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DTSTART;TZID=America/Los_Angeles:20200213T170000
DTEND;TZID=America/Los_Angeles:20200213T190000
DTSTAMP:20260612T162340
CREATED:20200126T202245Z
LAST-MODIFIED:20200126T202245Z
UID:55173-1581613200-1581620400@litseen.com
SUMMARY:b\, Book\, and Me Happy Hour
DESCRIPTION:Join us after work to raise a glass to Two Lines latest from Kim Sagwa\, b\, Book\, and Me\, translated from Korean by Sunhee Jeong. There will be readings from Two Lines editors\, drinks\, and snacks. Entry is free but please rsvp! \nMore about b\, Book\, and Me \nBest friends b and Rang are all each other have. Their parents are absent\, their teachers avert their eyes when they walk by. Everyone else in town acts like they live in Seoul even though it’s painfully obvious they don’t. When Rang begins to be bullied horribly by the boys in baseball hats\, b fends them off. But one day Rang unintentionally tells the whole class about b’s dying sister and how her family is poor\, and each of them finds herself desperately alone. The only place they can reclaim themselves\, and perhaps each other\, is beyond the part of town where lunatics live—the End. \nIn a piercing\, heartbreaking\, and astonishingly honest voice\, Kim Sagwa’s b\, Book\, and Me walks the precipice between youth and adulthood\, reminding us how perilous the edge can be. \n\n\n\n\n\n\n\n\nAuthor / Kim Sagwa\n\n\nKim Sagwa is one of South Korea’s most acclaimed emerging writers. She is the author of several novels\, story collections\, and works of nonfiction\, and has been shortlisted for several major South Korean awards\, including the Munji Prize and the Young Writers Award. Kim contributes columns to two major Seoul newspapers\, and she co-translated John Freeman’s book How to Read a Novelist into Korean.\n\n\n\n\n\nTranslator / Sunhee Jeong\n\n\nBased in Seoul\, Sunhee Jeong is a Korean-English translator and editor of literary and multimedia productions. She is also a scholar of visual studies\, intersectionality and critical theory.
URL:https://litseen.com/event/b-book-and-me-happy-hour/
LOCATION:DaDa Bar\, 65 Post St.\, San Francisco\, CA\, 94104\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/01/b-Book-and-Me-happy-hour-2-390x390-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200213T183000
DTEND;TZID=America/Los_Angeles:20200213T203000
DTSTAMP:20260612T162340
CREATED:20200131T195451Z
LAST-MODIFIED:20200131T195451Z
UID:55316-1581618600-1581625800@litseen.com
SUMMARY:Voz Sin Tinta: Bi-lingual poetry reading and open mic night! (Copy) (Copy) at Alley Cat Books
DESCRIPTION:  \n\n\n\n\n\n\n\nVoz Sin Tinta\, our monthly bi-lingual poetry reading and open mic night! Hosted and curated by Rene Vaz and Marguerite Munoz.
URL:https://litseen.com/event/voz-sin-tinta-bi-lingual-poetry-reading-and-open-mic-night-copy-copy-at-alley-cat-books/
LOCATION:Alley Cat Books\, 3036 24th St\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/01/vozsintinta8_8.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200213T190000
DTEND;TZID=America/Los_Angeles:20200213T203000
DTSTAMP:20260612T162340
CREATED:20191227T022259Z
LAST-MODIFIED:20191227T022259Z
UID:54477-1581620400-1581625800@litseen.com
SUMMARY:Howard Eiland
DESCRIPTION:City Lights in conjunction with the Program in Critical Theory at the University of California at Berkeley present an evening with Howard Eiland \ncelebrating two new books \nOrigin of the German Trauerspiel – by Walter Benjamin – (Tr. Howard Eiland) – published by Harvard University Press \nand \nNotes on Literature\, Film\, and Jazz – by Howard Eiland – published by Spuyten Duyvil \nabout Origin of the German Trauerspiel \n\nOrigin of the German Trauerspiel was Walter Benjamin’s first full\, historically oriented analysis of modernity. Readers of English know it as “The Origin of German Tragic Drama\,” but in fact the subject is something else―the play of mourning. Howard Eiland’s completely new English translation\, the first since 1977\, is closer to the German text and more consistent with Benjamin’s philosophical idiom. \nFocusing on the extravagant seventeenth-century theatrical genre of the trauerspiel\, precursor of the opera\, Benjamin identifies allegory as the constitutive trope of the Baroque and of modernity itself. Allegorical perception bespeaks a world of mutability and equivocation\, a melancholy sense of eternal transience without access to the transcendentals of the medieval mystery plays―though no less haunted and bedeviled. History as trauerspiel is the condition as well as subject of modern allegory in its inscription of the abyssal. \nBenjamin’s investigation of the trauerspiel includes German texts and late Renaissance European drama such as Hamlet and Calderón’s Life Is a Dream. The prologue is one of his most important and difficult pieces of writing. It lays out his method of indirection and his idea of the “constellation” as a key means of grasping the world\, making dynamic unities out of the myriad bits of daily life. Thoroughly annotated with a philological and historical introduction and other explanatory and supplementary material\, this rigorous and elegant new translation brings fresh understanding to a cardinal work by one of the twentieth century’s greatest literary critics. \n\nabout Notes on Literature\, Film\, and Jazz \nWeaving through a host of “classic” texts—literary\, cinematic\, and musical—these notes of a close reader set up echoes and reflections across signature moments. \nHoward Eiland’s Notes on Literature\, Film\, and Jazz is a highly erudite and courageous inquiry into the arts. It addresses a dissident force in art while discussing an impressively diverse range of works and ideas in literature\, film\, and jazz. For instance: Shakespeare\, Cervantes\, and Jane Austen mix with Dickens and Kafka; Carl Dreyer intersects with Mizoguchi\, Bresson\, Lynch\, and Madden; Eric Dolphy and Cecil Taylor process Schoenberg\, Berg\, and Webern. In a quasi-musical way\, Notes interweaves elements within and between works—elements that open onto the unknown in an utterly questioning and self-questioning way. Eiland’s eloquent writing itself exemplifies this “aesthetic\,” if it may be called that; the writing is enthralling in its capacity to challenge both the works examined and those who would assess them. Notes focuses on those energies in art that enact image spaces and spatiotemporal alterations in which life is never quite what it seems to be. This extraordinarily original book will interest all concerned with broad implications of developments in literature\, film\, and jazz. \nHoward Eiland is a critic and translator. He received the 2011 James A. and Ruth Levitan Prize for Excellence in Teaching. He is the co-author\, with Michael W. Jennings\, of the first English-language biography of Walter Benjamin\, an influential German writer who died in 1940 while in flight from the Nazis. He co-edited three volumes of Benjamin’s Selected Writings and co-translated Benjamin’s massive Arcades Project\, and he has also translated Benjamin’s Berlin Childhood around 1900\, his On Hashish\, and his Early Writings: 1910-1917. His recent publications include work on film and jazz. Current projects are “Walter Benjamin’s Jewishness” and “Education as Awakening.”
URL:https://litseen.com/event/howard-eiland/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/howardeiland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200213T190000
DTEND;TZID=America/Los_Angeles:20200213T210000
DTSTAMP:20260612T162340
CREATED:20200131T185910Z
LAST-MODIFIED:20200131T185910Z
UID:55033-1581620400-1581627600@litseen.com
SUMMARY:Babar in Exile #22: Up Close and Personal
DESCRIPTION:Babar in Exile will be ending in May\, and for its penultimate installment we proudly feature a lineup of queer readers who will take a close look at all our lives. Two of our features honed their chops at the original Café Babar and remain performers of towering skill\, and the third is blazing a trail as we speak. Three-time SF Slam Team member and former Lake County Poet Laureate Russell Reza-Khaliq Gonzaga will share some of his Filipino American gaze\, while special educator\, Union activist\, and longtime Berkeley resident Tim Xonnelly will endow us with some true Bay Area queerness. And “Honorary Babarian” Anna Allen will vibe us with some next-gen activist energy. \nSo come on down to check out a slice of Bay Area poetry history\, now and in the making\, and make your way home with a bindle full of inspiration and a thimbleful more hope for the species. \n  \nBabar in Exile #22: Up Close and Personal\na revival of the Cafe Babar\, Paradise Lounge\, and Club Chameleon reading series \nfeaturing\nRussell Reza-Khaliq Gonzaga\nTim Xonnelly\nand “Honorary Babarian” Anna Allen \nand you\, in our all-inclusive open mic \nHosted by Richard Loranger and Paul Corman-Roberts \n  \nPERFORMER BIOS \nThree-time SF Poetry Slam team member\, Russell Reza-Khaliq Gonzaga honed his poetic and spoken word skills at Cafe Babar on a weekly basis. Gonzaga is an esteemed member of the arts\, activism\, and healing communities. The sixth Poet Laureate of Lake County\, former bookstore co-owner\, and resident of Harbin Hot Springs\, Gonzaga was displaced by the devastating Valley Fire in 2015. He has recently returned to San Francisco where he is working on his first novel. Born in the Philippines and raised in the East Bay\, Gonzaga has been a dervish\, minister\, writer\, freelance journalist\, editor\, social justice activist\, arts educator\, youth mentor\, and martial artist. He states: “Giving expression and voice to our grief\, rage\, hopes\, and joys serve the healing of an individual\, and in turn\, a community.” \nTim Xonnelly is a special educator and Union activist living in downtown Berkeley since 1991. He’s recently had poetry published in Be About It\, Naked Bulb 2018 Anthology\, the-fabulist.org\, 11 Eleven\, Cross Strokes: Poetry Between Los Angeles and San Francisco\, and 1001 Nights: Twenty Years of Redondo Poets at Coffee Cartel. \nBorn in Stockton\, CA\, Anna Allen has been writing fairy tales and tragedies since childhood. Her work has appeared in various literary mags and journals. You can read some of her work on Sparkle and Blink\, Chronically Lit\, The Scribelrus\, and Little Death Lit.
URL:https://litseen.com/event/babar-in-exile-22-up-close-and-personal/
LOCATION:Himalayan Flavors\, 1585 University Avenue\, Berkeley\, 94703
CATEGORIES:East Bay,Free
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/01/Babar-in-Exile-22-Up-Close-and-Personal.jpg
ORGANIZER;CN="Power Unit 17":MAILTO:hello@richardloranger.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200213T190000
DTEND;TZID=America/Los_Angeles:20200213T210000
DTSTAMP:20260612T162340
CREATED:20200207T191218Z
LAST-MODIFIED:20200207T191218Z
UID:55580-1581620400-1581627600@litseen.com
SUMMARY:Howard Eiland at City Lights Books
DESCRIPTION:City Lights in conjunction with the Program in Critical Theory at the University of California at Berkeley present an evening with Howard Eiland \ncelebrating two new books \nOrigin of the German Trauerspiel – by Walter Benjamin – (Tr. Howard Eiland) – published by Harvard University Press \nand \nNotes on Literature\, Film\, and Jazz – by Howard Eiland – published by Spuyten Duyvil \nabout Origin of the German Trauerspiel \n\nOrigin of the German Trauerspiel was Walter Benjamin’s first full\, historically oriented analysis of modernity. Readers of English know it as “The Origin of German Tragic Drama\,” but in fact the subject is something else―the play of mourning. Howard Eiland’s completely new English translation\, the first since 1977\, is closer to the German text and more consistent with Benjamin’s philosophical idiom. \nFocusing on the extravagant seventeenth-century theatrical genre of the trauerspiel\, precursor of the opera\, Benjamin identifies allegory as the constitutive trope of the Baroque and of modernity itself. Allegorical perception bespeaks a world of mutability and equivocation\, a melancholy sense of eternal transience without access to the transcendentals of the medieval mystery plays―though no less haunted and bedeviled. History as trauerspiel is the condition as well as subject of modern allegory in its inscription of the abyssal. \nBenjamin’s investigation of the trauerspiel includes German texts and late Renaissance European drama such as Hamlet and Calderón’s Life Is a Dream. The prologue is one of his most important and difficult pieces of writing. It lays out his method of indirection and his idea of the “constellation” as a key means of grasping the world\, making dynamic unities out of the myriad bits of daily life. Thoroughly annotated with a philological and historical introduction and other explanatory and supplementary material\, this rigorous and elegant new translation brings fresh understanding to a cardinal work by one of the twentieth century’s greatest literary critics. \n\nabout Notes on Literature\, Film\, and Jazz \nWeaving through a host of “classic” texts—literary\, cinematic\, and musical—these notes of a close reader set up echoes and reflections across signature moments. \nHoward Eiland’s Notes on Literature\, Film\, and Jazz is a highly erudite and courageous inquiry into the arts. It addresses a dissident force in art while discussing an impressively diverse range of works and ideas in literature\, film\, and jazz. For instance: Shakespeare\, Cervantes\, and Jane Austen mix with Dickens and Kafka; Carl Dreyer intersects with Mizoguchi\, Bresson\, Lynch\, and Madden; Eric Dolphy and Cecil Taylor process Schoenberg\, Berg\, and Webern. In a quasi-musical way\, Notes interweaves elements within and between works—elements that open onto the unknown in an utterly questioning and self-questioning way. Eiland’s eloquent writing itself exemplifies this “aesthetic\,” if it may be called that; the writing is enthralling in its capacity to challenge both the works examined and those who would assess them. Notes focuses on those energies in art that enact image spaces and spatiotemporal alterations in which life is never quite what it seems to be. This extraordinarily original book will interest all concerned with broad implications of developments in literature\, film\, and jazz. \nHoward Eiland is a critic and translator. He received the 2011 James A. and Ruth Levitan Prize for Excellence in Teaching. He is the co-author\, with Michael W. Jennings\, of the first English-language biography of Walter Benjamin\, an influential German writer who died in 1940 while in flight from the Nazis. He co-edited three volumes of Benjamin’s Selected Writings and co-translated Benjamin’s massive Arcades Project\, and he has also translated Benjamin’s Berlin Childhood around 1900\, his On Hashish\, and his Early Writings: 1910-1917. His recent publications include work on film and jazz. Current projects are “Walter Benjamin’s Jewishness” and “Education as Awakening.”
URL:https://litseen.com/event/howard-eiland-at-city-lights-books/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/howardeiland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200213T190000
DTEND;TZID=America/Los_Angeles:20200213T210000
DTSTAMP:20260612T162340
CREATED:20200207T222835Z
LAST-MODIFIED:20200207T222835Z
UID:55656-1581620400-1581627600@litseen.com
SUMMARY:Craig Vachon\, The Knucklehead of Silicon Valley
DESCRIPTION:ookshop welcomes Craig Vachon for a reading and signing of The Knucklehead of Silicon Valley\, his entertaining tale of a befuddled but highly capable venture capitalist who is compelled to chart his own course on a global quest to save his new brain-computer interface tool from falling into some very\, very wrong hands. \nRalph Gibsen isn’t your typical spy. In fact\, he may not be a spy at all. He’s lumpy\, blundering and abysmal at chatting up the fairer sex. Yet\, he is attracting a significant amount of attention from the intelligence community. After all\, as a 30-year Silicon Valley mainstay\, he can phish your passwords\, bust firewalls\, and has developed software used by millions to circumvent government censorship. And now\, he thinks he has stumbled upon a cabal who is pushing to misuse his own technology for world domination. \nRalph helps create an educational Tool that maps a learner’s neurological processes and pinpoints the exact moment a student learns. But the Tool can also manipulate people’s beliefs. At least\, that what several influential people think. Soon\, Ralph finds himself the target of increasingly complex attacks on his businesses\, reputation\, freedom\, and life. \nRalph enlists an eclectic group of ‘frenemies’ to thwart this nefarious plot. McKenna may or may not still work for the CIA. Beautiful Eva may work for the Chinese government\, who wants the Tool for themselves. Even Ralph’s lovely wife Jen could be involved… Ralph simply isn’t equipped to figure it out. And the world is closing in. \n“Knucklehead is like being shot out of an Ethernet cable lined with exotic travel and baroque paintings and landing on a sea of electricity.” —Peterson Conway \nAbout the author: The character of Ralph Gibsen\, the protagonist of The Knucklehead of Silicon Valley\, isn’t based on the author G. Craig Vachon.
URL:https://litseen.com/event/craig-vachon-the-knucklehead-of-silicon-valley/
LOCATION:Bookshop Santa Cruz\, 1520 Pacific Ave\, Santa Cruz \, CA\, 95060\, United States
CATEGORIES:Free,South Bay
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/vachon-knucklehead-750-copy.jpg
END:VEVENT
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