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DTSTART;TZID=America/Los_Angeles:20200326T190000
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DTSTAMP:20260509T034242
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SUMMARY:Canceled: Geometry of Shadows: Stefania Heim on Giorgio de Chirico
DESCRIPTION:Poet and translator Stefania Heim joins Olivia Sears to talk about Giorgio de Chirico’s Italian poetry\, visual and verbal juxtapositions\, and interlingual negotiations. \n\n\n\n\nAUTHOR\nGiorgio de Chirico\n\n\nGiorgio de Chirico (1888-1978) was born in Greece to Italian parents. A gifted and prolific painter\, de Chirico is considered the founder of the metaphysical school of art and a significant influence on the surrealists. Over the course of his long career\, he was involved with many of the twentieth century’s major art-world figures: he designed costumes for Sergei Diaghilev’s Ballets Russes and set productions for Luigi Pirandello; he was photographed by Irving Penn. De Chirico was also a prolific writer. His French writing has been translated by John Ashbery\, Louise Bourgeois\, and others. Geometry of Shadows compiles for the first time in translation the entirety of de Chirico’s Italian poems.\n\n\n\n\n\nTRANSLATOR\nStefania Heim\n\n\nStefania Heim is a poet\, scholar\, translator\, editor\, and educator. She is author of the poetry collections HOUR BOOK\, chosen by Jennifer Moxley as winner of the Sawtooth Prize and published in 2019 by Ahsahta Books and A Table That Goes On for Miles (Switchback Books\, 2014). Geometry of Shadows\, her book of translations of metaphysical artist Giorgio de Chirico’s Italian poems\, was published in October 2019 by A Public Space Books. Stefania is the recipient of a 2019 Translation Fellowship from the National Endowment for the Arts for her work on Giorgio de Chirico.\n\n\n\n\n\nTRANSLATOR\nOlivia E. Sears\n\n\nOlivia E. Sears is the founder of the Center for the Art of Translation and served as editor of Two Lines for twelve years. She is a translator from Italian.
URL:https://litseen.com/event/geometry-of-shadows-stefania-heim-on-giorgio-de-chirico/
LOCATION:Center for the Art of Translation office\, 582 Market St #700\, San Francisco\, CA\, 94104\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/02/image-82.png
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DTSTART;TZID=America/Los_Angeles:20200326T190000
DTEND;TZID=America/Los_Angeles:20200326T203000
DTSTAMP:20260509T034242
CREATED:20191227T025536Z
LAST-MODIFIED:20191227T025536Z
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SUMMARY:Robert Glück
DESCRIPTION:celebrating the new edition of \nMargery Kempe \nby Robert Glück\, introduction by Colm Toibin \npublished by New York Review Books \nFirst published in 1994\, Robert Glück’s Margery Kempe is one of the most provocative\, poignant\, and inventive American novels of the last quarter century. The book tells two stories of romantic obsession. One\, based on the first autobiography in English\, the medieval Book of Margery Kempe\, is about a fifteenth-century woman from East Anglia\, a visionary\, a troublemaker\, a pilgrim to the Holy Land\, and an aspiring saint\, and her love affair with Jesus. It is complicated. The other is about the author’s own love for an alluring and elusive young American\, L. It is complicated. Between these two Margery Kempe\, the novel\, emerges as an unprecedented exploration of desire\, devotion\, abjection\, and sexual obsession in the form of a novel like no other novel. Robert Glück’s masterpiece bears comparison with the finest work of such writers as Kathy Acker and Chris Kraus. \nRobert Glück is a poet\, fiction writer\, critic\, and editor. With Bruce Boone\, he founded the New Narrative movement in San Francisco. His poetry collections include Reader and\, with Boone\, La Fontaine. His fiction includes the story collection Denny Smith\, and the novel Jack the Modernist. Glück edited\, with Camille Roy\, Mary Berger\, and Gail Scott\, the anthology Biting The Error: Writers Explore Narrative\, and his collected essays\, Communal Nude\, appeared in 2016. Glück served as the director of San Francisco State’s Poetry Center\, co-director of the Small Press Traffic Literary Center\, and associate editor at Lapis Press. He lives in San Francisco. \nPraise for Margery Kempe  \n\nBy the bold device of telling two stories in terms of each other (one of Margery Kempe and Jesus\, and the other of a twentieth-century love affair)\, Robert Glück has produced a book without precedent. This novel brings to mind the huge wings of a painted angel—a texture of brilliant richness covered regularly with small\, detailed shadows of implication.\n—Thom Gunn \nAt once embracing and thwarting two worlds\, two centuries\, two sensibilities\, what a subtle and powerful amalgam is Margery! Gluck’s exquisitely controlled\, sensuously textured writing evokes a deeply integrated ecstatic vision that in the end spares us nothing—being nuanced and brutal\, passionate and colored with levity\, elegant and outrageous.\n—Lydia Davis \nI\, for one\, find much to admire in contemporary gay authors. One of my favorites is Robert Gluck.\n—Edmund White \n\n\n\n\n\n 
URL:https://litseen.com/event/robert-gluck/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/front-cover-of-Margery-Kempe.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200326T193000
DTEND;TZID=America/Los_Angeles:20200326T210000
DTSTAMP:20260509T034242
CREATED:20191227T172811Z
LAST-MODIFIED:20191227T172811Z
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SUMMARY:Jordan Kisner
DESCRIPTION:Jordan Kisner discusses her new essay collection\, Thin Places: Essays From In Between. \nPraise for Thin Places \n“Jordan Kisner’s essays are like intricate tattoos: etched with a sharp and exacting blade of intellect\, but made of flesh; richly drawn in their details; comprised of equal parts pleasure and pain. Like tattoos\, their natural habitat is that strange borderland where our skin meets the world—where we confront our edges\, or everything we can’t keep out. Always\, and thrillingly\, they look inward and outward with exacting grace.” —Leslie Jamison\, author of The Empathy Exams \n“Jordan Kisner’s essays are a bewitchingly original and highly personal synthesis of incisiveness\, gracefulness\, thoughtfulness\, and selflessness. She is an intellectual empath with the deepest moral instincts and a willingness to consider herself alongside her subjects\, as a person no more or less worthy of attention. Her work gives me the feeling that I’m being told an urgent secret about humanity that is meant to be savored\, then shared.” —Heidi Julavits\, author of The Folded Clock \n“Jordan Kisner is a pilgrim for our times. She ventures into the operating room where a surgeon inserts an electrode into a patient’s brain. She mingles with the debutantes of Laredo\, Texas as they navigate the fraught space between Wasp and Hispanic privilege. Wherever she is\, Kisner probes the ambiguities that we live and dream\, exploring the spaces where\, in her words\, ‘Distinctions between you and not-you\, real and and unworldly\, fall away.’ She is a tender but fierce writer; rigorous and wise.” —Margo Jefferson\, author of Negroland: A Memoir \nAbout Thin Places \nIn this perceptive and provocative essay collection\, an award-winning writer shares her personal and reportorial investigation into America’s search for meaning \nWhen Jordan Kisner was a child\, she was saved by Jesus Christ at summer camp\, much to the confusion of her nonreligious family. She was\, she writes\, “just naturally reverent\,” a fact that didn’t change when she—much to her own confusion—lost her faith as a teenager. Not sure why her religious conviction had come or where it had gone\, she did what anyone would do: “You go about the great American work of assigning yourself to other gods: yoga\, talk radio\, neoatheism\, CrossFit\, cleanses\, football\, the academy\, the American Dream\, Beyoncé.” \nA curiosity about the subtle systems guiding contemporary life pervades Kisner’s work. Her celebrated essay “Thin Places” (Best American Essays 2016)\, about an experimental neurosurgery developed to treat severe obsessive-compulsive disorder\, asks how putting the neural touchpoint of the soul on a pacemaker may collide science and psychology with philosophical questions about illness\, the limits of the self\, and spiritual transformation. How should she understand the appearance of her own obsessive compulsive disorder at the very age she lost her faith? \nIntellectually curious and emotionally engaging\, the essays in Thin Places manage to be both intimate and expansive\, illuminating an unusual facet of American life\, as well as how it reverberates with the author’s past and present.
URL:https://litseen.com/event/jordan-kisner/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/front-cover-of-Thin-Places.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200326T193000
DTEND;TZID=America/Los_Angeles:20200326T213000
DTSTAMP:20260509T034242
CREATED:20200207T204303Z
LAST-MODIFIED:20200207T204303Z
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SUMMARY:Jordan Kisner and Esmé Weijun Wang at Green Apple Books
DESCRIPTION:Jordan Kisner discusses her new essay collection\, Thin Places: Essays From In Between with Esmé Weijun Wang. \nPraise for Thin Places \n“Jordan Kisner’s essays are like intricate tattoos: etched with a sharp and exacting blade of intellect\, but made of flesh; richly drawn in their details; comprised of equal parts pleasure and pain. Like tattoos\, their natural habitat is that strange borderland where our skin meets the world—where we confront our edges\, or everything we can’t keep out. Always\, and thrillingly\, they look inward and outward with exacting grace.” —Leslie Jamison\, author of The Empathy Exams \n“Jordan Kisner’s essays are a bewitchingly original and highly personal synthesis of incisiveness\, gracefulness\, thoughtfulness\, and selflessness. She is an intellectual empath with the deepest moral instincts and a willingness to consider herself alongside her subjects\, as a person no more or less worthy of attention. Her work gives me the feeling that I’m being told an urgent secret about humanity that is meant to be savored\, then shared.” —Heidi Julavits\, author of The Folded Clock \n“Jordan Kisner is a pilgrim for our times. She ventures into the operating room where a surgeon inserts an electrode into a patient’s brain. She mingles with the debutantes of Laredo\, Texas as they navigate the fraught space between Wasp and Hispanic privilege. Wherever she is\, Kisner probes the ambiguities that we live and dream\, exploring the spaces where\, in her words\, ‘Distinctions between you and not-you\, real and and unworldly\, fall away.’ She is a tender but fierce writer; rigorous and wise.” —Margo Jefferson\, author of Negroland: A Memoir \nAbout Thin Places \nIn this perceptive and provocative essay collection\, an award-winning writer shares her personal and reportorial investigation into America’s search for meaning \nWhen Jordan Kisner was a child\, she was saved by Jesus Christ at summer camp\, much to the confusion of her nonreligious family. She was\, she writes\, “just naturally reverent\,” a fact that didn’t change when she—much to her own confusion—lost her faith as a teenager. Not sure why her religious conviction had come or where it had gone\, she did what anyone would do: “You go about the great American work of assigning yourself to other gods: yoga\, talk radio\, neoatheism\, CrossFit\, cleanses\, football\, the academy\, the American Dream\, Beyoncé.” \nA curiosity about the subtle systems guiding contemporary life pervades Kisner’s work. Her celebrated essay “Thin Places” (Best American Essays 2016)\, about an experimental neurosurgery developed to treat severe obsessive-compulsive disorder\, asks how putting the neural touchpoint of the soul on a pacemaker may collide science and psychology with philosophical questions about illness\, the limits of the self\, and spiritual transformation. How should she understand the appearance of her own obsessive compulsive disorder at the very age she lost her faith? \nIntellectually curious and emotionally engaging\, the essays in Thin Places manage to be both intimate and expansive\, illuminating an unusual facet of American life\, as well as how it reverberates with the author’s past and present.
URL:https://litseen.com/event/jordan-kisner-and-esme-weijun-wang-at-green-apple-books/
LOCATION:Green Apple Books 9th Avenue\, 1231 9th Avenue\, San Francisco\, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/9780374274641.jpg
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