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BEGIN:VEVENT
DTSTART;TZID=UTC:20180307T190000
DTEND;TZID=UTC:20180307T203000
DTSTAMP:20260501T141804
CREATED:20180129T122233Z
LAST-MODIFIED:20180206T052315Z
UID:29751-1520449200-1520454600@litseen.com
SUMMARY:Joseph Lease
DESCRIPTION:reading from his new poetry collection \nThe Body Ghost \nfrom Coffee House Press \nSpare\, airy\, exacting poems whose quietness is often at an ironic counterpoint to their fiery leftist politics. “Promise me the rich can’t sleep\,” Joseph Lease begs in The Body Ghost\, offering poems as light on the page as nursery rhymes\, and as powerful as prayer. Here\, verse conjures up the body in pain\, the body politic in collapse\, and the tensile strength of the filaments that connect us. \nJoseph Lease’s critically acclaimed books of poetry include The Body Ghost (Coffee House Press\, forthcoming in 2018)\, Testify (Coffee House Press\, 2011)\, and Broken World (Coffee House Press\, 2007). Lease has received The Academy of American Poets Prize and numerous grants and awards in poetry and poetics from Columbia University\, Brown University\, Harvard University\, and California College of the Arts. He is a Professor of Writing and Literature at California College of the Arts and a member of the Advisory Board of the Princeton Encyclopedia of Poetry and Poetics. \nWhat has been said about The Body Ghost: \n“I really don’t know how Joseph Lease does this. Reaches such lyric heights with such delicacy. With skillful use of anaphora\, and perfect\, various\, open-verse forms transformed page to page\, Lease is a tour de force master of prosody\, of the subtle music of words evoking\, in this case\, passionate feelings of caring\, of grief\, of sorrow for this broken world. These poems are unique; nothing I have read is like them.” —Norman Fischer \n“Currents of immediacy and intensity surge through Joseph Lease’s poems in The Body Ghost. Amid the flotsam of voices overheard in hospital rooms and snippets of media chatter repeating on TV and laptop screens\, Lease traces a lyric as light as air\, revealing gravities at the core of the ephemeral. This is a vision as palpable as the ghost body of our neoliberal society evanescing before us.” —John Keene \n“The Body Ghost is part of a body of work that is significant and reveals Joseph Lease to be a major force in contemporary American literature.” —Sheila Murphy \n“Joseph Lease’s is a singularly moving and devastatingly beautiful voice in contemporary poetry. The haunting iterations and luminous specificity of his powerful new collection The Body Ghost channel the sadness\, rage\, and desire of this fraught historical moment in a vibrant minor key. Lease’s musical repetition is a site of political awakening; a site of hope\, demolition\, and mourning: ‘we made / this sky of drones to eat your voice\,’ ‘lavender sky\, sky like whiskey—the way\, the way / we live in bodies.’ Flipping between one version of reality and its repetition evokes a gap of inequality within the lyric self which cleaves and doubles its singing: ‘you didn’t\, you did.’ Lease’s stunning poetry is simultaneously a solid\, a liquid\, and a gas\, its acrobatics and multivocal simultaneity offering models for examining everything from privilege and property to the poignant death of a family member. And at its center\, always\, is a beating heart.” —Trace Peterson \n“When I was very young\, my father\, a ‘skin doctor\,’ would show gleaming models of body parts at medical fairs. They frightened my sisters\, but they were also illuminations of a whole world. Joseph’s poems are like these terrifying wholes/holes. They travel into us. Joseph has been making an American Buddhist poetry\, and he is as maximalist as flesh and bone. He gives me the sensation that poetry is in gleaming hands\, healing and grasping and letting go. He is the future of poetry.” —David Shapiro \n“What is The Body Ghost? Who is The Body Ghost? I too became The Body Ghost from the minute I opened this book\, where ‘the light that’s burning every second now—’ commanded an urgency\, a charged presence. These incantatory poems are capacious and revelatory\, allowing space for grief\, for healing\, and perhaps for an elegy to the music of poetry where ‘sound gives life—.’ Interrelationships are explored\, an interconnectivity\, where one is both participant and accountable. What a relief to be invited in\, to feel alive and participate so presently in a collection that asks for this deep engagement\, which burrows to locate ‘the / soul beneath the soul beneath the soul.’ We need The Body Ghost right now.” —Jennifer Firestone \n“These poems\, rife with music and sly\, playful inquiries into the world\, have some of Frank O’Hara’s metropolitan freshness and directness; they’re charming in their artful\, lyrical gestures (‘the elegies / are taking off their clothes . . .’)\, but also plangent at key moments in their genuine moral and social critique (‘… tear up maps— / democracy is anyone’s eyes— feel / like you might have\, might have / killed someone’). Yes\, The Body Ghost is a spectral fan dance or a poetic striptease of sorts—its haunted\, incremental engines\, lavish white spaces\, and agile floating lines (like tracks in amassed snow sometimes)\, its neo-Dickinson dashes leading the entranced reader toward revelatory clues\, needling truths\, and insistent joys.” —Cyrus Cassells
URL:https://litseen.com/event/joseph-lease/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180307T190000
DTEND;TZID=UTC:20180307T203000
DTSTAMP:20260501T141804
CREATED:20180219T020455Z
LAST-MODIFIED:20180219T020455Z
UID:32014-1520449200-1520454600@litseen.com
SUMMARY:Joseph Lease
DESCRIPTION:Joseph Lease reading from his new poetry collection\n\nThe Body Ghost \nfrom Coffee House Press \nSpare\, airy\, exacting poems whose quietness is often at an ironic counterpoint to their fiery leftist politics. “Promise me the rich can’t sleep\,” Joseph Lease begs in The Body Ghost\, offering poems as light on the page as nursery rhymes\, and as powerful as prayer. Here\, verse conjures up the body in pain\, the body politic in collapse\, and the tensile strength of the filaments that connect us. \nJoseph Lease’s critically acclaimed books of poetry include The Body Ghost (Coffee House Press\, forthcoming in 2018)\, Testify (Coffee House Press\, 2011)\, and Broken World (Coffee House Press\, 2007). Lease has received The Academy of American Poets Prize and numerous grants and awards in poetry and poetics from Columbia University\, Brown University\, Harvard University\, and California College of the Arts. He is a Professor of Writing and Literature at California College of the Arts and a member of the Advisory Board of the Princeton Encyclopedia of Poetry and Poetics. \nWhat has been said about The Body Ghost: \n“I really don’t know how Joseph Lease does this. Reaches such lyric heights with such delicacy. With skillful use of anaphora\, and perfect\, various\, open-verse forms transformed page to page\, Lease is a tour de force master of prosody\, of the subtle music of words evoking\, in this case\, passionate feelings of caring\, of grief\, of sorrow for this broken world. These poems are unique; nothing I have read is like them.” —Norman Fischer \n“Currents of immediacy and intensity surge through Joseph Lease’s poems in The Body Ghost. Amid the flotsam of voices overheard in hospital rooms and snippets of media chatter repeating on TV and laptop screens\, Lease traces a lyric as light as air\, revealing gravities at the core of the ephemeral. This is a vision as palpable as the ghost body of our neoliberal society evanescing before us.” —John Keene \n“The Body Ghost is part of a body of work that is significant and reveals Joseph Lease to be a major force in contemporary American literature.” —Sheila Murphy \n“Joseph Lease’s is a singularly moving and devastatingly beautiful voice in contemporary poetry. The haunting iterations and luminous specificity of his powerful new collection The Body Ghost channel the sadness\, rage\, and desire of this fraught historical moment in a vibrant minor key. Lease’s musical repetition is a site of political awakening; a site of hope\, demolition\, and mourning: ‘we made / this sky of drones to eat your voice\,’ ‘lavender sky\, sky like whiskey—the way\, the way / we live in bodies.’ Flipping between one version of reality and its repetition evokes a gap of inequality within the lyric self which cleaves and doubles its singing: ‘you didn’t\, you did.’ Lease’s stunning poetry is simultaneously a solid\, a liquid\, and a gas\, its acrobatics and multivocal simultaneity offering models for examining everything from privilege and property to the poignant death of a family member. And at its center\, always\, is a beating heart.” —Trace Peterson \n“When I was very young\, my father\, a ‘skin doctor\,’ would show gleaming models of body parts at medical fairs. They frightened my sisters\, but they were also illuminations of a whole world. Joseph’s poems are like these terrifying wholes/holes. They travel into us. Joseph has been making an American Buddhist poetry\, and he is as maximalist as flesh and bone. He gives me the sensation that poetry is in gleaming hands\, healing and grasping and letting go. He is the future of poetry.” —David Shapiro \n“What is The Body Ghost? Who is The Body Ghost? I too became The Body Ghost from the minute I opened this book\, where ‘the light that’s burning every second now—’ commanded an urgency\, a charged presence. These incantatory poems are capacious and revelatory\, allowing space for grief\, for healing\, and perhaps for an elegy to the music of poetry where ‘sound gives life—.’ Interrelationships are explored\, an interconnectivity\, where one is both participant and accountable. What a relief to be invited in\, to feel alive and participate so presently in a collection that asks for this deep engagement\, which burrows to locate ‘the / soul beneath the soul beneath the soul.’ We need The Body Ghost right now.” —Jennifer Firestone \n“These poems\, rife with music and sly\, playful inquiries into the world\, have some of Frank O’Hara’s metropolitan freshness and directness; they’re charming in their artful\, lyrical gestures (‘the elegies / are taking off their clothes . . .’)\, but also plangent at key moments in their genuine moral and social critique (‘… tear up maps— / democracy is anyone’s eyes— feel / like you might have\, might have / killed someone’). Yes\, The Body Ghost is a spectral fan dance or a poetic striptease of sorts—its haunted\, incremental engines\, lavish white spaces\, and agile floating lines (like tracks in amassed snow sometimes)\, its neo-Dickinson dashes leading the entranced reader toward revelatory clues\, needling truths\, and insistent joys.” —Cyrus Cassells
URL:https://litseen.com/event/joseph-lease-2/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180307T190000
DTEND;TZID=UTC:20180307T203000
DTSTAMP:20260501T141804
CREATED:20180302T140135Z
LAST-MODIFIED:20180302T140135Z
UID:31717-1520449200-1520454600@litseen.com
SUMMARY:Word Week "Food Literature: International Cuisine"
DESCRIPTION:Local writers Cara Black\, Andrew McIntyre\, and Anne Raeff read passages from their works that discuss food\, cooking\, and eating. Hosted by Olive This Olive That\, an olive oil boutique & tasting bar\, you can hear these talented authors discuss their interest in international cuisine and sample some of the shop’s olive oils and balsamic vinegars. Delicious fun for all! Wednesday\, March 7\, 7:00 pm\, Olive This Olive That\, 304 Vicksburg St.\, Noe Valley. A Word Week 2018 event. \nABOUT THE AUTHORS:\nCara Black writes the New York Times and USA Today best-selling Aimée Leduc Investigation series set in the different arrondissements of Paris. She’s lives in Noe Valley and loves Bernie’s coffee. She gets to Paris whenever she can. Her latest book is MURDER IN SAINT-GERMAIN. Her website is www.carablack.com. \nAndrew McIntyre has published more than 50 short stories in numerous magazines\, including Catamaran Literary Reader\, The Copperfield Review\, Gold Dust Magazine\, The Mississippi Review\, Pindeldyboz\, Parting Gifts\, 3:AM Magazine\, and The Noe Valley Voice. He is the author of THE SHORT\, THE LONG\, AND THE TALL (Merilang Press\, 2010)\, a collection of 34 stories\, all published between 2000 and 2010. \nAnne Raeff’s short story collection THE JUNGLE AROUND US won the 2015 Flannery O’Connor Award for Short Fiction. Her novel WINTER KEPT US WARM will be published in February 2018. She is proud to be a high school history and English teacher working primarily with recent immigrants. She too is a child of immigrants. Much of her writing draws on her family’s experiences as refugees from war and the Holocaust.
URL:https://litseen.com/event/word-week-food-literature-international-cuisine/
LOCATION:Olive This Olive That\, 304 Vicksburg Street\, San Francisco\, 94114
CATEGORIES:Free,San Francisco
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180307T190000
DTEND;TZID=UTC:20180307T210000
DTSTAMP:20260501T141804
CREATED:20180128T224924Z
LAST-MODIFIED:20180206T052053Z
UID:29654-1520449200-1520456400@litseen.com
SUMMARY:Pandemonium Press: Sugartown Voices
DESCRIPTION:Featured readers: Bruce Bagnell\, Catherine Elizabeth Dana\, Constance Mastores\, and TBA. An open mic follows the featured readers. Book & Broadside Giveaway. Free\, 7-9 pm. The Octopus Literary Salon\, 2101 Webster St.\, Oakland.
URL:https://litseen.com/event/pandemonium-press-sugartown-voices-2/
LOCATION:The Octopus Literary Salon\, 2101 Webster St #170\, Oakland \, CA\, 94612\, United States
CATEGORIES:East Bay,Free
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180307T190000
DTEND;TZID=UTC:20180307T210000
DTSTAMP:20260501T141804
CREATED:20180128T230552Z
LAST-MODIFIED:20180206T052207Z
UID:29665-1520449200-1520456400@litseen.com
SUMMARY:Solmaz Sharif
DESCRIPTION:Solmaz Sharif\, author of Look (Graywolf Press\, 2016) and a National Book Award finalist\, reads from her poetry and essays. “In Sharif’s rendering\, Look is at once a command to see and to grieve the people these words describe — and also a means of implicating the reader in the violence delivered upon these people.” — The New York Times Book Review. Free.\nLocation: Humanities Building\, Room 587\nDirections: View Directions on Google Maps\n\n\n\n\nBorn in Istanbul to Iranian parents\, Solmaz Sharif holds degrees from New York University and University of California\, Berkeley\, where she studied and taught with June Jordan’s Poetry for the People. Her work has appeared in the New Republic\, Poetry\, The Kenyon Review\, Granta and others. The former managing director of the Asian American Writers’ Workshop\, Sharif has been recognized with a “Discovery”/Boston Review Poetry Prize\, Rona Jaffe Foundation Writers’ Award and a National Endowment for the Arts fellowship. She received a 2016 Lannan Literary Fellowship and the Holmes National Poetry Prize from Princeton University. A former Stegner Fellow\, Sharif is a lecturer at Stanford University.
URL:https://litseen.com/event/solmaz-sharif-2/
LOCATION:San Francisco State University\, 1600 Holloway Ave\, San Francisco \, CA\, 94132\, United States
CATEGORIES:Free,San Francisco
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