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DTSTART;TZID=America/Los_Angeles:20201118T170000
DTEND;TZID=America/Los_Angeles:20201118T180000
DTSTAMP:20260617T211133
CREATED:20201102T220743Z
LAST-MODIFIED:20201102T220743Z
UID:60562-1605718800-1605722400@litseen.com
SUMMARY:Virtual Event: Night of Memoir with Alden Jones and Rick Moody
DESCRIPTION:Join us on Wednesday\, November 18 at 5pm PST for a special Night of Memoir with writers Alden Jones and Rick Moody\,\nas they discuss their latest books and answer your questions about the art of memoir! \nIf you’re enjoying Green Apple’s virtual events\, consider making a donation here to help sustain our programming. \nZoom Login Info \nPlease click the link below to join the webinar:\nhttps://us02web.zoom.us/j/84986160532 \nAbout The Wanting Was a Wilderness \nHow did Cheryl Strayed turn a solo hike into an inspirational memoir\, beloved by millions? Memoirist and professor Alden Jones sets out to explore why. But when a sudden personal crisis occurs while she is writing\, Jones realizes she must confront some difficult truths\, both in her life and on the page. THE WANTING WAS A WILDERNESS is a profoundly original work that blends criticism\, craft analysis\, and a memoir of Jones’s own time in the wilderness. The result is a celebration of WILD and a map of our long path to self-discovery. \nAbout The Long Accomplishment \nRick Moody\, the award-winning author of The Ice Storm\, shares the harrowing true story of the first year of his second marriage in this eventful\, month-by-month account. \nAt this story’s start\, Moody\, a recovering alcoholic and sexual compulsive with a history of depression\, is also the divorced father of a beloved little girl and a man in love; his answer to the question “Would you like to be in a committed relationship?” is\, fully and for the first time in his life\, “Yes.” \nAnd so his second marriage begins as he emerges\, humbly and with tender hopes\, from the wreckage of his past\, only to be battered by a stormy sea of external troubles—miscarriages\, the deaths of friends\, and robberies\, just for starters. As Moody has put it\, “This is a story in which a lot of bad luck is the daily fare of the protagonists\, but in which they are also in love.” To Moody’s astonishment\, matrimony turns out to be the site of strength in hard times\, a vessel infinitely tougher and more durable than any boat these two participants would have traveled by alone. Love buoys the couple\, lifting them above their hardships\, and the reader is buoyed along with them.
URL:https://litseen.com/event/virtual-event-night-of-memoir-with-alden-jones-and-rick-moody-2/
LOCATION:online
CATEGORIES:Free,San Francisco,Virtual
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/10/Jones-Moody-flyer.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20201118T180000
DTEND;TZID=America/Los_Angeles:20201118T200000
DTSTAMP:20260617T211133
CREATED:20200908T172851Z
LAST-MODIFIED:20200908T172851Z
UID:59508-1605722400-1605729600@litseen.com
SUMMARY:Sun Ra's Chicago: Afrofuturism and the City
DESCRIPTION:William Sites in conversation with John Corbett \nexploring the new book \nSun Ra’s Chicago: Afrofuturism and the City \npublished by University of Chicago Press \nExploring acclaimed Jazz Master Sun Ra’s deep-rooted connection to the City of Chicago and its relation to AfroFuturism. \n—— \nThis is a virtual event that will be hosted by City Lights on the Zoom platform. You will need access to a computer or other device that is capable of accessing the internet. If you have not used Zoom before\, you may consider referencing Getting Started with Zoom. \n———- \nEvent is free\, but registration is required. \n(CLICK HERE) to register. \n———– \n(CLICK HERE) to purchase the book (link to be posted soon) \n———– \nSun Ra (1914–93) was one of the most wildly prolific and unfailingly eccentric figures in the history of music. Renowned for extravagant performances in which his Arkestra appeared in neo-Egyptian garb\, the keyboardist and bandleader also espoused an interstellar cosmology that claimed the planet Saturn as his true home. In Sun Ra’s Chicago\, William Sites brings this visionary musician back to earth—specifically to the city’s South Side\, where from 1946 to 1961 he lived and relaunched his career. The postwar South Side was a hotbed of unorthodox religious and cultural activism: Afrocentric philosophies flourished\, storefront prophets sold “dream-book bibles\,” and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where the man then known as Sonny Blount drew from an array of intellectual and musical sources—from radical nationalism\, revisionist Christianity\, and science fiction to jazz\, blues\, Latin dance music\, and pop exotica—to construct a philosophy and performance style that imagined a new identity and future for African Americans. Sun Ra’s Chicago shows that late twentieth-century Afrofuturism emerged from a deep\, utopian engagement with the city—and that by excavating the postwar black experience of Sun Ra’s South Side milieu\, we can come to see the possibilities of urban life in new ways. \nWilliam Sites is associate professor in the School of Social Service Administration at the University of Chicago. \nJohn Corbett is the co-owner of the Chicago art gallery Corbett vs. Dempsey\, as well as a founder of the Sun Ra Archives. \nWhat has been said about Sun Ra’s Chicago: \n\n\n“Sun Ra’s Chicago is a masterful account of the musician’s formative years. Sites deftly applies a wider lens to his biography\, analyzing the urban spaces and networks that shaped Sonny Blount’s transformation from an itinerant musician into the otherworldly philosophical leader of the Arkestra. This book is essential reading not only for Sun Ra listeners but for readers interested in the crosscurrents of Black intellectual thought and the utopian possibilities\, past and present\, of America’s cities.” Erik S. Gellman\, author of Troublemakers: Chicago Freedom Struggles through the Lens of Art Shay \n\n\n\n\n“Like its subject\, Sun-Ra’s Chicago is a category buster—social history\, musicology\, urban studies\, hermeneutics\, cultural reclamation—and as such\, a revelation. Sites tells a story of countercultural ferment in 1950s south side Chicago that is detailed and provocative. Sun Ra\, Alton Abraham\, and the members and friends of the Arkestra were truly a ‘creative class’ long before that term\, as we know it\, was coined.” Larry Bennett\, author of The Third City: Chicago and American Urbanism
URL:https://litseen.com/event/sun-ras-chicago-afrofuturism-and-the-city/
LOCATION:CA
CATEGORIES:Free,Virtual
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/09/afrofuturism.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20201118T200000
DTEND;TZID=America/Los_Angeles:20201118T220000
DTSTAMP:20260617T211133
CREATED:20201010T033745Z
LAST-MODIFIED:20201010T033745Z
UID:60195-1605729600-1605736800@litseen.com
SUMMARY:Little Hill
DESCRIPTION:Alli Warren reads with Jena Osman for the Poetry Project virtual events series. \nMotion Studies and Little Hill\, the new books of Jena Osman and Alli Warren\, both exist at the precarious intersection of surveillance and escape\, power and its holes\, in the sexy and frustrated dailiness of resistance. These books ask how to live while indignant and horrified\, implicated in that which is struggled against\, always accountable to something more than what is known or knowable\, to each other. \n\nAward-winning poet explores new formal terrain in seven long poems against the violence of the present political moment. \n“[Warren] has begun writing longer poems\, putting her stamp on a running notational mode whose other practitioners include Stephanie Young\, Anselm Berrigan\, and Jacqueline Waters. I think you can hear the durational projects\, the self-conscious day-scores\, of Bernadette Mayer and of Lewis Warsh farther back in the tradition.”—Brian Blanchfield\, pen.org \nThe third full-length collection from Bay Area poet Alli Warren\, Little Hill comprises seven long poems written with propulsive prosody in a daybook fashion\, examining our present\, politically charged moment. These poems are at once energetic and contemplative\, intimate and direct\, as Warren focuses her attention on capitalism\, gender\, love\, inequality\, and resistance. Despite the dystopian now\, Warren finds promise in the smallest human instances of tenderness\, ecological connection\, and political solidarity. Little Hill is about learning to live and love in the 21st century while not shying away from all there is to struggle against. \nPraise for Little Hill: \n“In Little Hill Alli Warren’s principle method is articulation of exquisite units of speech (thought) that\, maintaining separation\, are capable of connection. The line might be a sentence or a part of one . . . I mean a delicious sense of grammatical distinctness is maintained. The poet\, also a lone unit\, seems to exist less in relation than as that lone one\, condemning this hard world with its villain work and elusive hierarchies. The language is precise\, lush\, unexpected and often thrilling. Articulation would seem to be the true other\, or maybe nature is. The book is gift more than condemnation\, though as the latter it’s unsparing. Still\, it’s a gift.”––Alice Notley\, author of For the Ride and Benediction \n“The number of gasps and everything else gets lost in the concentration of Little Hill. Alli Warren keeps company with those rare poets whose every new book is their best. ‘This is an old machine with a pulley / It makes music work\,’ Warren writes\, reworking the ancient technology of poetry to a shine! Dear Poet\, thank you for the wow WOW wowing!”––CAConrad\, author of While Standing in Line for Death \n“Reading Alli Warren’s Little Hill\, I find it incredible that amidst the relentless circulation of capital and commodities—and despite attempts to make all life yield to the logics of extraction\, work\, accumulation\, and the entrepreneurial self—a remainder is created\, that of poetry. Little Hill embodies a poetics of radical uncertainty\, one that attends to its horrific condition of possibility and is produced through the unmooring catastrophes that define our present moment: the destruction of the earth\, mass imprisonment\, late-capitalism—the litany does not end there. ‘I saw the death of the earth in a child’s toy\,’ she writes. Everywhere the speaker looks there is ‘congealed shit\, sometimes on sale.’ Yet yearning\, even as it is raised tentatively\, is not crushed. In and against it all\, a question is raised—the question of what it means to love in times of terror.”—Jackie Wang\, author of Carceral Capitalism
URL:https://litseen.com/event/little-hill/
LOCATION:CA
CATEGORIES:Free,Virtual
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/10/warren.jpg
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