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DTSTART;TZID=America/Los_Angeles:20200416T190000
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DTSTAMP:20260510T195739
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SUMMARY:Readings by Aaron Shurin and Gillian Conoley
DESCRIPTION:Booksmith hosts a special evening with beloved Bay Area writers Aaron Shurin (The Blue Absolute) and Gillian Conoley (A Little More Red Sun on the Human: New and Selected Poems). Please join us for a night of readings! \nAbout The Blue Absolute \nUrban and pastoral\, highly figured and fragmented\, grieving and dreaming\, the prose poems of The Blue Absolute set people moving and thinking amidst a flurry of dashes\, dots\, perspective shifts\, and the fragmented action of San Francisco\, the great city on the edge. \nThe Blue Absolute’s prose poems are hot boxes of lyrical language combusting with daily life. People move and think amidst a flurry of dots and dashes in a constant shift of perspective and action—urban and pastoral\, highly figured and fragmented\, grieving and dreaming—each poem a compressed but fluid zone of almost psychedelic intensity. The book closes with “Shiver\,” an American epic\, at once a lament for and vision of a great city on the edge: San Francisco past\, present\, and future. \nAaron Shurin is the author of fourteen books of poetry and prose\, most recently Flowers & Sky: Two Talks (Entre Rios Books\, 2017)\, The Skin of Meaning: Collected Literary Essays and Talks (University of Michigan Press\, 2015)\, and two books from City Lights: Citizen (poems\, 2012) and King of Shadows (essays\, 2008). His work has appeared in over forty national and international anthologies\, from The Norton Anthology of Postmodern American Poetry to Italy’s Nuova Poesia Americana: San Francisco\, and has been supported by grants from The National Endowment for the Arts\, The California Arts Council\, The San Francisco Arts Commission\, and the Gerbode Foundation. A pioneer in both LGBTQ studies and innovative verse\, Shurin was a member of the original Good Gay Poets collective in Boston\, and later the first graduate of the storied Poetics Program at New College of California. He has written numerous critical essays about poetic theory and compositional practice\, as well as personal narratives on sexual identity\, gender fluidity\, and the AIDS epidemic. A longtime educator\, he’s the former director and currently Professor Emeritus for the MFA Writing Program at the University of San Francisco. \n\nAbout A Little More Red Sun on the Human \nA selection of poems by celebrated poet Gillian Conoley that spans her arresting body of work: from the idiosyncrasies of Texas girlhood toward an encompassing inquiry into spirit and matter\, individual and state. \nGillian Conoley’s new and selected poems assemble a shockingly varied body of work\, comprising narrative\, lyric\, and fragmented forms. Her coruscating vibrant poems are informed by visual art and film\, political engagement and playful linguistic constructions. Throughout\, one can trace Conoley’s obsessions and concerns: democracy\, metaphysics\, motherhood\, gender and race\, futurity and history. \nGillian Conoley was awarded the 2017 Shelley Memorial Award from the Poetry Society of America. A Little More Red Sun on the Human: Selected Poems is forthcoming with Nightboat Books in Fall 2019. Her seventh poetry collection\, PEACE\, was named an Academy of American Poets Standout Book for 2014 and a finalist for the Los Angeles Times Book Prize. Conoley’s work has received the Jerome J. Shestack Poetry Prize\, a National Endowment for the Arts grant\, and a Fund for Poetry Award. Her translations of Henri Michaux\, Thousand Times Broken\, appeared with City Lights in 2014. Conoley is Poet-in-Residence and Professor of English at Sonoma State University\, where she edits Volt. \n\nThis event is free and all ages. \nRSVP appreciated but not required. \nIf you cannot attend the event but would like to request a signed copy of The Blue Absolute and/or A Little More Red Sun on the Human\, click on the appropriate title(s) in this sentence and be sure to put your request in the special field.
URL:https://litseen.com/event/readings-by-aaron-shurin-and-gillian-conoley/
LOCATION:The Booksmith\, 1644 Haight St\, San Francisco \, CA\, 94117\, United States
CATEGORIES:Free,San Francisco
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DTSTART;TZID=America/Los_Angeles:20200416T190000
DTEND;TZID=America/Los_Angeles:20200416T203000
DTSTAMP:20260510T195739
CREATED:20191227T024439Z
LAST-MODIFIED:20191227T024504Z
UID:54521-1587063600-1587069000@litseen.com
SUMMARY:Tess Taylor with Ilya Kaminsky
DESCRIPTION:celebrating the release of Tess Taylor’s \n \nRift Zone:poems \npublished by Red Hen Press \nand \n \nLast West \npublished by Museum of Modern Art Books \nabout Rift Zone \nRIFT ZONE\, Taylor’s much-anticipated third book traces literal and metaphoric fault lines—rifts between past and present\, childhood and adulthood\, what is and what was. Circling Taylor’s hometown—an ordinary California suburb lying along the Hayward fault—these poems unearth strata that include a Spanish land grant\, a bloody land grab\, gun violence\, valley girls\, strip malls\, redwood trees\, and the painful history of Japanese internment. Taylor’s ambitious and masterful poems read her home state’s historic violence against our world’s current unsteadinesses—mass eviction\, housing crises\, deportation\, inequality. They also ponder what it means to try to bring up children along these rifts. What emerges is a powerful core sample of America at the brink—an American elegy equally tuned to maternal and to geologic time. \nabout Last West \nLast West is a book-length commission from the Museum of Modern Art. It will be published by the Museum of Modern Art (NYC) this February and part of the Dorothea Lange Words & Pictures exhibit. The book revisits the work of Dorothea Lange in California in contemporary poems examining issues of migrancy\, shelterlessness\, and climate change as they appear in Lange’s work and continue to affect us today. \nabout Ilya Kaminski’s Deaf Republic \nDeaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy\, Petya\, the gunshot becomes the last thing the citizens hear―they all have gone deaf\, and their dissent becomes coordinated by sign language. At once a love story\, an elegy\, and an urgent plea\, Ilya Kaminsky’s long-awaited Deaf Republic confronts our time’s vicious atrocities and our collective silence in the face of them. \nTess Taylor is a poet and the poetry critic for NPR’s All Things Considered. Her books include Work & Days (Red Hen Press\, 2016)\, named one of the best poetry books of 2016 by The New York Times; The Forage House (Red Hen Press\, 2013)\, a finalist for the Believer Poetry Award which The San Francisco Chronicle called “stunning\,” and the chapbook The Misremembered World\, which was selected by Eavan Boland for the Poetry Society of America’s inaugural chapbook fellowship. In February 2020\, Last West\, an exciting book length commission from the Museum of Modern Art\, will be published in conjunction with the MOMA show\, Dorothea Lange: Words & Pictures. In his introduction to the collection\, Ilya Kaminsky calls Taylor’s voice “invaluable” and a “poet for our moment.”  Her work explores California and the American West\, her life as a critic\, and the intersection of poetry and journalism. \nIlya Kaminsky is the author of the widely acclaimed Deaf Republic (Graywolf\, 2019)\, a finalist for the 2019 National Book Award for Poetry\, which Kevin Young\, writing in The New Yorker\, called a work of “profound imagination.” Poems from Deaf Republic were awarded Poetry magazine’s Levinson Prize and the Pushcart Prize. He is also the author of Dancing In Odessa (Tupelo Press\, 2004)\, and Musica Humana (Chapiteau Press\, 2002). Kaminsky has won the Whiting Writer’s Award\, the American Academy of Arts and Letters’ Metcalf Award\, the Dorset Prize\, a Ruth Lilly Fellowship\, and the Foreword Magazine’s Best Poetry Book of the Year award. Recently\, he was on the short-list for the Neusdadt International Literature Prize. His poems have been translated into numerous languages and his books have been published in many countries including Turkey\, Holland\, Russia\, France\, Mexico\, Macedonia\, Romania\, Spain and China\, where his poetry was awarded the Yinchuan International Poetry Prize. His poems have been compared to work by Anna Akhmatova\, Osip Mandelstam\, and Marina Tsvetaeva.
URL:https://litseen.com/event/tess-taylor-with-ilya-kaminsky/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
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DTSTART;TZID=America/Los_Angeles:20200416T193000
DTEND;TZID=America/Los_Angeles:20200416T210000
DTSTAMP:20260510T195739
CREATED:20191231T203327Z
LAST-MODIFIED:20191231T203327Z
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SUMMARY:Emily St. John Mandel: The Glass Hotel
DESCRIPTION:Emily St. John Mandel discusses her new novel\, The Glass Hotel. \nPraise for The Glass Hotel \n“Long-anticipated… At its heart\, this is a ghost story in which every boundary is blurred\, from the moral to the physical… In luminous prose\, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure. A strange\, subtle\, and haunting novel. – Kirkus Reviews\, starred \n“Mandel’s wonderful novel (after Station Eleven) follows a brother and sister as they navigate heartache\, loneliness\, wealth\, corruption\, drugs\, ghosts\, and guilt… This ingenious\, enthralling novel probes the tenuous yet unbreakable bonds between people and the lasting effects of momentary carelessness.”– Publisher’s Weekly\, starred \nAbout The Glass Hotel \nVincent is a bartender at the Hotel Caiette\, a five-star hotel on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis\, a hooded figure scrawls a message on the lobby’s glass wall: “Why don’t you swallow broken glass.” Leon Prevant\, a shipping executive for Neptune-Avradimis\, reads the words and orders a drink to calm down. Alkaitis\, the owner of the hotel and a wealthy investment manager\, arrives too late to read the threat\, never knowing it was intended for him. He leaves Vincent a hundred dollar tip along with his business card\, and a year later they are living together as husband and wife. \nHigh above Manhattan\, a greater crime is committed: Alkaitis is running an international Ponzi scheme\, moving imaginary sums of money through clients’ accounts. He holds the life savings of an artist named Olivia Collins\, the fortunes of a Saudi prince and his extended family\, and countless retirement funds\, including Leon Prevant’s. The collapse of the financial empire is as swift as it is devastating\, obliterating fortunes and lives\, while Vincent walks away into the night. Until\, years later\, she steps aboard a Neptune-Avramidis vessel\, the Neptune Cumberland\, and disappears from the ship between ports of call. \nIn this captivating story of crisis and survival\, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless\, underground electronica clubs\, the business of international shipping\, service in luxury hotels\, and life in a federal prison. Rife with unexpected beauty\, The Glass Hotel is a captivating portrait of greed and guilt\, love and delusion\, ghosts and unintended consequences\, and the infinite ways we search for meaning in our lives. \n 
URL:https://litseen.com/event/emily-st-john-mandel-the-glass-hotel/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/St.-John-Mandel.jpg
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