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DTSTART;TZID=UTC:20180506T160000
DTEND;TZID=UTC:20180506T173000
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SUMMARY:Alicia Mountain / High Ground Coward
DESCRIPTION:The Bindery hosts Alicia Mountain reading from High Ground Coward\, winner of the 2017 Iowa Poetry Prize. Joining her for a reading and conversation is Brittany Perham (Double Portrait)—join us! \nAlicia Mountain’s urgent and astonishing debut collection maps a new queer landscape through terrain alive and sensual\, defiant and inviting. With a voice that beckons while it howls\, Mountain nimbly traverses lyric\, confessional\, and narrative modes\, leaving groundbreaking tracks for us to follow. High Ground Coward offers fists full of soil\, leftovers for breakfast\, road trip as ritual\, twins of lovers and twins of ourselves. This world blooms with hunger-inducing detail\, its speakers asking us to consider what it will take to satisfy our own appetites while simultaneously trying to nourish one another. “Ferocious\, even the softest part\,” Mountain shows us “a way to fall in love with wanting\,” leaving us “ravenous\, but gradually.” \nBearing witness to identity formation in solitude and communion\, High Ground Coward is an almanac of emotional and relational seasons. Mountain’s speakers question the meaning of inheritance\, illness\, violence\, mythology\, and family architecture. Whether Mountain is at work revealing the divinity of doubt\, the entanglement of devotion\, or the dominion that place holds over us\, High Ground Coward heralds a thrilling poetic debut. \n  \nfrom “Scavenger”  \nWe three eat food and are in love. This is the easy way to say \nthere are stores beneath the floor. \nPotatoes and shallots\, \nhard-necked garlic streaked purple\, \njars beside jars\, themselves \neach staving globes of suction. \nPreservation\, a guardian hunger. \n  \nIn the evening I whisper to the boiled beet\, \nlike a naked organ in my flushed hand: \nYou are ground blood\, \nyou are new born\, \nyou have never been nothing— \nthawfruit seedflower greenstart rootbulb \nhandpull shedscrub mouthsweet \nand again. \n  \n— \n“Alicia Mountain looks at every tiny thing very closely\, and in doing that conveys the big picture of a vast inner life with marvelous clarity and depth. Her voice is intimate\, brash\, always precise\, heartbreaking in both its vulnerability and its authority. These poems are carried away by both lust and intelligence. This poet understands desire: its expression lets loose while giving form. This book doesn’t detour\, it goes right to and through the overpowered\, relentless heart of its speaker and the reader is struck through too\, and good. High Ground Coward is a dazzling debut by a rare\, true talent.” – Brenda Shaughnessy\, judge\, Iowa Poetry Prize \n“High Ground Coward is raw and intimate. Alicia Mountain looks at what she loves and that foreground blurs into a backdrop of practical constraints and injustices. The poems press at those boundaries where desire starts to interfere with the opportunities of others and cast an unsparing eye on the cost. This is a book of hard\, shifting\, dreamlike gems.” – Joanna Klink\, author\, Excerpts from a Secret Prophecy 
URL:https://litseen.com/event/alicia-mountain-high-ground-coward/
LOCATION:The Bindery\, 1727 Haight St\, San Francisco \, 94117\, United States
CATEGORIES:Free,San Francisco
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DTSTART;TZID=UTC:20180506T180000
DTEND;TZID=UTC:20180506T200000
DTSTAMP:20260409T052857
CREATED:20180424T003429Z
LAST-MODIFIED:20180424T003429Z
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SUMMARY:Bazaar Writers Salon
DESCRIPTION:Readings by J. Bruce Fuller\, Jason Labbe\, Raina J. León\, and Matt W. Miller\nMusic by Armando Alcaraz\nHosted by Peter Kline \nArmando Alcaraz’s original songs are in English and his native Spanish and have influences from both Latin American\, traditional Mexican and American folk. Armando uses his songs and music to facilitate transformation\, integration\, and healing in contemplative contexts. \nJ. Bruce Fuller is a Louisiana native\, and is currently a 2016-2018 Wallace Stegner Fellow in Poetry at Stanford University. His chapbooks include The Dissenter’s Ground\, Notes to a Husband\, Lancelot\, and Flood which won the 2013 Swan Scythe Chapbook Contest. His poems have appeared or are forthcoming at The Southern Review\, Crab Orchard Review\, Harpur Palate\, Pembroke Magazine\, Birmingham Poetry Review\, and Louisiana Literature\, among others. He is the editor and publisher of Yellow Flag Press. He received a MFA from McNeese and a PhD from the University of Louisiana at Lafayette. \nBorn in New Britain\, Connecticut and raised by a machinist and a waitress\, Jason Labbe is the author of a full-length collection\, Spleen Elegy (BlazeVOX\, 2017)\, and a handful of chapbooks\, including Blackwash Canal (2011) and Dear Photographer (Phylum Press\, 2009). His poems\, reviews\, and nonfiction have appeared or are forthcoming in Poetry\, Boston Review\, A Public Space\, Conjunctions\, DIAGRAM\, American Book Review\, Washington Square\, Gulf Coast\, and The Brooklyn Rail. He has taught writing at the University of Virginia\, the University of Connecticut\, and Southern Connecticut State University. Also a drummer and recording engineer\, he has worked with many artists in New England and New York City. He splits his time between Bethany\, Connecticut and Brooklyn\, New York. \nRaina J. León\, PhD\, CantoMundo fellow\, Cave Canem graduate fellow (2006) and member of the Carolina African American Writers Collective\, has been published in numerous journals as a writer of poetry\, fiction and nonfiction. She is the author of three collections of poetry\, Canticle of Idols\, Boogeyman Dawn\, sombra: (dis)locate (2016) and the chapbook\, profeta without refuge (2016). She has received fellowships and residencies with Macondo\, Cave Canem\, CantoMundo\, Montana Artists Refuge\, the Macdowell Colony\, Kimmel Harding Nelson Center for the Arts\, Vermont Studio Center\, among others. She is a founding editor of The Acentos Review\, an online quarterly\, international journal devoted to the promotion and publication of Latinx arts. She is an associate professor of education at Saint Mary’s College of California. \nMatt W. Miller is the author of the collections The Wounded for the Water (Salomon Poetry)\, Club Icarus\, selected by Major Jackson as the winner of the 2012 Vassar Miller Poetry Prize and Cameo Diner: Poems. He has published poems and essays in The Adroit Journal\, Harvard Review\, Narrative Magazine\, Notre Dame Review\, Southwest Review\, 32 Poems\, Memorious\, and crazyhorse\, among other journals. He was winner of the River Styx Microbrew/Microfiction Prize and Iron Horse Review’s Trifecta Poetry Prize. He is a former Wallace Stegner Fellow in Poetry at Stanford University and a Walter E. Dakin Fellow in Poetry at the Sewanee Writers’ Conference. He teaches English at Phillips Exeter Academy and lives with his family in coastal New Hampshire.
URL:https://litseen.com/event/bazaar-writers-salon-10/
LOCATION:Bazaar Cafe\, 5927 California St\, San Francisco\, CA\, 94121\, United States
CATEGORIES:Free,San Francisco
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