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SUMMARY:reVisions: Decoding Technological Bias
DESCRIPTION:Join City Lights\, the Goethe-Institut San Francisco\, and Gray Area for reVisions\, a week-long festival exploring how technological bias shapes our cultural realities. \nOur trust in mediated experiences has never been lower. Governed by algorithms that perpetuate the biases and weaknesses of their developers\, our cultural consumption is increasingly shaped by undetectable forces that determine our reality. Images play an important role here: fake photos and videos created with deep neural networks threaten privacy\, democracy\, and national security. Vision recognition systems skew gender\, race\, and class differences and become vehicles of discrimination. Underdeveloped AI models misrepresent the health disparities faced by minority populations. \nHow can we illuminate the algorithmic bias embedded within technology and counter the perpetuation of bias? What innovative approaches can we develop to strengthen inclusion\, diversity\, and sustainability in technology? \nThis festival brings a network of luminaries together to share new perspectives and rewrite new visions advocating for justice and reclaiming power. \nThe festival is part of the project IMAGE + BIAS that critically engages with the cultural realities being increasingly determined by imperceptible technologies. \nSpeakers: \n• Jillian York\n• Maureen Webb\n• Kalindi Vora and Neda Atanasoski\n• Ryan Milner and Whitney Phillips\n• Jer Thorp and Romi Ron Morrison \n\nWorkshops: \n• Understanding AI Data Bias Workshop\n• BYOW Workshop: Build Your Own Words to Resist Algorithmic Censorship\n• Meme Tactics Workshop \nAll events are free but require registration. Links are posted below each event description. \n\n  \nSPEAKER SCHEDULE \n  \nThursday June 10\, 2021 \nSession 1 \n12:00 pm Pacific / 3:00 pm Eastern \nAgainst Technosolutionism! Why We Can’t Regulate Our Way Out Of This Mess \nwith Jillian York \n   \nThe same radical technologies that helped give rise the social and political movements of 2010-12 later enabled a rise in disinformation\, propaganda\, and the promotion of other harms. Today\, our societies are grappling to find solutions\, but looking in all the wrong places. \nJillian C. York is International Activism Director at the Electronic Frontier Foundation\, EFF. She is also a founding member of the feminist collective\, Deep Lab. She has been covering questions of  surveillance and freedom since the 2000s. She was named by Foreign Policy as one of the top 100 intellectuals on social media. She has written for the Guardian\, Al Jazeera and Foreign Policy. Verso Books recently released her new book Silicon Values: The Future of Free Speech under Surveillance Capitalism. She is based in Berlin. \nClick the (RSVP LINK) on the Gray Area website to reserve your place in the virtual hall. \n  \nFriday\, June 11\, 2021 \nSession 2 \n12:00 pm Pacific / 3:00 pm Eastern \nCoding Democracy – How Hackers Are Disrupting Power\, Surveillance\, and Authoritarianism \nwith Maureen Webb \n   \nHackers have a bad reputation\, as shady deployers of bots and destroyers of infrastructure. Maureen Webb would like to offer another view. Hackers\, she argues\, can be vital disruptors. Hacking is becoming a practice\, an ethos\, and a metaphor for a new wave of activism in which ordinary citizens are inventing new forms of distributed\, decentralized democracy for a digital era. Confronted with concentrations of power\, mass surveillance\, and authoritarianism enabled by new technology\, the hacking movement is trying to “build out” democracy into cyberspace. \nMaureen Webb is a human rights lawyer and activist. She has spoken extensively on post-September 11 security and human rights issues\, most recently testifying before the House and Senate Committees reviewing the Canadian Anti-terrorism Act. In 2001\, Webb was a Fellow at the Human Rights Institute at Columbia University in New York. A litigator for some of the first constitutional cases heard under Canada’s Charter of Rights and Freedoms\, including the landmark freedom of association case\, “Lavigne\, “and a case challenging the powers of Canada’s newly instituted spy agency\, CSIS\, she sits as co-chair of the International Civil Liberties Monitoring Group. She is also the Coordinator for Security and Human Rights issues for Lawyers’ Rights Watch Canada. She is the author of Illusions of Security: Global Surveillance and Democracy in the Post-9/11 World published by City Lights Books and has taught national security law as an Adjunct Professor at the University of British Columbia. \nClick the (RSVP LINK) on the Gray Area website to reserve your place in the virtual hall. \n  \nSession 3 \n3:00 pm Pacific / 6:00 pm Eastern \nSurrogate Futures: Technology\, Race\, and the Human \nwith Kalindi Vora and Neda Atanasoski \n     \nIn this talk\, Kalindi Vora and Neda Atanasoski consider how the surrogate effect of technology within technoliberalism\, as they describe it in their book\, Surrogate Humanity: Race\, Robots and the Politics of Technological Futures (2019)\, comes to bear on recent discussions around technological bias. Assessing how technological design is central to envisioning and shaping different potential futures\, they emphasize the importance of thinking beyond bias if we are to understand how racial capitalism undergirds technological design. They also explore radical design politics that disrupt more mainstream uses and visions of technological value. \nNeda Atanasoski is Professor of Feminist Studies and Critical Race and Ethnic Studies at the University of California\, Santa Cruz\, and author of Humanitarian Violence: The U.S. Deployment of Diversity. \nKalindi Vora is Professor of Gender\, Sexuality\, and Women’s Studies at the University of California\, Davis\, and author of Life Support: Biocapital and the New History of Outsourced Labor. \nClick the (RSVP LINK) on the Gray Area website to reserve your place in the virtual hall. \n  \nSaturday\, June 12\, 2021 \nSession 4 \n12:00 pm Pacific / 3:00 pm Eastern \nYou Are Here: A Field Guide \nwith Ryan Milner and Whitney Phillips \n     \nOur media environment is in crisis. Polarization is rampant. Polluted information floods social media. Even our best efforts to help clean up can backfire\, sending toxins roaring across the landscape. In You Are Here\, Whitney Phillips and Ryan Milner offer strategies for navigating increasingly treacherous information flows. Using ecological metaphors\, they emphasize how our individual me is entwined within a much larger we\, and how everyone fits within an ever-shifting network map. \nWhitney Phillips is Assistant Professor in the Department of Communication and Rhetorical Studies at Syracuse University and the author of This Is Why We Can’t Have Nice Things: Mapping the Relationship between Online Trolling and Mainstream Culture (MIT Press). \nRyan M. Milner is Associate Professor of Communication at the College of Charleston and author of The World Made Meme: Public Conversations and Participatory Media (MIT Press). \nClick the (RSVP LINK) on the Gray Area website to reserve your place in the virtual hall. \n  \nSession 5 \n3:00 pm Pacific / 6:00 p.m. \nLiving in Data \nwith Jer Thorp and Romi Ron Morrison \n     \nTo live in data in the twenty-first century is to be incessantly extracted from\, classified and categorized\, statisti-fied\, sold\, and surveilled. Data—our data—is mined and processed for profit\, power\, and political gain. In Living in Data\, Thorp asks a crucial question of our time: How do we stop passively inhabiting data\, and instead become active citizens of it? \nJer Thorp is an artist\, a writer\, and a teacher. He was the first data artist in residence at The New York Times\, he is a National Geographic Explorer\, and he served as the innovator in residence at the Library of Congress in 2017 and 2018. He lives under the Manhattan Bridge with his family and his awesome dog\, Trapper John\, MD. Living in Data is his first book. \nRomi Ron Morrison is a Black queer non-binary artist\, researcher\, and educator. Their work investigates the personal\, political\, ideological\, and spatial boundaries of race\, ethics\, and social infrastructure within digital technologies. Using maps\, data\, sound\, performance\, and video\, their installations center Black Feminist technologies that challenge the demands of an increasingly quantified world—reducing land into property\, people into digits\, and knowledge into data. \nClick the (RSVP LINK) on the Gray Area website to reserve your place in the virtual hall. \n  \nWorkshop Schedule \n  \nWednesday\, June 16\, 2021\, 10am – 1pm Pacific / 1pm – 4pm Eastern \nUnderstanding AI Data Bias \nInstructors: Paul Bethge\, Ralph Eger\, Yannick Hofmann\, & Jana Müller \nIn this workshop\, participants will be introduced to the basics of Deep Learning and explore the topic of data bias. Together\, the implications of this technology will be explored using generative neural networks in the visual media domain. \nCoordinated by The Intelligent Museum \n \nThe Intelligent Museum is a practice-based research and development project at the ZKM | Center for Art and Media Karlsruhe and the German Museum\, with the aim of connecting the museum with current AI technologies\, making it a place of experience and experimentation\, a social space where art\, science\, technology and public discourse come together. \n  \nThursday\, June 17\, 2021\, 10:00 am – 12:00 pm Pacific / 1:00 pm – 3:00 pm Eastern \nBYOW Workshop: Build Your Own Words to Resist Algorithmic Censorship \nInstructors: Xiaowei Wang\, Qianqian Ye \n   \nTo enroll click the (ENROLLMENT LINK) on the Gray Area website. \nOur capacity for change is shaped by our capacity for language: new phrases\, words\, revolution are created by our ability to imagine new worlds and vocabularies. From hashtags and political slogans\, words serve as reminders and provocations of where we’ve been and where we are headed. \nYet online\, words are not just expressions — words are now a form of data. “The systemic manipulation and monetization of digitized language is a threat to the security and stability of modern society. The very words we use to communicate\, learn\, debate\, and critique have become compromised by opaque algorithmic organisation and optimisation\, and the market-driven profits of private companies such as Google. We might therefore ask ourselves\, just how resilient and secure is language in the digital age?” writes researcher Pip Thornton. Whether in the US\, in China\, globally\, language online has become the medium in which activism arises. Language has also become a form of data\, ready to be co-opted\, used to create machine learning systems for profit\, such as words for training data that form AI models that can “write”. Words have also become an arena for automated censorship and moderation. In China\, automated censorship has led to a surge of creativity as online netizens scramble to “fool the machine”\, through creative use of homophones to images and new characters that bypass OCR (optical character recognition). \nWriting has long been a form of dissent and provocation. Words can destroy worlds or create new worlds. Our new languages will be prismatic in nature\, subject to the multiple\, relational and transnational ways of expression. \nIn this workshop\, we’ll use the Hanzimaker and other parts of the Algorithmic Censorship Toolkit by Future of Memory to experiment with creating new words\, phrases and vocabularies to document the past and think through the future. These new hybrid characters\, a mash of multiple languages\, just as diasporic as their creators will escape classification and recognition by automated systems. We see these characters as a form of visual poetry.\nAs Audre Lorde wrote\, “Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundation for a future of change\, a bridge across our fears of what has never been before.” \nWhat words will we be left with to describe the past? What words will build our future? What is the new vocabulary we need for different kinds of revolution? \nXiaowei Wang is an artist\, coder and a writer. The creative director at Logic magazine\, their work encompasses community-based projects on technology\, ecology\, and education. Their projects have been finalists for the Index Design Awards and featured by the New York Times\, the BBC\, CNN\, VICE\, and elsewhere. \nQianqian Ye is an artist\, educator and organizer based in Los Angeles. She currently teaches at USC Media Arts + Practice and works as a p5.js co-lead at Processing Foundation. She was born and raised in China and moved to the US in 2012. Trained as an architect\, she explores the complex interaction between digital\, architectural\, and social spaces. \n  \nFriday\, June 18\, 2021\, 10:00 am – 1:00 pm Pacific / 1:00 pm – 4:00 pm Eastern \nMeme Tactics Workshop \nInstructors: Josue Chavez\, Kira Simon-Kennedy \n   \nTo enroll click the (ENROLLMENT LINK) on the Gray Area website. \nMemes make us laugh\, and make a message catch on. Best of all\, people can remix them and pass them on. We need all the tools we can get to negotiate power and assert presence. Meme Tactics is a session to share strategies to harness the humorous power of memes for movements. We’ll share examples of dances\, symbols\, zines and patches from Nicaragua\, India\, mainland China\, and beyond. You’ll leave with a set of tactics specific to amplify your own messages. \nJosue Chavez researches media\, translation and labor in China and Central America. He is the co-curator of Meme Tactics\, and his critical writing has been featured in Ada: A Journal of Gender\, New Media and Technology. He is a Ph.D. student in the Hispanic Studies department at Penn. \nKira Simon-Kennedy helps creative people do impactful and interesting things as the co-founder & director of China Residencies\, a co-founder of Rivet\, and an independent film producer. She likes writing guides\, redistributing resources\, and curating meme tactics. \n\n\nSponsored by the City Lights Foundation
URL:https://litseen.com/event/revisions-decoding-technological-bias/
LOCATION:CA
CATEGORIES:Virtual
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210614T180000
DTEND;TZID=America/Los_Angeles:20210614T190000
DTSTAMP:20260501T175334
CREATED:20210521T190110Z
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SUMMARY:Misa Sugiura\, Claire Kann\, and Jared Reck
DESCRIPTION:Three fabulous authors.\nThree amazing new summer reads.\nJoin us for The Marvelous Proclamations of Love and Other Doughnut Disasters Extravaganza and celebrate the launch of your new summer favorites.\n\n\n\n\n\n\n \nMisa Sugiura is the author of It’s Not Like It’s a Secret\, which won the Asian/Pacific American Award for YA Literature and This Time Will Be Different\, which was the HarperCollins Children’s Books Lead Read. Her new book\, Love and Other Natural Disasters is a delightfully disastrous queer YA rom-com \nWhen Nozomi Nagai pictured the ideal summer romance\, a fake one wasn’t what she had in mind. That was before she met the perfect girl. Willow is gorgeous\, glamorous\, and…heartbroken? And when she enlists Nozomi to pose as her new girlfriend to make her ex jealous\, Nozomi is a willing volunteer. Because Nozomi has a master plan of her own: one to show Willow she’s better than a stand-in\, and turn their fauxmance into something real. But as the lies pile up\, it’s not long before Nozomi’s schemes take a turn toward disaster…and maybe a chance at love she didn’t plan for. \n\n\n\n\n \n \n\n\n\n\n\n\n\nClaire Kann is the author of Let’s Talk About Love and If It Makes You Happy. Her exuberant new book\, The Marvelous\, follows six teens locked together in a mansion\, contending for a life-changing cash prize in a competition run by a reclusive heiress. \nEveryone thinks they know Jewel Van Hanen. Heiress turned actress turned social media darling who created the massively popular video-sharing app\, Golden Rule. After mysteriously disappearing for a year\, Jewel makes her dramatic return with an announcement: she has chosen a few lucky Golden Rule users to spend an unforgettable weekend at her private estate. But once they arrive\, Jewel ingeniously flips the script: the guests are now players in an elaborate estate-wide game. And she’s tailored every challenge and obstacle to test whether they have what it takes to win. Told from the perspective of three players–Nicole: the new queen of Golden Rule; Luna: Jewel’s biggest fan; and Stella: a brilliant outsider–this novel will charm its way into your heart and keep you guessing how it all ends because money isn’t the only thing at stake. \n\n\n\n\n \n \n\n\n\n\n\n\n\nJared Reck is the author of A Short History of the Girl Next Door His new book Donuts and Other Proclamations of Love an alternately funny and heartbreaking story about food trucks\, festivals\, and first loves. \nIt’s easy to look at high school senior Oscar Olsson and think: lost. He hates school\, struggles to read\, and wants nothing to do with college. But Oscar knows exactly what he wants and how to get it. Oscar and Farfar\, the Swedish grandfather who’s raised him\, run a food truck together\, and Oscar wants to finish school so he can focus on the food truck full-time. It’s easy to look at Mary Louise (Lou for short) Messinger and think: driven. AP everything\, valedictorian in her sights\, and Ivy league college aspirations. When Lou hijacks Oscar’s carefully crafted schedule of independent studies and time in the Culinary Lab\, Oscar is roped into helping Lou complete her over-ambitious\, resume-building service project-reducing food waste in their school. While Lou stands to gain her Girl Scout Gold Award\, Oscar will be faced with uneaten school apples and countless hours with a girl he can’t stand. With the finish line in sight\, a relationship he never expected\, and festival season about to begin\, the unthinkable happens\, and Oscar’s future is anything but certain.
URL:https://litseen.com/event/misa-sugiura-claire-kann-and-jared-reck/
LOCATION:CA
CATEGORIES:Free,Virtual
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DTSTART;TZID=America/Los_Angeles:20210614T180000
DTEND;TZID=America/Los_Angeles:20210614T190000
DTSTAMP:20260501T175334
CREATED:20210613T022708Z
LAST-MODIFIED:20210613T022708Z
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SUMMARY:Virtual Event: Martha Cooley and Anne Germanacos
DESCRIPTION:Join us on Monday\, June 14 at 6pm PT when Martha Cooley discusses her latest novel\, Buy Me Love\, with Anne Germanacos on Zoom!\n\nZoom Login Info\nPlease click the link below to join the webinar:\nhttps://us02web.zoom.us/j/84120825850\n\nPraise for Buy Me Love\n“Buy Me Love is a terrific novel about the eternal confusions of money and our beloved notions of free will—as they play out for one woman with a lottery ticket. It has a superbly believable romance\, crooked family histories\, and a sneaky double plot. Readers drawn in by its sharpness and originality will find themselves richly rewarded by its striking turns.”\n—Joan Silber\, author of Improvement\n\n“Money—its seductive force\, the love of it\, its weird immaterial nature\, the good it can do\, and the risk that having it could obliterate who you are—is everyone’s suave adversary in Martha Cooley’s penetrating novel. She has drawn each of these characters with striking uniqueness. They could all use a bit more money. But it’s the possibility of suddenly having a lot more that fills the story with such danger and hope. If you got everything you wanted\, would you still want it? And would you still be you?”\n—Salvatore Scibona\, author of The Volunteer\n\nAbout Buy Me Love\nA novel about chance\, trust\, and a lottery ticket.\nDescribed by Publishers Weekly as Cooley’s “sharp latest”\, “Cooley has a sure hand in probing the intersection of artistic ambition and money. This hopeful take is sure to move readers.”\n\nIn Brooklyn\, New York\, in 2005\, Ellen Portinari buys a lottery ticket on a whim; not long after\, she realizes she’s won a hundred-million-dollar jackpot. With a month to redeem the ticket\, she tells no one but her alcoholic brother—a talented composer whose girlfriend has died in a terrorist attack abroad—about her preposterous good luck.\n\nAs the clock ticks\, Ellen caroms from incredulity to giddiness to dread as she tries to reckon with the potential consequences of her win. She becomes unexpectedly involved with a man and boy she’s met at her local gym. While she grapples with the burden of secret-keeping and the tug of a new intimacy\, a Brooklyn street artist named Blair Talpa is contending with her own challenges: a missing brother\, an urge to make art that will “derange orbits\,” and a lack of money.\n\nEn route to redeem the lottery ticket\, Ellen finds her prospects entwining by chance with Blair’s—which allows Ellen to reimagine luck’s relation to loss\, and the reader to revel in surprise.
URL:https://litseen.com/event/virtual-event-martha-cooley-and-anne-germanacos-2/
LOCATION:online\, CA\, United States
CATEGORIES:Free,San Francisco,Virtual
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210614T180000
DTEND;TZID=America/Los_Angeles:20210614T200000
DTSTAMP:20260501T175334
CREATED:20210605T122242Z
LAST-MODIFIED:20210605T122242Z
UID:64254-1623693600-1623700800@litseen.com
SUMMARY:Virtual Event: Martha Cooley and Anne Germanacos
DESCRIPTION:JOIN US ON MONDAY\, JUNE 14 AT 6PM PT WHEN MARTHA COOLEY DISCUSSES HER LATEST NOVEL\, BUY ME LOVE\, WITH ANNE GERMANACOS ON ZOOM!\nZoom Login Info\nPlease click the link below to join the webinar:\nhttps://us02web.zoom.us/j/84120825850\nOr One tap mobile :\nUS: +16699009128\,\,84120825850#  or +12532158782\,\,84120825850#\nInternational numbers available: https://us02web.zoom.us/u/kcGy7MX0NI \nPraise for Buy Me Love\nBuy Me Love is a terrific novel about the eternal confusions of money and our beloved notions of free will—as they play out for one woman with a lottery ticket. It has a superbly believable romance\, crooked family histories\, and a sneaky double plot. Readers drawn in by its sharpness and originality will find themselves richly rewarded by its striking turns.\n—Joan Silber\, author of Improvement \nMoney—its seductive force\, the love of it\, its weird immaterial nature\, the good it can do\, and the risk that having it could obliterate who you are—is everyone’s suave adversary in Martha Cooley’s penetrating novel. She has drawn each of these characters with striking uniqueness. They could all use a bit more money. But it’s the possibility of suddenly having a lot more that fills the story with such danger and hope. If you got everything you wanted\, would you still want it? And would you still be you?\n—Salvatore Scibona\, author of The Volunteer \nAbout Buy Me Love\nA novel about chance\, trust\, and a lottery ticket. \nDescribed by Publishers Weekly as Cooley’s “sharp latest”\, “Cooley has a sure hand in probing the intersection of artistic ambition and money. This hopeful take is sure to move readers.” \nIn Brooklyn\, New York\, in 2005\, Ellen Portinari buys a lottery ticket on a whim; not long after\, she realizes she’s won a hundred-million-dollar jackpot. With a month to redeem the ticket\, she tells no one but her alcoholic brother—a talented composer whose girlfriend has died in a terrorist attack abroad—about her preposterous good luck. \nAs the clock ticks\, Ellen caroms from incredulity to giddiness to dread as she tries to reckon with the potential consequences of her win. She becomes unexpectedly involved with a man and boy she’s met at her local gym. While she grapples with the burden of secret-keeping and the tug of a new intimacy\, a Brooklyn street artist named Blair Talpa is contending with her own challenges: a missing brother\, an urge to make art that will “derange orbits\,” and a lack of money. \nEn route to redeem the lottery ticket\, Ellen finds her prospects entwining by chance with Blair’s—which allows Ellen to reimagine luck’s relation to loss\, and the reader to revel in surprise.
URL:https://litseen.com/event/virtual-event-martha-cooley-and-anne-germanacos/
LOCATION:CA
CATEGORIES:Free,Virtual
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