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DTSTART;TZID=UTC:20190307T121000
DTEND;TZID=UTC:20190307T125000
DTSTAMP:20260420T081249
CREATED:20180818T213031Z
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SUMMARY:Tarfia Faizullah
DESCRIPTION:Tarfia Faizullah is the author of REGISTERS OF ILLUMINATED VILLAGES (Graywolf Press\, 2018)\, and SEAM (Southern Illinois University Press\, 2014)\, winner of a VIDA Award\, a GLCA New Writers’ Award\, a Milton Kessler First Book Award\, Drake University Emerging Writer Award\, and other honors. Her poems are published widely in periodicals and anthologies both in the United States and abroad\, including Poetry Magazine\, Guernica\, Tin House\, and The Nation\, are translated into Persian\, Chinese\, Bengali\, Tamil\, and Spanish\, and have been featured at the Smithsonian\, the Rubin Museum of Art\, and elsewhere. In 2016 she was recognized by Harvard Law School as one of 50 Women Inspiring Change. In Fall 2018\, she will join the School of the Art Institute of Chicago as a Visiting Writer in Residence.
URL:https://litseen.com/event/tarfia-faizullah/
LOCATION:Morrison Library\, UC Berkeley\, 2000 Carleston Street\, Berkeley\, CA\, 94720\, United States
CATEGORIES:East Bay,Free
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2018/08/taria.jpg
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DTSTART;TZID=UTC:20190307T180000
DTEND;TZID=UTC:20190307T210000
DTSTAMP:20260420T081249
CREATED:20190201T104949Z
LAST-MODIFIED:20190201T104949Z
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SUMMARY:Brandon Shimoda with Aisuke Kondo\, reading\, art presentation\, and conversation
DESCRIPTION:Thursday\, March 7 – 6:00 pm to 9:00 pm\n\n\n\n\nRuth Asawa Garden of Remembrance\, and The Poetry Center\, HUM 512\, San Francisco State University\n\n\n  \nWhat is it then between us?” Poetry and Democracy   \n\n“I’ve been thinking about…the descendants of incarceration are being fated\, or beings fated\, to return to the ruins\, to reenact/re-embody their ancestors’ arrest\, in order to reimagine and redirect it\, with a specific attention\, a necessarily fugitive and defiant motion\, and yet\, according to the dictates of the underworld\, without end.”\n—from “10 Questions for Brandon Shimoda\,” with Emily Wojcik\, The Massachusettes Review\n“I have been producing my artworks under the concept of ‘reconstruction’ since before I started working with the theme of my great-grandfather. The concept originates from my early experience. When I was a child\, I often broke my bones. This was because my body was very weak. Because of this experience I today think that a body is a fragile object\, and that my identity is uncertain…. I still have a sense that my body impairs its harmony.”\n—from diaspora memoria exhibition catalog; Aisuke Kondo with Dr. Brigitte Hausmann\, Kulturamt Steglitz-Zehlendorf\, Berlin\n\nThe Poetry Center is delighted to present poet Brandon Shimoda\, with us from Tucson\, Arizona\, together with Japanese artist Aisuke Kondo\, based in Berlin though at present a visiting scholar in Asian American Studies at San Francisco State. Tonight’s special program\, presented in conjunction with the Poetry Coalition\, is one of many programs being organized at venues across the U.S. during March 2019 in relation to a common theme: “What is it then between us?” Poetry and Democracy  borrows a citation from Walt Whitman’s poem “Crossing Brooklyn Ferry\,” 2019 being the bicentennial of Whitman’s birth. Funded by a grant from the Ford Foundation to the Academy of American poets in support of the Poetry Coalition\, this event is free and open to the public. \nWe’ll open this evening’s program at 6:00 pm with an unstructured\, informal and contemplative gathering in the Ruth Asawa Garden of Remembrance\, which is dedicated to the 19 San Francisco State University Japanese American students who were imprisoned in U.S. concentration camps during World War II. The garden is located on the SF State campus\, just west of the César Chavez Student Center\, between Burke Hall and the Creative Arts Building. \nAt 7:00 pm\, we’ll move upstairs to The Poetry Center\, Room 512 in the Humanities Building. Brandon Shimoda will present his poetry\, and Aisuke Kondo will present his art\, then the two of them will join in conversation\, together with the audience. Both our featured artists’ current work is being considered and created in relation to the internment during World War II of Japanese American citizens and Japanese nationals living on the West Coast of the US in federally administered concentration camps—both artists’ grandfathers were among those imprisoned. \nBrandon Shimoda was born in California\, in the San Fernando Valley. His recent books are The Desert (poetry and prose\, The Song Cave)\, Dept. of Posthumous Letters (drawings to accompany text by Dot Devota and Caitie Moore\, Argos Books)\, and The Grave on the Wall (an ancestral memoir\, forthcoming from City Lights). He is currently researching-writing-disintegrating a book on the ongoing afterlife-ruins of Japanese American incarceration. His writings on Japanese-American incarceration have appeared in/on The Asian American Literary Review\, Densho\, Hyperallergic\, The Margins\, The New Inquiry\, and elsewhere\, and he has given talks on the subject at the University of Arizona\, Columbia University\, Fairhaven College\, and the International Center of Photography. Shimoda is also the co-editor\, with Thom Donovan\, of To look at the sea is to become what one is: An Etel Adnan Reader (Nightboat Books\, 2014). He lives in Arizona. \nAisuke Kondo Born and raised in Japan and currently based in Germany\, Aisuke Kondo explores questions of belonging\, identity\, memory\, and history across a variety of media\, from collage and gallery installation to video and performance. In 2008\, he completed a Meisterschüler in Fine Art at Berlin University of Arts. After his university graduation\, he received a grant from the Asian Cultural Council to research on his great-grandfather who was incarcerated at Topaz concentration camp in Utah during World War Ⅱ. Currently\, he is working in the Bay area on a grant from the Cultural Affairs Agency in Japan in order to conduct fieldwork as a visiting scholar in Asian American Studies at SF State. In his current “Matter and Memory” series (2017-present)\, Kondo retraces his great-grandfather’s life as an immigrant in the US from his arrival in the early 1900s. Kondo has had solo exhibitions at Gallery Turnaround in Sendai\, Japan (2018)\, Kommunale Galerie Steglitz-Zehlendorf in Berlin (2018)\, MINTMOUE in Los Angeles (2017) and Kyoto Art Center in Kyoto\, Japan (2016). His works are on view\, along with an extensive interview with the artist\, at aisukekondo.com \n\n\n\n\nEvent contact:\n\nThe Poetry Center\n\n\n\nEvent email:\n\npoetry@sfsu.edu\n\n\n\nEvent phone:\n\n415-338-2227\n\n\n\nEvent sponsor:\n\nThe Poetry Center\, in conjunction with the Poetry Coalition
URL:https://litseen.com/event/brandon-shimoda-with-aisuke-kondo-reading-art-presentation-and-conversation/
LOCATION:The Poetry Center\, San Francisco State University\, 1600 Holloway Ave\, San Francisco \, CA\, 94132\, United States
CATEGORIES:Free,San Francisco
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DTSTART;TZID=UTC:20190307T190000
DTEND;TZID=UTC:20190307T210000
DTSTAMP:20260420T081249
CREATED:20190129T220355Z
LAST-MODIFIED:20190129T220355Z
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SUMMARY:Steinbeck Fellows Alumni Night
DESCRIPTION:THURSDAY\nMarch 7\, 2019\n7PM \nMLK Library\nSteinbeck Center\, Room 590                                                                                                             San José State University \nReading followed by an audience Q&A\, plus a book sale and signing. \nJoin the CLA and the Steinbeck Center to welcome back former Steinbeck Fellows R.O. Kwon\, Kirstin Chen\, and Vanessa Hua as they read from their newest works. \n \nR.O. Kwon‘s first novel\, The Incendiaries\, was released by Riverhead in July of 2018. She is a National Endowment for the Arts Literature Fellow. Her writing has appeared in The Guardian\, Vice\, BuzzFeed\, Noon\, Time\, Electric Literature\, Playboy\, San Francisco Chronicle\, and elsewhere. She has received awards and fellowships from Yaddo\, MacDowell\, the Bread Loaf Writers’ Conference\, the Sewanee Writers’ Conference\, Omi International\, and the Norman Mailer Writers’ Colony. Born in South Korea\, she’s mostly lived in the United States. \n  \n  \n  \n \nKirstin Chen’s new novel\, Bury What We Cannot Take (Little A\, March 2018)\, has been named a Most Anticipated Upcoming Book by Electric Literature\, The Millions\, The Rumpus\, Harper’s Bazaar\, and InStyle\, among others. She is also the author of Soy Sauce for Beginners. She was the fall 2017 NTU-NAC National Writer in Residence in Singapore\, and has received awards from the Steinbeck Fellows Program\, Sewanee\, Hedgebrook\, and the Napa Valley Writers’ Conference. Born and raised in Singapore\, she currently resides in San Francisco. \n  \n  \n  \nVanessa Hua is a columnist for the San Francisco Chronicle and the author of a short story collection\, Deceit and Other Possibilities. For two decades\, she has been writing\, in journalism and fiction\, about Asia and the Asian diaspora. She has received a Rona Jaffe Foundation Writers’ Award\, the Asian/Pacific American Award for Literature\, the San Francisco Foundation’s James D. Phelan Award\, and a Steinbeck Fellowship in Creative Writing\, as well as honors from the Society of Professional Journalists and the Asian American Journalists Association. Her work has appeared in publications including The New York Times\, The Atlantic\, and The Washington Post. A River of Stars is Vanessa Hua’s first novel.
URL:https://litseen.com/event/steinbeck-fellows-alumni-night/
LOCATION:CA
CATEGORIES:Free,South Bay
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/01/Steinbeck-Fellows.jpg
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DTSTART;TZID=UTC:20190307T190000
DTEND;TZID=UTC:20190307T210000
DTSTAMP:20260420T081249
CREATED:20190130T230228Z
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SUMMARY:Carolyn Burke
DESCRIPTION:  \ncelebrating her new book \nFoursome:Alfred Stieglitz\, Georgia O’Keeffe\, Paul Strand\, Rebecca Salsbury \npublished by Alfred Knopf \nA captivating\, spirited account of the intense relationship among four artists whose strong personalities\, passionate feelings\, and aesthetic ideals drew them together\, pulled them apart\, and profoundly influenced the very shape of twentieth-century art. \nNew York\, 1921: Alfred Stieglitz\, the most influential figure in early twentieth-century photography\, celebrates the success of his latest exhibition–the centerpiece\, a series of nude portraits of the young Georgia O’Keeffe\, soon to be his wife. It is a turning point for O’Keeffe\, poised to make her entrance into the art scene–and for Rebecca Salsbury\, the fiancée of Stieglitz’s protégé at the time\, Paul Strand. When Strand introduces Salsbury to Stieglitz and O’Keeffe\, it is the first moment of a bond between the two couples that will last more than a decade and reverberate throughout their lives. In the years that followed\, O’Keeffe and Stieglitz became the preeminent couple in American modern art\, spurring each other’s creativity. Observing their relationship led Salsbury to encourage new artistic possibilities for Strand and to rethink her own potential as an artist. In fact\, it was Salsbury\, the least known of the four\, who was the main thread that wove the two couples’ lives together. Carolyn Burke mines the correspondence of the foursome to reveal how each inspired\, provoked\, and unsettled the others while pursuing seminal modes of artistic innovation. The result is a surprising\, illuminating portrait of four extraordinary figures. \nCAROLYN BURKE is the author of No Regrets: The Life of Edith Piaf\, Lee Miller: A Life (finalist for the NBCC)\, and Becoming Modern: The Life of Mina Loy. Born in Sydney\, Australia\, she now lives in Santa Cruz\, California.
URL:https://litseen.com/event/carolyn-burke/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/01/Foursome.jpg
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DTSTART;TZID=UTC:20190307T190000
DTEND;TZID=UTC:20190307T210000
DTSTAMP:20260420T081249
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SUMMARY:Dana Frank\, The Long Honduran Night
DESCRIPTION:Professor Dana Frank will join us to discuss and sign copies of her new book\, The Long Honduran Night—a story of resistance\, repression\, and U.S. policy in Honduras in the aftermath of a violent military coup. \nThis powerful narrative recounts the dramatic years in Honduras following the June 2009 military coup that deposed President Manuel Zelaya\, told in part through first-person experiences\, layered into deeper political analysis. It weaves together two broad pictures: first\, the repressive regime that was launched with the coup\, and the ways in which U.S. policy has continued to support that regime; and second\, the brave and evolving Honduran resistance movement\, with aid from a new solidarity movement in the United States. \nAlthough it is full of terrible things\, this is not a horror story: the book directly counters mainstream media coverage that portrays Honduras as a pit of unrelenting awfulness\, in which powerless people sob in the face of unexplained violence. Rather\, it’s about sobering challenges with roots in political processes\, and the inspiring collective strength with which people face them. \n\nDana Frank is Professor of History Emerita at the University of California\, Santa Cruz. She is the author of Bananeras: Women Transforming the Banana Unions of Latin America (2005; repr. Haymarket 2016); Buy American: The Untold Story of Economic Nationalism (Beacon\, 1999); Purchasing Power: Consumer Organizing\, Gender\, and the Seattle Labor Movement\, 1919-1929 (Cambridge\, 1994); Local Girl Makes History: Exploring Northern California’s Kitsch Monuments (City Lights\, 2007); and\, with Howard Zinn and Robin D. G. Kelley\, Three Strikes: Miners\, Musicians\, Salesgirls and the Fighting Spirit of Labor’s Last Century (Beacon\, 2001). Her contribution to Three Strikes has been reprinted\, with a new introduction\, by Haymarket Books as Women Strikers Occupy Chain Store\, Win Big (2012). Since the 2009 military coup her articles about human rights and U.S. policy in Honduras have appeared in The Nation\, New York Times\, Politico Magazine\, Foreign Affairs.com\, Foreign Policy.com\, Miami Herald\, Los Angeles Times\, The Baffler\, and many other publications\, and she has testified before both the U.S. Congress and Canadian Parliament. \nThis free event will take place at Bookshop Santa Cruz. Chairs for open seating are usually set up about an hour before the event begins. If you have any ADA accommodation requests\, please email info@bookshopsantacruz.com by March 5th.
URL:https://litseen.com/event/dana-frank-the-long-honduran-night/
LOCATION:Bookshop Santa Cruz\, 1520 Pacific Ave\, Santa Cruz \, CA\, 95060\, United States
CATEGORIES:Free,South Bay
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DTSTART;TZID=UTC:20190307T193000
DTEND;TZID=UTC:20190307T213000
DTSTAMP:20260420T081249
CREATED:20190130T061605Z
LAST-MODIFIED:20190130T061605Z
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SUMMARY:Shobha Rao with Ingrid Rojas Contreras / Girls Burn Brighter (paperback launch)
DESCRIPTION:The Bindery welcomes San Francisco author Shobha Rao for the paperback launch of her debut novel Girls Burn Brighter\, which was recently named a best book of the year by many outlets\, including NPR and The Washington Post. She’ll be joined by our friend and yours\, Ingrid Rojas Contreras (Fruit of the Drunken Tree). Please join us! \n  \nPoornima and Savitha have three strikes against them: they are poor\, they are ambitious\, and they are girls. After her mother’s death\, Poornima has very little kindness in her life. She is left to care for her siblings until her father can find her a suitable match. So when Savitha enters their household\, Poornima is intrigued by the joyful\, independent-minded girl. Suddenly their Indian village doesn’t feel quite so claustrophobic\, and Poornima begins to imagine a life beyond arranged marriage. But when a devastating act of cruelty drives Savitha away\, Poornima leaves behind everything she has ever known to find her friend. \n  \nHer journey takes her into the darkest corners of India’s underworld\, on a harrowing cross-continental journey\, and eventually to an apartment complex in Seattle. Alternating between the girls’ perspectives as they face ruthless obstacles\, Shobha Rao’s Girls Burn Brighter introduces two heroines who never lose the hope that burns within. \n  \n\n  \nShobha Rao moved to the United States from India at the age of seven. She is the author of the short story collection\, An Unrestored Woman\, and the novel\, Girls Burn Brighter. She is the winner of the Katherine Anne Porter Prize in Fiction\, and her story “Kavitha and Mustafa” was chosen by T.C. Boyle for inclusion in Best American Short Stories 2015. She is currently the Grace Paley Teaching Fellow at The New School in New York City. \n  \n  \nIngrid Rojas Contreras was born and raised in Bogotá\, Colombia. Her essays and short stories have appeared in the Los Angeles Review of Books\, Electric Literature\, Guernica\, and Huffington Post\, among others. She has received fellowships and awards from The Missouri Review\, Bread Loaf Writer’s Conference\, VONA\, Hedgebrook\, The Camargo Foundation\, Djerassi Resident Artists Program\, and the National Association of Latino Arts and Cultures. She is the book columnist for KQED Arts\, the Bay Area’s NPR affiliate. \n  \n  \nPlease note: this event will be held at The Bindery\, 1727 Haight. \n  \nThis is an all ages event with mature themes. The bar opens at 7pm; event starts at 7:30pm. \n  \nAs with all of our events\, seating may be limited; you can guarantee a seat by pre-purchasing the book below — when checking out\, just be sure to include a note that you’d like to attend the event. If you cannot attend the event but would like to request a signed copy of Girls Burn Brighter\, and/or any of the authors’ books\, order below and put your request in the comments field. \n  \nRSVP appreciated but not required.
URL:https://litseen.com/event/shobha-rao-with-ingrid-rojas-contreras-girls-burn-brighter-paperback-launch/
LOCATION:The Bindery\, 1727 Haight St\, San Francisco \, 94117\, United States
CATEGORIES:Free,San Francisco
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DTSTART;TZID=UTC:20190307T193000
DTEND;TZID=UTC:20190307T213000
DTSTAMP:20260420T081249
CREATED:20190131T014801Z
LAST-MODIFIED:20190131T014801Z
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SUMMARY:Leland de la Durantaye and Lydia Kiesling
DESCRIPTION:Leland de la Durantaye discusses his new novel\, Hannah Versus the Tree with Lydia Kiesling. \n\nPraise for Hannah Versus the Tree  \n“An heiress to the ancient money of a storied family seeks revenge for personal and global wrongs in this powerful debut novel of […] stark beauty and even starker consequence.” —Kirkus \n“Hannah Versus The Tree is unlike anything I have ever read—thriller\, myth\, dream\, and poem combined. It tells the story of a terrible act of violence and a terrible act of revenge\, but in ways that hardly resemble contemporary fiction. Sometimes I thought I was reading the Chorus’s part from a lost Greek tragedy\, or perhaps an impossibly updated Beowulf. Written in an immaculate\, lyrically charged\, uncannily autonomous prose\, this lovely novel is at once a modern story about money and politics and sexual violence\, and an ancient fable of grievance and justice.” —James Wood \n“Betrayal and vengeance have rarely been so elegantly rendered as in this searing novel. It invokes Roman history and mythology to accompany an aristocratic\, brutalized girl who is sacrificed by the family matriarch in a fatal flaw of judgment. The beautiful prose exposes and illumines the cost of underestimating an extraordinary girl.” —Amy Hempel \n\nAbout Hannah Versus the Tree \nHannah is a fiercely intelligent young woman\, daughter of a powerful family’s black sheep son\, and raised to question who has been\, is\, and will be damaged by business deals meant to protect and maintain the dynasty. A devastating wrong is done to her when she opposes a family scheme and her response is a battle cry of astounding violence and beauty. As haunting as Shelly Jackson or Thomas Bernhard\, as enthralling as Nabokov or Joyce\, Leland de la Durantaye’s debut novel is a radical departure from contemporary storytelling. At once the story of a terrific act of vengeance and of a lifelong love\, Hannah versus the Tree presents a new literary genre\, the mythopoetic thriller.
URL:https://litseen.com/event/leland-de-la-durantaye-and-lydia-kiesling/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
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