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DTSTART;TZID=UTC:20190123T180000
DTEND;TZID=UTC:20190123T193000
DTSTAMP:20260415T040524
CREATED:20181231T221349Z
LAST-MODIFIED:20181231T221349Z
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SUMMARY:Book Discussion: The Art of Relevance
DESCRIPTION:How can you re-ignite your community and create greater participation? \nJoin us for an informal discussion of Nina Simon’s recent book\, The Art of Relevance\, followed by the chance to chat and network with people who work in museums\, zoos\, aquariums\, parks\, historical organizations\, and nature centers. \nNina Simon has been described as a “museum visionary” by Smithsonian Magazine for her audience-centered approach to design. “Whether you work in museums or libraries\, parks or theaters\, churches or afterschool programs\, relevance can work for you. Relevance is not something an institution can assign by fiat. Your work matters when it matters to people—when THEY deem it relevant\, not you. The Art of Relevance will help you identify the people you seek to engage\, empathize with their concerns and interests\, and develop authentic ways to invite them into your work on their own terms.” (From www.artofrelevance.org). \nYou can read the book for free online. \nThis free event is open to the public\, but will be of special interest to professionals and aspiring professionals from museums and related fields. You do not have to have read the book to come to the discussion! \nCo-hosted by Cultural Connections\, a community of Bay Area museum professionals who meet regularly to exchange ideas\, share resources\, and inspire creativity and action. We value diversity\, pushing boundaries\, being responsive\, and professional development. To learn more\, please visit our website.
URL:https://litseen.com/event/book-discussion-the-art-of-relevance/
LOCATION:Oakland Public Library – Main Branch\, 125 - 14th Street\, Oakland\, 94612
CATEGORIES:East Bay,Free
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2018/12/front_cover.png
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DTSTART;TZID=UTC:20190123T190000
DTEND;TZID=UTC:20190123T210000
DTSTAMP:20260415T040524
CREATED:20181129T215634Z
LAST-MODIFIED:20181130T214949Z
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SUMMARY:Mattilda Bernstein Sycamore
DESCRIPTION:reading from her new novel \nSketchtasy \nfrom Arsenal Pulp Press \nSketchtasy takes place in that late-night moment when everything comes together\, and everything falls apart: it’s an urgent\, glittering\, devastating novel about the perils of queer world-making in the mid-’90s. \nThis is Boston in 1995\, a city defined by a rabid fear of difference. Alexa\, an incisive twenty-one-year-old queen\, faces everyday brutality with determined nonchalance. Rejecting middle-class pretensions\, she negotiates past and present traumas with a scathing critique of the world. Drawn to the ecstasy of drugged-out escapades\, Alexa searches for nourishment in a gay culture bonded by clubs and conformity\, willful apathy\, and the spectre of AIDS. Is there any hope for communal care? \nSketchtasy brings 1990s gay culture startlingly back to life\, as Alexa and her friends grapple with the impact of growing up at a time when desire and death are intertwined. With an intoxicating voice and unruly cadence\, this is a shattering\, incandescent novel that conjures the pain and pageantry of struggling to imagine a future. \nMattilda Bernstein Sycamore is the award-winning author of a memoir and three novels\, and the editor of five non-fiction anthologies. Her memoir The End of San Francisco won a Lambda Literary Award\, and Why Are Faggots So Afraid of Faggots? was an American Library Association Stonewall Honor Book. Her latest book is the novel Sketchtasy. Mattilda lives in Seattle. \nPraise for Sketchtasy \nIf Sketchtasy doesn’t become a classic\, we are doomed. Mattilda has such complete command of craft here that she is able to evoke experience rather than simply describe it. Whether or not we identify with her characters\, she lets us into their hearts and perceptions through sheer talent\, raw honesty\, and the sophisticated ability to handle word order\, duration\, pacing\, and soul. The form of this novel is determined organically from the emotions at their core. A lesson in how to write\, how to remember\, how to grapple with history. -Sarah Schulman\, author of Conflict Is Not Abuse \nI thought it was impossible that Sycamore could get any better\, but Sketchtasy is a vivid masterpiece that rivals the likes of Last Exit to Brooklyn by Hubert Selby Jr. It’s dangerous\, hilarious\, scary\, and transcendentally beautiful. Sycamore’s prose is so searing\, you might want to read it with sunglasses. -Jake Shears\, singer; author of Boys Keep Swinging \nEvery sentence in Sketchtasy is a living thing\, fierce and funny and a little bit dangerous — a voice made of coke dust and club lights\, cut with crackling insight. I was completely addicted to the story of Alexa’s search for connection\, set in the gritty Boston nightclub scene in the 90s. Nobody writes like Mattilda Bernstein Sycamore — most writers wouldn’t dare try. -Julie Buntin\, author of Marlena \nReading Sketchtasy is like a night of stealing other people’s drinks\, or a much-needed slap to the face\, or a little of both. Bold\, glittering\, wise\, fun\, the novel as found poem alive in the mouth of this truth-telling queen\, making her way through a wasteland of other people’s lies (and a few of her own)\, and looking for something near paradise. Follow her and live. -Alexander Chee\, author of The Queen of the Night \nSketchtasy is a breakneck spree through a cultural moment\, scratching off the patina of nostalgia to show how urgently relevant it still is. If you’ve heard her read\, you know Sycamore’s voice is one in a zillion. She’s at her very best here. –Shelf Awareness
URL:https://litseen.com/event/mattilda-bernstein-sycamore/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190123T193000
DTEND;TZID=UTC:20190123T213000
DTSTAMP:20260415T040524
CREATED:20181129T004228Z
LAST-MODIFIED:20181129T004228Z
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SUMMARY:BOOKSMITH: Ian S. Port / The Birth of Loud: Leo Fender\, Les Paul\, and the Guitar-Pioneering Rivalry That Shaped Rock 'n' Roll
DESCRIPTION:The Booksmith hosts former SF Weekly music editor Ian S. Port for the Bay Area launch of his first book\, The Birth of Loud: Leo Fender\, Les Paul\, and the Guitar-Pioneering Rivalry That Shaped Rock ‘n’ Roll. Please join us! \n  \nIn the years after World War II\, music was evolving from big-band jazz into the primordial elements of rock ‘n’ roll — and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar\, the Esquire\, musicians immediately saw its appeal. Not to be out-maneuvered\, Gibson\, the largest guitar manufacturer\, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul — whose endorsement Leo Fender had sought — to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender\, Les versus Leo. \n  \nWhile Fender was a quiet\, half-blind\, self-taught radio repairman from rural Orange County\, Paul was a brilliant but egomaniacal pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s–including bluesman Muddy Waters\, rocker Buddy Holly\, the Beatles\, Bob Dylan\, and Eric Clapton–adopted one maker’s guitar or another. By the time Jimi Hendrix played “The Star-Spangled Banner” at Woodstock in 1969 on his Fender Stratocaster\, it was clear that electric instruments–Fender or Gibson–had launched music into a radical new age\, empowering artists with a vibrancy and volume never before attainable. \n  \n\n  \n“More than an essential\, colorful\, and gripping history of the electric guitar\, The Birth of Loud introduces Ian Port\, the best new non-fiction writer of the past twenty years.” — Daniel J. Levitin\, author of This Is Your Brain on Music \n  \n“Ian Port’s found a way to tell the story of the birth of rock ‘n’ roll–for some of us\, among the postwar American stories\, those that help define who we feel ourselves to be–in beautifully-evoked dual portraits of the men who made the instruments. In doing so\, he re-situates this story in its context so neatly it is as if it had never been told before at all.” — Jonathan Lethem\, author of Motherless Brooklyn and The Fortress of Solitude \n  \n\n  \nIan S. Port is an award-winning writer and music critic whose work has appeared in Rolling Stone\, Village Voice\, The Threepenny Review\, and The Believer\, among others. He is also the former music editor of the San Francisco Weekly. A California native and lifelong guitar player\, he now lives in New York with his wife\, Lindsay. The Birth of Loud is his first book. \n  \n\n  \nThis event is free and all ages. RSVP appreciated but not required.
URL:https://litseen.com/event/booksmith-ian-s-port-the-birth-of-loud-leo-fender-les-paul-and-the-guitar-pioneering-rivalry-that-shaped-rock-n-roll/
LOCATION:The Booksmith\, 1644 Haight St\, San Francisco \, CA\, 94117\, United States
CATEGORIES:Free,San Francisco
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