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BEGIN:VEVENT
DTSTART;TZID=UTC:20190411T183000
DTEND;TZID=UTC:20190411T210000
DTSTAMP:20260513T071901
CREATED:20190227T022247Z
LAST-MODIFIED:20190227T022247Z
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SUMMARY:Voz Sin Tinta: Our monthly bilingual poetry series and open mic.
DESCRIPTION:Thu\, April 11\, 6:30pm – 9:00pm\nDescriptionSponsored by Alejandro Murguia\, curated by Marguerite Munoz and Rene Vaz. This month’s readers TBD.
URL:https://litseen.com/event/voz-sin-tinta-our-monthly-bilingual-poetry-series-and-open-mic-29/
LOCATION:Alley Cat Books\, 3036 24th St\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/02/alleycat.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190411T190000
DTEND;TZID=UTC:20190411T210000
DTSTAMP:20260513T071901
CREATED:20190227T211420Z
LAST-MODIFIED:20190227T211420Z
UID:50317-1555009200-1555016400@litseen.com
SUMMARY:Timothy Hampton
DESCRIPTION:Zone Books in conjunction with City Lights present \nan evening of discussion centering around the release of Timonthy Hampton’s new book \nBob Dylan’s Poetics: How the Songs Work \nfrom Zone Books \n\n\nBob Dylan’s reception of the 2016 Nobel Prize for Literature has elevated him beyond the world of popular music\, establishing him as a major modern artist. However\, until now\, no study of his career has focused on the details and nuances of the songs\, showing how they work as artistic statements designed to create meaning and elicit emotion. Bob Dylan’s Poetics: How the Songs Work is the first comprehensive book on both the poetics and politics of Dylan’s compositions. It studies Dylan\, not as a pop hero\, but as an artist\, as a maker of songs. Focusing on the interplay of music and lyric\, it traces Dylan’s innovative use of musical form\, his complex manipulation of poetic diction\, and his dialogues with other artists\, from Woody Guthrie to Arthur Rimbaud. Moving from Dylan’s earliest experiments with the blues\, through his mastery of rock and country\, up to his densely allusive recent recordings\, Timothy Hampton offers a detailed account of Dylan’s achievement. Locating Dylan in the long history of artistic modernism\, the book studies the relationship between form\, genre\, and the political and social themes that crisscross Dylan’s work. Bob Dylan’s Poetics: How the Songs Work offers both a nuanced engagement with the work of a major artist and a meditation on the contribution of song at times of political and social change. \nTimothy Hampton is a writer\, scholar\, teacher\, and translator based in Northern California. Raised in the Rockies\, educated in New Mexico\, Europe\, Canada\, and on the East Coast\, he is primarily a scholar of the Romance Languages\, and of the literature and culture of the Renaissance. His particular research interests include the relationship between literature and politics\, the philosophy of history\, and the transmission of culture. He has written widely on literature in its many forms (epic\, lyric\, dramatic\, novelistic) across several languages and national traditions. Recently\, he has been working on the history of emotion\, on multilingualism\, and on popular music. He is Professor of Comparative Literature and French at the University of California at Berkeley\, where he holds the Aldo Scaglione and Marie M. Burns Distinguished Professorship and directs the Doreen B. Townsend Center for the Humanities. \nwhat has been said about Timothy Hampton’s writing: \n“This is an essential Dylan book and unlike any other. Hampton left me with a deeper appreciation of Dylan’s uniqueness as both songwriter and singer; his methods\,his lyrical and poetic brilliance\, his many voices.” — Dean Wareham\, musician (Galaxie 500\, Luna) and author of Black Postcards \n“This is a truly powerful book written by one of the leading scholars of the history of poetry today. The writing is clear and intellectually most exciting: Dylan’s idiosyncratic genius is explained more compellingly than ever before. Hampton remains relevant\, exciting\, and persuasively accurate as he shows the genesis of the songs as musical and literary forms and assesses their originality. Bob Dylan’s Poetics: How the Songs Work will become a standard account\, destined to appear in class lists under ‘required reading’; it contains the searching close readings of songs that will both enable future study and require contestation for an alternative account: the study sets a gold standard.”–Nigel Smith\, William and Annie S. Paton Foundation Professor of Ancient and Modern Literature\, Princeton University \n“From classrooms to the Supreme Court to the street corner\, nobody doesn’t know Dylan songs. Yet there is surprising little writing that addresses exactly how the songs speak to us and weave themselves into the web of American language. Timothy Hampton’s Bob Dylan’s Poetics: How the Songs Work is a rigorous model for how this kind of critical analysis can be done. Hampton’s well-written book is the first one I would recommend to someone fascinated and mystified by Dylan’s half a century of ranging among the things that songs can articulate.”– Charles O. Hartman\, Poet in Residence at Connecticut College
URL:https://litseen.com/event/timothy-hampton/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/02/BobDylansPoetics.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190411T193000
DTEND;TZID=UTC:20190411T213000
DTSTAMP:20260513T071901
CREATED:20190227T005024Z
LAST-MODIFIED:20190227T005024Z
UID:50179-1555011000-1555018200@litseen.com
SUMMARY:Translating Contemporary Russian Literature: Marian Schwartz on Olga Slavnikova and Leonid Yuzefovich
DESCRIPTION:Translating Contemporary Russian Literature: Marian Schwartz on Olga Slavnikova and Leonid Yuzefovich\n\nGreen Apple Books on the Park | 1231 9th Avenue | San Francisco\, CA \n\n\nRSVP\n\nMarian Schwartz joins Sabrina Jaszi to talk about translating contemporary Russian literature and her latest translations of Leonid Yuzefovich’s Horsemen of the Sands and Olga Slavnikova’s The Man Who Couldn’t Die. \nHorsemen of the Sands (Archipelago Books) contains two novellas by Leonid Yuzefovich: The Storm\, which takes place in a Soviet elementary school\, and Horsemen of the Sands\, a mystical tale about the real-life warlord R.F. Ungern-Shternberg\, who fought both the Chinese and the Bolsheviks for control of Mongolia during the Russian Civil War\, which lasted six years after the 1917 Bolshevik revolution. \nIn The Storm\, a bombastic teacher lectures his young students on traffic accidents and family separation\, unwittingly stirring an emotional crisis. A lost wallet\, an office fling\, an upset stomach—the minutiae of life unveil the private tragedies at the heart of a school community. \nHorsemen of the Sands takes place a world away. An old herdsman entrances a young tank commander with the legend of Baron Ungern\, the real-life White Russian officer who conquered Mongolia. A foggy epic unfolds\, a tale of faith and revenge centering on a mysterious amulet\, said to make the wearer invincible. From the dim of the classroom to the vast Mongolian steppe\, Leonid Yuzefovich’s masterful novellas The Storm and Horsemen of the Sands drill straight to the core of human emotion. These Russian parables illuminate the fears\, passions\, and ambitions beneath the grandest acts and the tiniest gestures. \nOlga Slavnikova’s The Man Who Couldn’t Die (Columbia University Press) tells the story of how two women try to prolong a life—and the means and meaning of their own lives—by creating a world that doesn’t change\, a Soviet Union that never crumbled.In the chaos of early-1990s Russia\, the wife and stepdaughter of a paralyzed veteran conceal the Soviet Union’s collapse from him in order to keep him—and his pension—alive until it turns out the tough old man has other plans. \nAfter her stepfather’s stroke\, Marina hangs Brezhnev’s portrait on the wall\, edits the Pravda articles read to him\, and uses her media connections to cobble together entire newscasts of events that never happened. Meanwhile\, her mother\, Nina Alexandrovna\, can barely navigate the bewildering new world outside\, especially in comparison to the blunt reality of her uncommunicative husband. As Marina is caught up in a local election campaign that gets out of hand\, Nina discovers that her husband is conspiring as well—to kill himself and put an end to the charade. Masterfully translated by Marian Schwartz\, The Man Who Couldn’t Die is a darkly playful vision of the lost Soviet past and the madness of the post-Soviet world that uses Russia’s modern history as a backdrop for an inquiry into larger metaphysical questions. \n\n\nCONTACT:\n\nLeslie-Ann Woofter\nlwoofter@catranslation.org\n415.512.8812
URL:https://litseen.com/event/translating-contemporary-russian-literature-marian-schwartz-on-olga-slavnikova-and-leonid-yuzefovich/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/02/MarianSchwartzevent-390x390.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190411T193000
DTEND;TZID=UTC:20190411T213000
DTSTAMP:20260513T071901
CREATED:20190227T215630Z
LAST-MODIFIED:20190227T215630Z
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SUMMARY:Translator Marian Schwartz
DESCRIPTION:  \nMarian Schwartz discusses her latest translations from Russian\, The Man Who Couldn’t Die: The Tale of an Authentic Human Being and Horsemen of the Sands. \n\nAbout The Man Who Couldn’t Die \nIn the chaos of early-1990s Russia\, the wife and stepdaughter of a paralyzed veteran conceal the Soviet Union’s collapse from him in order to keep him–and his pension–alive until it turns out the tough old man has other plans. Olga Slavnikova’s The Man Who Couldn’t Die tells the story of how two women try to prolong a life–and the means and meaning of their own lives–by creating a world that doesn’t change\, a Soviet Union that never crumbled.After her stepfather’s stroke\, Marina hangs Brezhnev’s portrait on the wall\, edits the Pravda articles read to him\, and uses her media connections to cobble together entire newscasts of events that never happened. Meanwhile\, her mother\, Nina Alexandrovna\, can barely navigate the bewildering new world outside\, especially in comparison to the blunt reality of her uncommunicative husband. As Marina is caught up in a local election campaign that gets out of hand\, Nina discovers that her husband is conspiring as well–to kill himself and put an end to the charade. Masterfully translated by Marian Schwartz\, The Man Who Couldn’t Die is a darkly playful vision of the lost Soviet past and the madness of the post-Soviet world that uses Russia’s modern history as a backdrop for an inquiry into larger metaphysical questions. \nAbout Horsemen of the Sands \nHorsemen of the Sands gathers two novellas by Leonid Yuzefovich: “Horsemen of the Sands” and “The Storm.” The former tells the true story of R.F. Ungern-Shternberg\, also known as the “Mad Baltic Baron\,” a military adventurer whose intense fascination with the East drove him to seize control of Mongolia during the chaos of the Russian Civil War. “The Storm” centers on an unexpected emotional crisis that grips a Russian elementary school on an otherwise regular day\, unveiling the vexed emotional bonds and shared history that knit together its community of students\, teachers\, parents\, and staff. \nAbout Marian Schwartz \nMarian Schwartz has translated over sixty volumes of Russian classic and contemporary fiction\, history\, biography\, criticism\, and fine art. She is the principal English translator of the works of Nina Berberova and translated the New York Times’ bestseller The Last Tsar\, by Edvard Radzinsky\, as well as classics by Mikhail Bulgakov\, Ivan Goncharov\, Yuri Olesha\, and Mikhail Lermontov\, and Leo Tolstoy. She is the recipient of two National Endowment for the Arts translation fellowships and the 2014 Read Russia Prize for Best Translation of Contemporary Russian Literature and is a past president of the American Literary Translators Association. \n 
URL:https://litseen.com/event/translator-marian-schwartz/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/02/download-2.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190411T193000
DTEND;TZID=UTC:20190411T213000
DTSTAMP:20260513T071901
CREATED:20190327T222231Z
LAST-MODIFIED:20190327T222231Z
UID:50731-1555011000-1555018200@litseen.com
SUMMARY:MICHAEL LEWIS
DESCRIPTION:MICHAEL LEWIS\nAgainst The Rules\nIn Conversation with Jacob Weisberg\nThursday\, April 11\, 2019\, 7:30 pm\nVenue: Sydney Goldstein Theater\nSeries: Special Events \n Buy Tickets | 415.392.4400 \n\n\nJournalist and bestselling author Michael Lewis (Moneyball\, The Big Short\, Flashboys) talks to Jacob Weisberg about his new podcast\, AGAINST THE RULES\, where he explores the corrosion of fairness in courts of law\, Wall Street\, sports\, and the art world—to understand what it has done to our society\, mostly without our noticing. The seven-episode season takes listeners from student-loan call centers to the courts of Uzbekistan to the new trading hubs of Wall Street (they’re in New Jersey). He speaks with a US Senator and the coach of the Golden State Warriors; the architect of the 9/11 settlement fund and a man who got rich off the 2008 financial crisis.
URL:https://litseen.com/event/michael-lewis/
LOCATION:Sydney Goldstein Theater\, 275 Hayes St\, San Francisco\, CA\, 94102\, United States
CATEGORIES:San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/03/Lewis-Michael-c-Tabitha-Soren_300dpi-1-copy.jpg
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