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BEGIN:VEVENT
DTSTART;TZID=UTC:20190514T193000
DTEND;TZID=UTC:20190611T213000
DTSTAMP:20260421T012918
CREATED:20190329T021202Z
LAST-MODIFIED:20190329T021202Z
UID:50880-1557862200-1560288600@litseen.com
SUMMARY:Aysegül Savas
DESCRIPTION:Aysegül Savas discusses her new novel\, Walking on the Ceiling. \nPraise for Walking on the Ceiling \n“Ayşegül Savaş is an enormous new talent who writes with the rigor of Didion and the tenderness of Sebald. Walking on the Ceiling holds the immediacy of youth and the depth of long-earned wisdom at once. Its elegant voice is sure to summon old memories and longings from each reader\, relighting them anew.”\n—Catherine Lacey\, author of The Answers \n“In Walking on the Ceiling\, Aysegul Savas investigates the inability of any story to accurately evoke lived experience—yet her unconventional narrative succeeds in doing just that. Savas’s celebration of the minutest details of Paris and Istanbul is juxtaposed\, to devastating effect\, against rising political tensions. This quietly intense debut is the product of a wise and probing mind.”\n—Helen Phillips\, author of The Beautiful Bureaucrat \n“Walking on the Ceiling is an elegant meditation on grief\, identity\, memory and homecoming. Moving between Paris and Istanbul\, the novel captures the tangle of narrative around history\, both personal and collective. I fell in love with this book.”\n—Katie Kitamura\, author of A Separation \n“Sensual\, fragile\, scented with hope and loss\, Walking on the Ceiling is a powerful debut and Ayşegül Savaş is an extremely talented rising star.” —Dorthe Nors\, author of Mirror\, Shoulder\, Signal \nAbout Walking on the Ceiling \nA mesmerizing novel set in Paris and a changing Istanbul\, about a young Turkish woman grappling with her past – her country’s and her own – and her complicated relationship with the famous British writer who longs for her memories. \nAfter her mother’s death\, Nunu moves from Istanbul to a small apartment in Paris. One day outside of a bookstore\, she meets M.\, an older British writer whose novels about Istanbul Nunu has always admired. They find themselves walking the streets of Paris and talking late into the night. What follows is an unusual friendship of eccentric correspondence and long walks around the city. \nM. is working on a new novel set in Turkey and Nunu tells him about her family\, hoping to impress and inspire him. She recounts the idyllic landscapes of her past\, mythical family meals\, and her elaborate childhood games. As she does so\, she also begins to confront her mother’s silence and anger\, her father’s death\, and the growing unrest in Istanbul. Their intimacy deepens\, so does Nunu’s fear of revealing too much to M. and of giving too much of herself and her Istanbul away. Most of all\, she fears that she will have to face her own guilt about her mother and the narratives she’s told to protect herself from her memories. \nA wise and unguarded glimpse into a young woman’s coming into her own\, Walking on the Ceiling is about memory\, the pleasure of invention\, and those places\, real and imagined\, we can’t escape.
URL:https://litseen.com/event/aysegul-savas/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/03/walking.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190521T190000
DTEND;TZID=UTC:20190521T210000
DTSTAMP:20260421T012918
CREATED:20190329T012518Z
LAST-MODIFIED:20190329T012518Z
UID:50851-1558465200-1558472400@litseen.com
SUMMARY:Max Porter
DESCRIPTION:celebrating the release of \nLanny: a novel \nfrom Graywolf Press \n“An exhilarating\, disquieting\, joyous read. It will reach into your chest and take hold of your heart. . . . It’s a novel to press into the hands of everyone you know and say\, read this.”—Maggie O’Farrell \nThere’s a village an hour from London. It’s no different from many others today: one pub\, one church\, redbrick cottages\, some public housing\, and a few larger houses dotted about. Voices rise up\, as they might anywhere\, speaking of loving and needing and working and dying and walking the dogs. This village belongs to the people who live in it\, to the land and to the land’s past. \nIt also belongs to Dead Papa Toothwort\, a mythical figure local schoolchildren used to draw as green and leafy\, choked by tendrils growing out of his mouth\, who awakens after a glorious nap. He is listening to this twenty-first-century village\, to its symphony of talk: drunken confessions\, gossip traded on the street corner\, fretful conversations in living rooms. He is listening\, intently\, for a mischievous\, ethereal boy whose parents have recently made the village their home. Lanny. \nWith Lanny\, Max Porter extends the potent and magical space he created in Grief Is the Thing with Feathers. This brilliant novel will ensorcell readers with its anarchic energy\, with its bewitching tapestry of fabulism and domestic drama. Lanny is a ringing defense of creativity\, spirit\, and the generative forces that often seem under assault in the contemporary world\, and it solidifies Porter’s reputation as one of the most daring and sensitive writers of his generation. \nMax Porter is the author of Grief Is the Thing with Feathers\, which won the International Dylan Thomas Prize and the Sunday Times/PFD Young Writer of the Year Award\, and was shortlisted for the Guardian First Book Award and the Goldsmiths Prize. \nvisit: www.maxporter.co.uk \nCritical praise for the work of Max Porter: \n‘Amazing and unforgettable.’ The Times \n‘Dazzlingly good.’ Robert MacFarlane \n‘I picked up Grief Is The Thing With Feathers in my local bookshop\, and thought\, Really? A prose-poem novel about grief and Ted Hughes? Isn’t it going to be precious and pretentious? Anyway: I think it’s brilliant. The opposite of precious\, it reads as though this were the only way it could have been done. It’s solid\, muscular\, moving\, funny and clever. I can’t wait to see what Max Porter does next. And by the way\, it takes about an hour to get through. I will read it again soon.’ Nick Hornby \n‘A luminous reading experience.’ TLS \n‘Utterly astonishing. Truly\, truly remarkable.’ Nathan Filer \n‘Compact and splendid.’ Adam Mars-Jones\, London Review of Books \n‘Heartrending\, blackly funny\, deeply resonant.’ Guardian \n‘Porter has an excellent ear for the flexibility of language and tone\, juxtaposing colloquialisms against poetic images and metaphors. The result is a book that has the living\, breathing quality of the title’s ‘thing with feathers.’. . . One of the things this luminous novel insists upon is that loss endures\, even as grief departs. Our recoveries are always partial\, and this sense of having been splintered is what finally defines us.’ New York Times  \n‘I’m not sure I’ve read anything like Max Porter’s book before. It stunned me\, full of beauty\, hilarity\, and thick black darkness. It will stay with me for a very long time.’ Evie Wyld \n‘Unlike anything I’ve read before; part memoir\, part novel\, part experimental sound-poem\, the book is a physical\, living thing that shifts between humour and sadness with a deft beat of its wing.’ Andrew McMillan \n‘Heartrending\, blackly funny\, deeply resonant\, a perfect summation of what it means to lose someone but still to love the world – and if it reminds publishers that the best books aren’t always the ones that can be pigeonholed or precis-ed or neatly packaged\, so much the better.’ Sarah Crown\, Guardian \n‘Grief Is the Thing with Feathers argues that books\, literature and poetry can help save us. This book is a sublime and painful conjuring of a family’s grief and the misfit creature with the power to both haunt and help them. It is a complex story\, not simply-told or sparse: Nothing is missing. Let it be a call for more great books of this length to be recognized for what they are — whole. Extraordinary is a book with feathers.’ Los Angeles Times \n‘An intense and startling reflection on sudden bereavement\, dark animism\, childhood and literary form.’ Brian Dillon \n‘orter’s poetic prose has infinite readings\, and demands you turn back to the beginning after each short sitting.’ Big Issue \n‘Shows us another way of thinking about the novel and its capabilities\, taking us through a dark and emotionally fraught subject\, one airy page after another\, as through transported by wings.’ Kirsty Gunn\, Guardian \n“Max Porter has written one of the only accurate representations of grief I have ever found in literature. He combines verse\, narrative\, essay\, myth\, drama\, jokes\, bad dreams\, and the language of therapy in a way that seems magical\, permanent\, utterly integrated\, as impossible to distill to its components as it would be impossible to remove or isolate grief from love\, or from life itself. Says Crow of grief\, ‘It is everything. It is the fabric of selfhood.’ Sarah Manguso \n‘In this slyly funny and thrillingly original work\, Max Porter somehow pulls a brand new story out of the darkest despair.’ Jenny Offill \n‘Less a novel than a totally new and feathered thing—hilarious\, poetic\, cheeky\, postmodern\, I guess\, but in the most earnest and emotionally forthright way. I was as gripped as I was stunned by Porter’s linguistic daredevilry\, his intelligence\, his emotional go-for-the-gut-ness. I loved this book.’ Heidi Julavits \n‘Grief is the Thing with Feathers . . . is a book to cherish. It has the perfect balance of being very sad and very funny\, full of darkness and full of light.’ Cecelia Ahern \n‘A small masterpiece.’ Listener \n‘I loved Max Porter’s Grief is the Thing with Feathers . . . Part prose\, part poetry\, the book is a lyrical exploration of grief and healing; exquisite passages of brilliance and beauty abound throughout.’ Thomas Morris \n‘It seems appropriate that the publishing firm for which T.S. Eliot once worked and wrote should put out this extraordinary book\, haunted as it is by two poets. This book is partly poetry\, partly drama\, partly fable\, and partly essay on grief. With its verbal inventiveness\, vivid imagery and profound but never swamping emotion\, this is as wild and gripping and original a book as Wuthering Heights.’ Sydney Morning Herald \n‘Art—in Porter’s witty\, sensitive\, outlandish expression of it—does not so much transport us to another world as alert us to the extraordinary beauty of our own.’ Music and Literature \nAnd here’s Jesse Ball: https://vimeo.com/167790359
URL:https://litseen.com/event/max-porter/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/03/MaxPorter.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190521T190000
DTEND;TZID=UTC:20190521T210000
DTSTAMP:20260421T012918
CREATED:20190329T034313Z
LAST-MODIFIED:20190329T034313Z
UID:50928-1558465200-1558472400@litseen.com
SUMMARY:You're Doing What? Older Women's Tales
DESCRIPTION:Tuesday\, May 21\, 2019 7:00 PM \nLocation: \nIn the basement\n2476 Telegraph Ave.\, Berkeley \nYOU’RE DOING WHAT? Older Women’s Tales of Achievement and Adventure\, Compiled and Edited by Marjorie Penn Lasky. \n“You’re Doing What? is an inspirational and insightful call to action to its readers. These stories are certain to encourage women – and men – of all ages to view aging as an opportunity to act on long deferred or never before-imagined dreams.” – Congresswoman Barbara Lee \nIn my mid-70s\, I asked myself what was I\, Marjorie Lasky\, doing scrambling off-trail in Sedona\, Arizona\, traversing slick steep slopes\, climbing to intimidating heights\, and choosing between the narrow ledge and the prickly pear. Yet each day when the scrambling ended and I was (essentially) intact\, I was amazed at what I had accomplished. Eventually I called it “My Trip of Unintended Consequences” because it inspired new challenges. One endeavor birthed this project – my collecting stories by older women\, describing their achievements and adventures. \nThe book\, YOU’RE DOING WHAT? Older Women’s Tales of Achievement and Adventure is a compilation of 62 of these memorable first-person tales and photos. In the book\, you’ll read about and view photos of daring older women of different races\, classes\, sexual orientations\, and disabilities facing challenges and choices as they age. All are embracing new adventures and changing what it means to be an “older woman.” Celebrate them! And let them inspire you despite those voices that still might challenge\, “You’re Doing What!” \nPARTICIPANTS: \nCompiler\, Marjorie Lasky \nA professor in the Contra Costa Community College District from 1973-2008\, Marjorie Lasky taught Women’s\, United States\, and Latin American History. As an older woman\, she finished a PhD dissertation\, “Off Camera: A History of the Screen Actors Guild” and a degree in Labor History at UC Davis\, served as chief negotiator and president of her faculty union\, founded Grandmother’s Against War (Bay Area)\, and\, upon retiring\, took up the saxophone. \nThere will be readings by four contributors: \nEffie Dilworth \nEffie Hall Dilworth graduated from UC Berkeley in English literature. She worked for the university for 30 years with the campus’ natural history collections as a computer programer and the administrator of a database system. In June 2013\, the Chinese Historical Society of American published a booklet her cousin\, Connie Young Yu\, and she wrote about the family soy sauce enterprise\, “Wing Nien Brand\, A Story of Longevity.” \nLydia Gans \nLydia Gans was born in Berlin\, Germany\, in 1931. Her parents were fortunate to find a sponsor who made it possible to get visas and emigrate to America. They arrived in New York in January 1938. Lydia grew up in Manhattan\, went to Hunter High School\, graduated at 17 at took the train to Berkeley. \nRose Glickman \nRose Glickman’s first book\, Russian Factory Women: Workplace and Society\, 1880-1914\, was published in 1984. She has translated a historical biography\, Agnessa: From Paradise to Purgatory\, A Voice from Stalin’s Russia\, published in 2012. \nHelen Isaacson \nHelen Isaacson was born and brought up in Brooklyn\, New York. She met her husband when they were both reporters for the student newspaper at Brooklyn College. They have lived in Washington D.C.\, London\, England\, Oberlin\, Ohio\, Ann Arbor\, Michigan and Berkeley where they moved after both retired from teaching at the University of Michigan. \nLinda Slavin Kirby \nLinda Slavin Kirby continues to hike (although she’s not climbing any more mountains)\, took her daughters on a three-week African safari to celebrate their “significant” birthdays\, and recently returned to the world of tap dancing\, which she had previously left. \nKathy Labriola \nKathy Labriola is a nurse\, counselor\, and hypnotherapist in private practice in Berkeley\, providing affordable mental health services to alternative communities. She has been a card-carrying bisexual and polyamorist for more than 40 years. She has written and published Love in Abundance: A Counselor’s Advice on Open Relationships and The Jealousy Workbook. \nSherry Lou Macgregor \nAmerican Indian and Scottish\, Sherry Lou Macgregor is an elder in the Jamestown S’Klallam Tribe. Each summer she is a “puller” in the tribe’s canoe on the Tribal Canoe Journeys. Her experiences and observations on these Canoe Journeys have inspired her to document the history of Pacific Northwest Coast Indian Canoe Culture. She is currently writing a book on this subject. In 2012 she published Beyond Hearth and Home: Women in the Public Sphere in Neo-Assyrian Society. \nE. Kay Trimberger \nE. Kay Trimberger\, a sociologist\, is professor emerita at Sonoma State University. She is writing a book tentatively titled Creole Son: An Adoptive Mother’s Story of Nurture and Nature. She blogs occasionally on the Huffington Post and Psychology Today.
URL:https://litseen.com/event/youre-doing-what-older-womens-tales/
LOCATION:Moe’s Books\, 2476 Telegraph Avenue\, BERKELEY\, 94704-2322
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/03/doing.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190521T193000
DTEND;TZID=UTC:20190521T213000
DTSTAMP:20260421T012918
CREATED:20190327T223912Z
LAST-MODIFIED:20190327T223912Z
UID:50743-1558467000-1558474200@litseen.com
SUMMARY:WOMEN’S HEALTH: TRUTH AND MISINFORMATION WITH DR. JEN GUNTER In Conversation with Ayelet Waldman
DESCRIPTION:WOMEN’S HEALTH: TRUTH AND MISINFORMATION WITH DR. JEN GUNTER\nIn Conversation with Ayelet Waldman\nTuesday\, May 21\, 2019\, 7:30 pm\nVenue: Sydney Goldstein Theater\nSeries: Conversations on Science \n Buy Tickets | Buy Series Tickets | 415.392.4400 \n\n\nDr. Jen Gunter is OB/GYN and a pain medicine physician\, writing on topics of sex\, science\, and social media. A fierce advocate for women’s health\, Gunter is devoted to correcting the myths and misinformation perpetuated by the internet around women’s well-being and reproductive health. She is the author of The Preemie Primer\, a guide for parents of premature babies. Her forthcoming book The Vagina (and Vulva) Bible\, seeks to correct the falsehoods about women’s health and reproductive systems commonly disseminated and accepted by men and women alike. Hailed as Twitter’s resident gynecologist\, Gunter has also written for The New York Times\, The Cut\, USA Today\, and more.\n\n\nAyelet Waldman is the author of A Really Good Day: How Microdosing Made a Mega Difference in My Mood\, My Marriage\, and My Life\, the novels Love and Treasure\, Red Hook Road\, Love and Other Impossible Pursuits\, and Daughter’s Keeper\, as well as of the essay collection Bad Mother: A Chronicle of Maternal Crimes\, Minor Calamities\, and Occasional Moments of Grace.
URL:https://litseen.com/event/womens-health-truth-and-misinformation-with-dr-jen-gunter-in-conversation-with-ayelet-waldman/
LOCATION:Sydney Goldstein Theater\, 275 Hayes St\, San Francisco\, CA\, 94102\, United States
CATEGORIES:San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/03/gunter-square.jpg
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