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DTSTART:20170101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20181005T080000
DTEND;TZID=UTC:20181107T080000
DTSTAMP:20260430T201954
CREATED:20181006T034518Z
LAST-MODIFIED:20181006T034518Z
UID:48160-1538726400-1541577600@litseen.com
SUMMARY:MARY: A Journal of New Writing
DESCRIPTION:MARY: A Journal of New Writing is accepting submissions for our Fall 2018 issue. If you have poetry\, nonfiction\, or fiction you would like to share\, please send it our way! Authors of works selected for the Fall 2018 Issue will be offered a small honorarium. Submissions are open until November 7th. We look forward to reading your work! For more information about our submission guidelines\, please use the following link: https://www.stmarys-ca.edu/MarySubmissionForm
URL:https://litseen.com/event/mary-a-journal-of-new-writing-3/
LOCATION:CA
CATEGORIES:East Bay,Free
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BEGIN:VEVENT
DTSTART;TZID=UTC:20181030T190000
DTEND;TZID=UTC:20181030T190000
DTSTAMP:20260430T201954
CREATED:20180924T015555Z
LAST-MODIFIED:20180924T015555Z
UID:47880-1540926000-1540926000@litseen.com
SUMMARY:Poets Wendy Trevino and Melissa Merin
DESCRIPTION:Wendy Trevino was born and raised in the Rio Grande Valley of South Texas. She lives in San Francisco\, where she shares an apartment with her boyfriend\, friend & two senior cats. She has published chapbooks with Perfect Lovers Press\, Commune Editions and Krupskaya Books. Brazilian no es una raza – a bilingual edition of the chapbook she published with Commune Editions – was published by the feminist Mexican press Enjambre Literario in July 2018. Her first book-length collection of poems will be published by Commune Editions in September 2018. Wendy is not an experimental writer. \nMelissa has been writing since she could hold a crayon. She is established as a parent\, a lover & partner\, a queer\, an anti-authoritarian and a consistently retiring punker. She is too Black to ever be considered a snowflake. Melissa believes in utilizing a diversity of tactics to build the world we need; one of her favorite tactics is writing. Melissa is a long-time educator and agitator and has never been able to get it together to “publish”\, though many zines and many blogs tell the story of trying. Melissa in no way identifies as butch and she recently bought a new impact drill and sawzall.
URL:https://litseen.com/event/poets-wendy-trevino-and-melissa-merin/
LOCATION:Moe’s Books\, 2476 Telegraph Ave.\, Berkeley\, CA\, 94704\, United States
CATEGORIES:East Bay,Free
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2018/09/trevino.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20181030T190000
DTEND;TZID=UTC:20181030T210000
DTSTAMP:20260430T201954
CREATED:20180825T064113Z
LAST-MODIFIED:20180825T064113Z
UID:47598-1540926000-1540933200@litseen.com
SUMMARY:Juliana Spahr
DESCRIPTION:discussing the subject of her new book \nDu Bois’s Telegram : Literary Resistance and State Containment \npublished by Harvard U. Press \n\nIn 1956 W. E. B. Du Bois was denied a passport to attend the Présence Africaine Congress of Black Writers and Artists in Paris. So he sent the assembled a telegram. “Any Negro-American who travels abroad today must either not discuss race conditions in the United States or say the sort of thing which our State Department wishes the world to believe.” Taking seriously Du Bois’s allegation\, Juliana Spahr breathes new life into age-old questions as she explores how state interests have shaped U.S. literature. What is the relationship between literature and politics? Can writing be revolutionary? Can art be autonomous\, or is escape from nations and nationalisms impossible? \nDu Bois’s Telegram brings together a wide range of institutional forces implicated in literary production\, paying special attention to three eras of writing that sought to defy political orthodoxies by contesting linguistic conventions: avant-garde modernism of the early twentieth century; social-movement writing of the 1960s and 1970s; and\, in the twenty-first century\, the profusion of English-language works incorporating languages other than English. Spahr shows how these literatures attempted to assert their autonomy\, only to be shut down by FBI harassment or coopted by CIA and State Department propagandists. Liberal state allies such as the Ford and Rockefeller foundations made writers complicit by funding multiculturalist works that celebrated diversity and assimilation while starving radical anti-imperial\, anti-racist\, anti-capitalist efforts. \nSpahr does not deny the exhilarations of politically engaged art. But her study affirms a sobering reality: aesthetic resistance is easily domesticated. \nJuliana Spahr is Professor of English at Mills College. She is the author of eight volumes of poetry\, including The Winter the Wolf Came\, Well Then There Now\, and Response\, winner of the National Poetry Series Award. She is also the editor\, with Claudia Rankine\, of American Women Poets in the 21st Century and received the O. B. Hardison Jr. Poetry Prize from the Folger Shakespeare Library. \n\nWhat has been said about Du Bois’s Telegram: \n“This book is thrilling. Spahr develops a truly original\, even clarion\, account of the relationship of social movements\, avant-garde and politically charged writing\, and the foreign policy arm of the U.S. A great deal of the power of Du Bois’s Telegram has to do with the way it makes totally unexpected connections among separate discourses\, and makes the connections seem necessary and obvious\, at a stroke. It is common to praise a book for being potentially field-changing; this book suggests the possibility of changing several fields.“—Christopher Nealon\, Johns Hopkins University \n\n\n\n\n\n\n\n 
URL:https://litseen.com/event/juliana-spahr-2/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2018/08/spahr.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20181030T190000
DTEND;TZID=UTC:20181030T210000
DTSTAMP:20260430T201954
CREATED:20180830T222034Z
LAST-MODIFIED:20180830T222034Z
UID:47712-1540926000-1540933200@litseen.com
SUMMARY:Jasmine Guillory - THE PROPOSAL
DESCRIPTION:[more info to come] \n\n\n\n\nEvent date:\n\nTuesday\, October 30\, 2018 – 7:00pm\n\n\n\nEvent address:\n\n\n\nEast Bay Booksellers\n5433 College Avenue\n\nOakland\, CA 94618
URL:https://litseen.com/event/jasmine-guillory-the-proposal/
LOCATION:East Bay Booksellers\, 5433 College Avenue\, Oakland\, 94618
CATEGORIES:East Bay,Free
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2018/08/proposal.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20181030T193000
DTEND;TZID=UTC:20181030T213000
DTSTAMP:20260430T201954
CREATED:20180825T210139Z
LAST-MODIFIED:20180825T210139Z
UID:47639-1540927800-1540935000@litseen.com
SUMMARY:Kim Adrian discusses her new memoir\, The Twenty-Seventh Letter of the Alphabet with Amy Wallen
DESCRIPTION:Kim Adrian discusses her new memoir\, The Twenty-Seventh Letter of the Alphabet with Amy Wallen. \n\nPraise for The Twenty-Seventh Letter of the Alphabet \n\n“A stunning merger of form and content; a remarkable portrait-becomes-self-portrait; andsomething like a master class in complicity.”—David Shields\, author of Reality Hunger \n\n“The Twenty-Seventh Letter of the Alphabet is a revelation. By structuring the book in the unconventional form of a glossary\, Adrian allows the reader into the very intimate mechanics of her memory. Each page I read pulled me deeper under the book’s peculiar spell. Through Adrian’s rigorous attention to detail I found myself involuntarily drawn into her perspective\, both as a child and a grown woman\, hungry to make sense of this troubled family and this vibrantly unstable mother.”—Alysia Abbott\, author of Fairyland: A Memoir of My Father \n\n“This is desperately serious work\, an exacting memoir that excavates\, with compassion for all involved\, the harrowingly repetitive patterns of abuse as well as moments of something like hope\, crushable and delicate\, thwarted\, and yet renewable. An agonized\, beautiful\, unflinching account.” —Lee Upton\, author of Visitations: Stories \n\nAbout The Twenty-Seventh Letter of the Alphabet \n\nClear-sighted\, darkly comic\, and tender\, The Twenty-Seventh Letter of the Alphabet is about a daughter’s struggle to face the Medusa of generational trauma without turning to stone. Growing up in the New Jersey suburbs of the 1970s and 1980s in a family warped by mental illness\, addiction\, and violence\, Kim Adrian spent her childhood ducking for cover from an alcoholic father prone to terrifying acts of rage and trudging through a fog of confusion with her mother\, a suicidal incest survivor hooked on prescription drugs. Family memories were buried–even as they were formed–and truth was obscured by lies and fantasies. \nIn The Twenty-Seventh Letter of the Alphabet Adrian tries to make peace with this troubled past by cataloguing memories\, anecdotes\, and bits of family lore in the form of a glossary. But within this strategic reckoning of the past\, the unruly present carves an unpredictable path as Adrian’s aging mother plunges into ever-deeper realms of drug-fueled paranoia. Ultimately\, the glossary’s imposed order serves less to organize emotional chaos than to expose difficult but necessary truths\, such as the fact that some problems simply can’t be solved\, and that loving someone doesn’t necessarily mean saving them. \n 
URL:https://litseen.com/event/kim-adrian-discusses-her-new-memoir-the-twenty-seventh-letter-of-the-alphabet-with-amy-wallen/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2018/08/adrian.jpg
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