of Love\, Robot\, named a 2017 Best Book of Poetry by Entropy Magazine and awarded a 2018 Elgin Award by the Science Fiction Poetry Association and the 2019 Best Book Award in Poetry by the Asian American Studies Association. Her poetry chapbooks include Yellow and Radio Heart; or\, How Robots Fall Out of Love\, and forthcoming collection Poetry Machines: A Letter to a Future Reader\, a collection of lyrical essays on poetry\, and the intersections of cinema\, art\, and new media. Currently\, she is completing her monograph How We Became Human: Race\, Robots\, and the Asian American Body. She was a College Fellow in Digital Practice in the English Department at Harvard University and a member of MetaLab @ Harvard. She received her Ph.D. from UC Berkeley in ethnic studies with a designated emphasis in new media studies. She is an Assistant Professor in the Department of Media Study at SUNY Buffalo and co-leads Palah 파랗 Light Studios\, a creative space for poetry\, participation\, and pedagogy through technology. \nPresented by the Berkeley Center for New Media; cosponsored by the Departments of Ethnic Studies and Comparative Literature.
URL:https://litseen.com/event/in-search-of-my-robot-media-racialized-gender-and-creativity/
LOCATION:Berkeley Art Museum & Pacific Film Archive\, 2155 Center St.\, Berkeley\, CA\, 94704\, United States
CATEGORIES:East Bay,Free
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/In-Search-of-My-Robot-Media-Racialized-Gender-and-Creativity.jpg
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DTSTART;TZID=America/Los_Angeles:20200224T190000
DTEND;TZID=America/Los_Angeles:20200224T210000
DTSTAMP:20260506T233358
CREATED:20200207T192213Z
LAST-MODIFIED:20200207T192213Z
UID:55589-1582570800-1582578000@litseen.com
SUMMARY:John Sayles at City Lights Books
DESCRIPTION:Yellow Earth \nfrom Haymarket Books \n\nRich layers of shale oil are discovered under Yellow Earth\, North Dakota and the neighboring Three Nations Indian reservation. All hell breaks loose. \n\n\nIn Yellow Earth\, the site of Three Nations reservations on the banks of the Missouri River in North Dakota\, Sayles introduces us to Harleigh Killdeer\, chairman of the Tribal Business Council. “An activist in his way\, a product of the Casino Era\,” Kildeer\, who is contracted by oil firm Case and Crosby\, spearheads the new Three Nations Petroleum Company. \nWhat follows\, with characteristic lyrical dexterity\, insight\, and wit\, introduces us to a memorable cast of characters\, weaving together narratives of competing worlds through masterful storytelling. \nSet shortly before Standing Rock would become a symbol of historic proportions of the brutal confrontation between native resistance and the forces of big business and law enforcement\, the fate of Yellow Earth serves as a parable for our times. \nJohn Sayles works as a fiction writer\, screenwriter\, actor and feature film director.  His novel Union Dues (1978) was nominated for the National Book Award and the National Critics’ Circle Award.  He has written over a hundred screenplays and was twice nominated for the Academy Award for Best Original Screenplay.  He has directed 18 feature films\, with another\, I Passed This Way\, currently in progress.  His films Matewan and Lone Star\, as well as his previous novel A Moment in the Sun\, are often used for instruction in History and American Studies courses.  Yellow Earth is his fifth novel. \nWhat has been said about the work of John Sayles: \n“John Sayles is a living master. Yellow Earth reminds me what novels are for.” —Jennifer Haigh\, author of Heat and Light \nFilmmaker Sayles … is also a highly imaginative short story writer with a sure ear for dialogue\, a keen eye for group dynamics\, a flair for quickly establishing intriguing mise-en-scènes\, and the ability to animate a great spectrum of flinty characters … Sayles expresses his compassion and concern for those who struggle with poverty and prejudice\, seeking both to provoke and entertain.” —Booklist\n“Many writers can render credible characters in a credible world\, but only a few can do so with a warmth and a humor that is as wise as it is true.” —Chicago Sun-Times\n“[Sayles’s] ancestry is more like the reportorial vigor Jack London on one side and a little of the sweet impressionism of Stephen Crane on the other.” —The New York Times\n“John Sayles is one of the most important public historians of our generation.” —William Cronon\, President of the American Historical Association\n“John Sayles is the very paradigm of the contemporary independent filmmaker. By raising much of the funding for his films himself\, Sayles functions more independently than most directors\, and he has used his freedom to write and produce films with a distinctive personal style and often clearly expressed political positions.From The Return of the Secaucus Seven to Sunshine State\, his films have consistently expressed progressive political positions on issues including race\, gender\, sexuality\, class\, and disability.”  —University of Illinois Press\nSayles is a terrific writer. His breathtaking precision and attention to detail can make E.L. Doctorow’s historical novels look puny and slapdash by comparison. His ability to map the intersections of scores of plots and hundreds of fictional and real-life characters is truly stunning.”  —Adam Langer\, San Francisco Chronicle
URL:https://litseen.com/event/john-sayles-at-city-lights-books/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
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