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DTSTART;TZID=America/Los_Angeles:20200417T193000
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DTSTAMP:20260420T175931
CREATED:20191227T174415Z
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UID:54712-1587151800-1587157200@litseen.com
SUMMARY:Elizabeth Wetmore
DESCRIPTION:reads from her debut novel Valentine. \n\n\n\n\n\n\nWritten with the haunting emotional power of Elizabeth Strout and Barbara Kingsolver\, an astonishing debut novel that explores the lingering effects of a brutal crime on the women of one small Texas oil town in the 1970s. \nMercy is hard in a place like this . . . \nIt’s February 1976\, and Odessa\, Texas\, stands on the cusp of the next great oil boom. While the town’s men embrace the coming prosperity\, its women intimately know and fear the violence that always seems to follow. \nIn the early hours of the morning after Valentine’s Day\, fourteen-year-old Gloria Ramírez appears on the front porch of Mary Rose Whitehead’s ranch house\, broken and barely alive. The teenager had been viciously attacked in a nearby oil field—an act of brutality that is tried in the churches and barrooms of Odessa before it can reach a court of law. When justice is evasive\, one of the town’s women decides to take matters into her own hands\, setting the stage for a showdown with potentially devastating consequences. \nValentine is a haunting exploration of the intersections of violence and race\, class and region in a story that plumbs the depths of darkness and fear\, yet offers a window into beauty and hope. Told through the alternating points of view of indelible characters who burrow deep in the reader’s heart\, this fierce\, unflinching\, darkly funny\, and surprisingly tender novel illuminates women’s strength and vulnerability\, and reminds us that it is the stories we tell ourselves that keep us alive. \n\n\nAbout the Author\n\nElizabeth Wetmore is a graduate of the Iowa Writers’ Workshop. Her fiction has appeared in Epoch\, Kenyon Review\, Colorado Review\, Baltimore Review\, Crab Orchard Review\, Iowa Review\, and other literary journals. She is the recipient of a fellowship from the National Endowment for the Arts and two fellowships from the Illinois Arts Council\, as well as a grant from the Barbara Deming Foundation. She was also a Rona Jaffe Scholar in Fiction at Bread Loaf and a Fellow at the MacDowell Colony\, and one of six Writers in Residence at Hedgebrook. A native of West Texas\, she lives and works in Chicago. \n\n\nPraise For…\n\n“Fierce and complex\, VALENTINE is a novel of moral urgency and breathtaking prose. This is the very definition of a stunning debut.”\n— Ann Patchett \n“It is nearly impossible for me to believe that Elizabeth Wetmore is a first-time novelist. How can a writer burst out of the gate with this much firepower and skill? VALENTINE is brilliant\, sharp\, tightly wound\, and devastating. Wetmore has ripped the brutal\, epic landscape of West Texas out of the hands of men\, and has handed the stories over (finally!) to the girls and women who have always suffered\, survived\, and made their mark in such a hostile world. These are some of the most fully realized and unforgettable female characters I’ve ever met. They will stay with me.”\n— Elizabeth Gilbert\, New York Times bestselling author of City of Girls \n“My goodness\, what a novel. I clutched this book in both hands and by the end I could feel the dust of West Texas on my skin. Elizabeth Wetmore understands the nuances of the human heart better than almost any writer I’ve read in recent years\, and I rooted for these women with everything I have. There is violence here\, and despair\, but in the end the story is a testament to quiet courage\, to hope\, to love. Every person should read this extraordinary debut.”\n— Mary Beth Keane\, New York Times bestselling author of Ask Again\, Yes \n“Valentine is a screaming flare shot into the night sky: a blazing debut that’s as tender and subversive as it is powerful. From the opening moment\, I could not look away; the characters are so complex\, so gritty and determined\, that I had the sense they were carrying me aloft\, that they wouldn’t release me until we were safe. Elizabeth Wetmore captures a place and story that’s both expansive and suffocating\, counterfeit and raw\, brutal and beautiful\, all the vivid contradictions. Wetmore is a new literary powerhouse\, and Valentine is quite simply one of the best books I’ve ever read.”\n— Jeanine Cummins\, author of American Dirt \n“Elizabeth Wetmore shows us the vivid and complex culture of Odessa\, Texas. The women in this book move through their difficult lives with strength and surprising grace. The landscape and characters are rendered with precise and lyric prose. Valentine is a beautiful book written with compassion\, understanding\, and deep honesty. A remarkable debut.”\n— Chris Offutt\, author of Country Dark \n“In Valentine\, Elizabeth Wetmore cracks open West Texas and lays bare what beats inside: a world at once ferocious\, fragile\, and furious\, where women and girls fight menace from every fanged quarter—land\, animal\, human. But fight they do\, for themselves\, for each other\, for what’s right. Wondrously\, amid the sorrow\, Valentine thrums with the most staggering beauty\, a compassion and tenderness as vast as the sky. You’ll read this book like a letter from a lost love\, clutched in your hands\, heart in your throat. You’ll carry it with you forever.”\n— Bryn Chancellor\, author of Sycamore \n“In outstanding prose\, Wetmore has created a handful of extraordinary women out of the dust of West Texas\, 1976. They are all so real\, with their hard lives lived with absolute humanity. Valentine is both heartbreaking and thrilling\, I loved it.”\n— Claire Fuller\, author of Our Endless Numbered Days \n“Stirring. . . . Wetmore poetically weaves the landscape of Odessa and the internal lives of her characters\, whose presence remains vivid after the last page is turned. This moving portrait of West Texas oil country evokes the work of Larry McMurtry and John Sayles with strong\, memorable female voices.”\n— Publishers Weekly (starred review) \n“Drawing comparisons to Barbara Kingsolver and Wallace Stegner\, Wetmore writes with an evidently innate wisdom about the human spirit. With deep introspection\, she expertly unravels the complexities between men\, women\, and the land they inhabit. Achingly powerful\, this story will resonate with readers long after having finished it.”
URL:https://litseen.com/event/elizabeth-wetmore/
LOCATION:Mrs. Dalloway’s Bookstore\, 2904 College Ave\, Berkeley\, CA\, 94705\, United States
CATEGORIES:East Bay,Free
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/front-cover-of-Valentine.jpg
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DTSTART;TZID=America/Los_Angeles:20200417T193000
DTEND;TZID=America/Los_Angeles:20200417T213000
DTSTAMP:20260420T175931
CREATED:20200306T214456Z
LAST-MODIFIED:20200306T214456Z
UID:56201-1587151800-1587159000@litseen.com
SUMMARY:The Black (W)hole
DESCRIPTION:In 2019\, every member of the now award-winning Destiny Arts Center Youth Performance Company knew someone killed by violence. How they began to ask\, do we remember the “gone too soon”? It’s a question at the heart of The Black (W)hole\, a new\, multidisciplinary performance commissioned by Destiny Arts Center in collaboration with members of Oakland’s vibrant arts community that will premiere on April 17 at The Odell Johnson Performing Arts Center at Laney College. \nThe Black (W)hole combines hip hop and vertical dance\, poetic elegies\, video installations\, and mixed-media public artworks to honor six young people who died before age 32 in and around Oakland. “We commissioned Marc Bamuthi Joseph to come home to Oakland and help us create a new\, embodied language to memorialize youth in our city who have died too-soon. The Black (W)hole is a vehicle for resistance and spiritual renewal that will show how public rituals can affirm cultural memory and help us mourn and heal\,” explains Sarah Crowell\, the Center’s Artistic Director. \nThe Black (W)hole includes the Award-Winning Destiny Arts Youth Performance Company (DAYPC)\, together with Marc Bamuthi Joseph\, Brett Cook\, and Yoram Savion of YAKfilms\,The Elders Project\, and BANDALOOP\, DAYPC Co-Artistic Directors Sarah Crowell and Rashidi Omari\, and a team of powerful collaborators\, performance and art installations and a dance/theater piece for the six young “gone too soon” ancestors\, that have been guided by conversations with their family members.
URL:https://litseen.com/event/the-black-whole/
LOCATION:Laney College\, Odell Johnson Performing Arts Center 900 Fallon St\, Oakland\, 94607
CATEGORIES:East Bay,Free
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/The-Black-Whole.jpg
ORGANIZER;CN="Destiny Arts Center":MAILTO:info@destinyarts.org
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