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DTSTART;TZID=America/Los_Angeles:20200414T193000
DTEND;TZID=America/Los_Angeles:20200414T210000
DTSTAMP:20260430T184610
CREATED:20191231T203245Z
LAST-MODIFIED:20191231T203245Z
UID:54752-1586892600-1586898000@litseen.com
SUMMARY:Bonnie Tsui: Why We Swim
DESCRIPTION:Bonnie Tsui discusses her new book\, Why We Swim\, with Caroline Paul. \nPraise for Why We Swim \n “A beautifully written love letter to water and a fascinating story. I was enchanted.”–Rebecca Skloot\, bestselling author of The Immortal Life of Henrietta Lacks \n“The only thing better than reading Bonnie Tsui’s writing about swimming is swimming itself—and both are sublime. Why We Swim is an aquatic tour de force\, a captivating story filled with adventure\, meditation\, and celebration.”– Susan Casey\, New York Times bestselling author of The Wave and Voices in the Ocean \n“This is a jewel of a book\, a paean to the wonders of water and our place within it.” –James Nestor\, author of Deep: Freediving\, Renegade Science\, and What the Ocean Tells Us about Ourselves \n“Magnificent. Only a truly great story can hold my attention and Why We Swim had me nailed to the chair . . . I love this book.” – Christopher McDougall\, bestselling author of Born to Run and Natural Born Heroes \nAbout Why We Swim \nHumans\, unlike other animals that are drawn to water\, are not natural-born swimmers. We must be taught. Our evolutionary ancestors learned for survival; now in the twenty-first century we swim in freezing Arctic waters and piranha-infested rivers to test our limits. Swimming is an introspective and silent sport in a chaotic and noisy age; it’s therapeutic for both the mind and body; and it’s an adventurous way to get from point A to point B. It’s also one route to that elusive\, ecstatic state of flow. These reasons\, among many others\, make swimming one of the most popular activities in the world. \nWhy We Swim is propelled by stories of Olympic champions\, a Baghdad swim club that meets in Saddam Hussein’s palace pool\, modern-day Japanese samurai swimmers\, and even an Icelandic fisherman who improbably survives a wintry six-hour swim after a shipwreck. New York Times contributor Bonnie Tsui\, a swimmer herself\, dives into the deep\, from the San Francisco Bay to the South China Sea\, investigating what about water—despite its dangers—seduces us and why we come back to it again and again. \n 
URL:https://litseen.com/event/bonnie-tsui-why-we-swim/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Tsui.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200415T190000
DTEND;TZID=America/Los_Angeles:20200415T203000
DTSTAMP:20260430T184610
CREATED:20191227T024640Z
LAST-MODIFIED:20191227T024640Z
UID:54525-1586977200-1586982600@litseen.com
SUMMARY:Wendy Liu
DESCRIPTION:discussing the subject of her new book \nAbolish Silicon Valley: How to Liberate Technology from Capitalism \nfrom Repeater Books \nFormer insider turned critic Wendy Liu busts the myths of the tech industry\, and offers a galvanising argument for why and how we must reclaim technology’s potential for the public good. \nInnovation. Meritocracy. The possibility of overnight success. What’s not to love about Silicon Valley? \nThese days\, it’s hard to be unambiguously optimistic about the growth-at-all-costs ethos of the tech industry. Public opinion is souring in the wake of revelations about Cambridge Analytica\, Theranos\, and the workplace conditions of Amazon warehouse workers or Uber. We’re starting to see the cracks in the edifice\, as we realise that the wealth that the tech industry is so good at creating is neither sustainable nor always desirable. \nAbolish Silicon Valley is both a heartfelt personal story about the wasteful inequality and unsubstantiated lies of Silicon Valley\, and a rallying call to engage in the radical politics needed to upend the status quo. Going beyond the idiosyncrasies of the individual founders and companies that characterise the industry today\, Liu delves into the structural factors of the economy that led to Silicon Valley in its current form\, and links them to the economy at large. Ultimately\, she proposes a more radical way of developing technology\, where innovation is conducted for the benefit of society at large\, and not merely to enrich a select few. \n\nWendy Liu is a former startup founder who now writes about the political economy of the tech industry and why tech workers need to unionise.
URL:https://litseen.com/event/wendy-liu/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Wendy-Liu.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200415T193000
DTEND;TZID=America/Los_Angeles:20200415T210000
DTSTAMP:20260430T184610
CREATED:20200219T013550Z
LAST-MODIFIED:20200219T013550Z
UID:55830-1586979000-1586984400@litseen.com
SUMMARY:Kaouther Adimi: Our Riches
DESCRIPTION:Algerian author Kaouther Adimi discusses his new novel Our Riches. Sponsored by the Cultural Services of the French Embassy. \nPraise for Our Riches \n“An understated\, lyrical story of reading and resistance over the tumultuous generations.”—Kirkus Reviews (Starred) \n“Adimi’s confident prose displays Ryad and Charlot’s emotional depth while nimbly shuttling the reader through nearly a century of history. This is a moving tribute to the enduring power of literature.”—Publishers Weekly \n“Fascinating: Adimi synthesizes the private minutiae of the great and sometimes forgotten publisher Edmond Charlot with the history of the times in a surprisingly light\, almost breezy fashion\, making this a fast\, interesting\, and engaging read.”—Adam Hocker\, Albertine Bookstore \nAbout Our Riches \nThe powerful English debut of a rising young French star\, Our Riches is a marvelous\, surprising\, hybrid novel about a beloved Algerian bookshop \nOur Riches celebrates quixotic devotion and the love of books in the person of Edmond Charlot\, who at the age of twenty founded Les Vraies Richesses (Our True Wealth)\, the famous Algerian bookstore/publishing house/lending library. He more than fulfilled its motto “by the young\, for the young\,” discovering the twenty-four-year-old Albert Camus in 1937. His entire archive was twice destroyed by the French colonial forces\, but despite financial difficulties (he was hopelessly generous) and the vicissitudes of wars and revolutions\, Charlot (often compared to the legendary bookseller Sylvia Beach) carried forward Les Vraies Richesses as a cultural hub of Algiers. Our Riches interweaves Charlot’s story with that of another twenty-year-old\, Ryad (dispatched in 2017 to empty the old shop and repaint it). Ryad’s no booklover\, but old Abdallah\, the bookshop’s self-appointed\, nearly illiterate guardian\, opens the young man’s mind. Cutting brilliantly from Charlot to Ryad\, from the 1930s to current times\, from WWII to the bloody 1961 Free Algeria demonstrations in Paris\, Adimi delicately packs a monumental history of intense political drama into her swift and poignant novel. But most of all\, it’s a hymn to the book and to the love of books.
URL:https://litseen.com/event/kaouther-adimi-our-riches/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/Adimi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200416T190000
DTEND;TZID=America/Los_Angeles:20200416T190000
DTSTAMP:20260430T184610
CREATED:20200203T212742Z
LAST-MODIFIED:20200203T212742Z
UID:55398-1587063600-1587063600@litseen.com
SUMMARY:Readings by Aaron Shurin and Gillian Conoley
DESCRIPTION:Booksmith hosts a special evening with beloved Bay Area writers Aaron Shurin (The Blue Absolute) and Gillian Conoley (A Little More Red Sun on the Human: New and Selected Poems). Please join us for a night of readings! \nAbout The Blue Absolute \nUrban and pastoral\, highly figured and fragmented\, grieving and dreaming\, the prose poems of The Blue Absolute set people moving and thinking amidst a flurry of dashes\, dots\, perspective shifts\, and the fragmented action of San Francisco\, the great city on the edge. \nThe Blue Absolute’s prose poems are hot boxes of lyrical language combusting with daily life. People move and think amidst a flurry of dots and dashes in a constant shift of perspective and action—urban and pastoral\, highly figured and fragmented\, grieving and dreaming—each poem a compressed but fluid zone of almost psychedelic intensity. The book closes with “Shiver\,” an American epic\, at once a lament for and vision of a great city on the edge: San Francisco past\, present\, and future. \nAaron Shurin is the author of fourteen books of poetry and prose\, most recently Flowers & Sky: Two Talks (Entre Rios Books\, 2017)\, The Skin of Meaning: Collected Literary Essays and Talks (University of Michigan Press\, 2015)\, and two books from City Lights: Citizen (poems\, 2012) and King of Shadows (essays\, 2008). His work has appeared in over forty national and international anthologies\, from The Norton Anthology of Postmodern American Poetry to Italy’s Nuova Poesia Americana: San Francisco\, and has been supported by grants from The National Endowment for the Arts\, The California Arts Council\, The San Francisco Arts Commission\, and the Gerbode Foundation. A pioneer in both LGBTQ studies and innovative verse\, Shurin was a member of the original Good Gay Poets collective in Boston\, and later the first graduate of the storied Poetics Program at New College of California. He has written numerous critical essays about poetic theory and compositional practice\, as well as personal narratives on sexual identity\, gender fluidity\, and the AIDS epidemic. A longtime educator\, he’s the former director and currently Professor Emeritus for the MFA Writing Program at the University of San Francisco. \n\nAbout A Little More Red Sun on the Human \nA selection of poems by celebrated poet Gillian Conoley that spans her arresting body of work: from the idiosyncrasies of Texas girlhood toward an encompassing inquiry into spirit and matter\, individual and state. \nGillian Conoley’s new and selected poems assemble a shockingly varied body of work\, comprising narrative\, lyric\, and fragmented forms. Her coruscating vibrant poems are informed by visual art and film\, political engagement and playful linguistic constructions. Throughout\, one can trace Conoley’s obsessions and concerns: democracy\, metaphysics\, motherhood\, gender and race\, futurity and history. \nGillian Conoley was awarded the 2017 Shelley Memorial Award from the Poetry Society of America. A Little More Red Sun on the Human: Selected Poems is forthcoming with Nightboat Books in Fall 2019. Her seventh poetry collection\, PEACE\, was named an Academy of American Poets Standout Book for 2014 and a finalist for the Los Angeles Times Book Prize. Conoley’s work has received the Jerome J. Shestack Poetry Prize\, a National Endowment for the Arts grant\, and a Fund for Poetry Award. Her translations of Henri Michaux\, Thousand Times Broken\, appeared with City Lights in 2014. Conoley is Poet-in-Residence and Professor of English at Sonoma State University\, where she edits Volt. \n\nThis event is free and all ages. \nRSVP appreciated but not required. \nIf you cannot attend the event but would like to request a signed copy of The Blue Absolute and/or A Little More Red Sun on the Human\, click on the appropriate title(s) in this sentence and be sure to put your request in the special field.
URL:https://litseen.com/event/readings-by-aaron-shurin-and-gillian-conoley/
LOCATION:The Booksmith\, 1644 Haight St\, San Francisco \, CA\, 94117\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2016/06/01414_i44lhi7JF2b_600x450.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200416T190000
DTEND;TZID=America/Los_Angeles:20200416T203000
DTSTAMP:20260430T184610
CREATED:20191227T024439Z
LAST-MODIFIED:20191227T024504Z
UID:54521-1587063600-1587069000@litseen.com
SUMMARY:Tess Taylor with Ilya Kaminsky
DESCRIPTION:celebrating the release of Tess Taylor’s \n \nRift Zone:poems \npublished by Red Hen Press \nand \n \nLast West \npublished by Museum of Modern Art Books \nabout Rift Zone \nRIFT ZONE\, Taylor’s much-anticipated third book traces literal and metaphoric fault lines—rifts between past and present\, childhood and adulthood\, what is and what was. Circling Taylor’s hometown—an ordinary California suburb lying along the Hayward fault—these poems unearth strata that include a Spanish land grant\, a bloody land grab\, gun violence\, valley girls\, strip malls\, redwood trees\, and the painful history of Japanese internment. Taylor’s ambitious and masterful poems read her home state’s historic violence against our world’s current unsteadinesses—mass eviction\, housing crises\, deportation\, inequality. They also ponder what it means to try to bring up children along these rifts. What emerges is a powerful core sample of America at the brink—an American elegy equally tuned to maternal and to geologic time. \nabout Last West \nLast West is a book-length commission from the Museum of Modern Art. It will be published by the Museum of Modern Art (NYC) this February and part of the Dorothea Lange Words & Pictures exhibit. The book revisits the work of Dorothea Lange in California in contemporary poems examining issues of migrancy\, shelterlessness\, and climate change as they appear in Lange’s work and continue to affect us today. \nabout Ilya Kaminski’s Deaf Republic \nDeaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy\, Petya\, the gunshot becomes the last thing the citizens hear―they all have gone deaf\, and their dissent becomes coordinated by sign language. At once a love story\, an elegy\, and an urgent plea\, Ilya Kaminsky’s long-awaited Deaf Republic confronts our time’s vicious atrocities and our collective silence in the face of them. \nTess Taylor is a poet and the poetry critic for NPR’s All Things Considered. Her books include Work & Days (Red Hen Press\, 2016)\, named one of the best poetry books of 2016 by The New York Times; The Forage House (Red Hen Press\, 2013)\, a finalist for the Believer Poetry Award which The San Francisco Chronicle called “stunning\,” and the chapbook The Misremembered World\, which was selected by Eavan Boland for the Poetry Society of America’s inaugural chapbook fellowship. In February 2020\, Last West\, an exciting book length commission from the Museum of Modern Art\, will be published in conjunction with the MOMA show\, Dorothea Lange: Words & Pictures. In his introduction to the collection\, Ilya Kaminsky calls Taylor’s voice “invaluable” and a “poet for our moment.”  Her work explores California and the American West\, her life as a critic\, and the intersection of poetry and journalism. \nIlya Kaminsky is the author of the widely acclaimed Deaf Republic (Graywolf\, 2019)\, a finalist for the 2019 National Book Award for Poetry\, which Kevin Young\, writing in The New Yorker\, called a work of “profound imagination.” Poems from Deaf Republic were awarded Poetry magazine’s Levinson Prize and the Pushcart Prize. He is also the author of Dancing In Odessa (Tupelo Press\, 2004)\, and Musica Humana (Chapiteau Press\, 2002). Kaminsky has won the Whiting Writer’s Award\, the American Academy of Arts and Letters’ Metcalf Award\, the Dorset Prize\, a Ruth Lilly Fellowship\, and the Foreword Magazine’s Best Poetry Book of the Year award. Recently\, he was on the short-list for the Neusdadt International Literature Prize. His poems have been translated into numerous languages and his books have been published in many countries including Turkey\, Holland\, Russia\, France\, Mexico\, Macedonia\, Romania\, Spain and China\, where his poetry was awarded the Yinchuan International Poetry Prize. His poems have been compared to work by Anna Akhmatova\, Osip Mandelstam\, and Marina Tsvetaeva.
URL:https://litseen.com/event/tess-taylor-with-ilya-kaminsky/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Tess-Taylor.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200416T193000
DTEND;TZID=America/Los_Angeles:20200416T210000
DTSTAMP:20260430T184610
CREATED:20191231T203327Z
LAST-MODIFIED:20191231T203327Z
UID:54754-1587065400-1587070800@litseen.com
SUMMARY:Emily St. John Mandel: The Glass Hotel
DESCRIPTION:Emily St. John Mandel discusses her new novel\, The Glass Hotel. \nPraise for The Glass Hotel \n“Long-anticipated… At its heart\, this is a ghost story in which every boundary is blurred\, from the moral to the physical… In luminous prose\, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure. A strange\, subtle\, and haunting novel. – Kirkus Reviews\, starred \n“Mandel’s wonderful novel (after Station Eleven) follows a brother and sister as they navigate heartache\, loneliness\, wealth\, corruption\, drugs\, ghosts\, and guilt… This ingenious\, enthralling novel probes the tenuous yet unbreakable bonds between people and the lasting effects of momentary carelessness.”– Publisher’s Weekly\, starred \nAbout The Glass Hotel \nVincent is a bartender at the Hotel Caiette\, a five-star hotel on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis\, a hooded figure scrawls a message on the lobby’s glass wall: “Why don’t you swallow broken glass.” Leon Prevant\, a shipping executive for Neptune-Avradimis\, reads the words and orders a drink to calm down. Alkaitis\, the owner of the hotel and a wealthy investment manager\, arrives too late to read the threat\, never knowing it was intended for him. He leaves Vincent a hundred dollar tip along with his business card\, and a year later they are living together as husband and wife. \nHigh above Manhattan\, a greater crime is committed: Alkaitis is running an international Ponzi scheme\, moving imaginary sums of money through clients’ accounts. He holds the life savings of an artist named Olivia Collins\, the fortunes of a Saudi prince and his extended family\, and countless retirement funds\, including Leon Prevant’s. The collapse of the financial empire is as swift as it is devastating\, obliterating fortunes and lives\, while Vincent walks away into the night. Until\, years later\, she steps aboard a Neptune-Avramidis vessel\, the Neptune Cumberland\, and disappears from the ship between ports of call. \nIn this captivating story of crisis and survival\, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless\, underground electronica clubs\, the business of international shipping\, service in luxury hotels\, and life in a federal prison. Rife with unexpected beauty\, The Glass Hotel is a captivating portrait of greed and guilt\, love and delusion\, ghosts and unintended consequences\, and the infinite ways we search for meaning in our lives. \n 
URL:https://litseen.com/event/emily-st-john-mandel-the-glass-hotel/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/St.-John-Mandel.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200417T180000
DTEND;TZID=America/Los_Angeles:20200417T180000
DTSTAMP:20260430T184610
CREATED:20200410T214131Z
LAST-MODIFIED:20200410T214131Z
UID:56654-1587146400-1587146400@litseen.com
SUMMARY:Homewreck: A Shipwreck Fundraiser
DESCRIPTION:Get ready\, matchmakers: we’re going back to Austenland for a night of charming romantic misunderstandings and youthful hubris. Join us to wreck EMMA from the comfort of your home. \nTo the best of technology’s ability\, this will be like a regular Shipwreck. Six great writers will submit erotic fanfiction about a character from Emma\, Baruch will read them anonymously\, Amy and Casey will host\, you’ll laugh and drink too much. The show will stream for free on Booksmith’s Facebook page and our Twitch stream. At the end\, anyone who’s donated by purchasing a ticket will vote for the winner. \nTicket proceeds—and do please feel free to buy in multiples—go toward keeping our skeleton crew running during the shutdown (and paying the writers and performer). \nThanks\, as ever\, for laughing with us. \nFeatured writers: Joe Wadlington\, Alan Leggitt\, Molly Sanchez\, Sarah Lynn Rogers\, Nate Waggoner\, and Viv Pustell. \nvv “TICKET” PRICES BELOW vv \n  \n\n\n\n\nBooks:\n\n\n\n\n\n$5 Ticket\n\n$5.00\nSKU: SW5\n\n\n\n\n\n\n\n$10 Ticket\n\n$10.00\nSKU: SW10\n\n\n\n\n\n\n\n$25 Ticket\n\n$25.00\nSKU: SW25
URL:https://litseen.com/event/homewreck-a-shipwreck-fundraiser/
CATEGORIES:San Francisco,Virtual
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/04/image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200417T190000
DTEND;TZID=America/Los_Angeles:20200417T190000
DTSTAMP:20260430T184610
CREATED:20200215T022552Z
LAST-MODIFIED:20200215T022552Z
UID:55800-1587150000-1587150000@litseen.com
SUMMARY:BINDERY: Launch for Jennifer Hasegawa / La Chica’s Field Guide to Banzai Living
DESCRIPTION:The Bindery hosts a special evening with Jennifer Hasegawa to launch her debut book\, La Chica’s Field Guide to Banzai Living. More information to be announced soon\, but please save the date and join us! \nFrom the small towns strung along the coast of the Big Island of Hawai‘i to the land-locked landscapes of Paraguay to the volcanic surface of Venus\, this is a field guide to flora\, fauna\, and mineralia encountered\, real and imagined. Packed tightly into exploratory rocket segments\, these poems ignite our gravest flaws to send our grandest potentials into orbit\, sprinkling us all with an antidotal salve to viewing any life as ordinary. \nBanzai has a literal translation of “10\,000 years” and was used by the Japanese as a rallying cry in imperialistic and militaristic contexts. Today\, the word has a comparatively neutral translation of “Hurrah!” in Japan and beyond. In La Chica’s Field Guide to Banzai Living\, Hasegawa aims to reclaim banzai\, recasting the language of war and dogmatic loyalty into the language of a life and poetry created against racism and harmful norms\, and toward tolerance and self-acceptance. \nJennifer Hasegawa is a poet and photographer. She’s sold funeral insurance door-to-door and had her suitcase stolen from a plastic surgery clinic in Paraguay. The manuscript for her first collection of poetry\, La Chica’s Field Guide to Banzai Living\, received the Joseph Henry Jackson Literary Award. Hasegawa’s work has been nominated for a Pushcart Prize\, has appeared in The Adroit Journal\, Bamboo Ridge\, and Tule Review; and is forthcoming in Bennington Review and Vallum. She was born and raised in Hilo\, Hawai‘i and lives in San Francisco. \nPlease note: this event will be held at The Bindery\, 1727 Haight. \nThis is a free\, all-ages event. The bar opens at 6:30pm; event starts at 7pm. \nRSVP appreciated but not required. \nAs with all of our events\, seating may be limited; you can guarantee a seat by pre-purchasing the book below — when checking out\, just be sure to include a note that you’d like to attend the event. If you cannot attend the event but would like to request a signed copy of La Chica’s Field Guide to Banzai Living\, order below and be sure to put your request in the comments field. \nAccessibility is important to us! If you have special needs please let us know and we’ll do our absolute best to accommodate you: events@booksmith.com.
URL:https://litseen.com/event/bindery-launch-for-jennifer-hasegawa-la-chicas-field-guide-to-banzai-living/
LOCATION:The Bindery\, 1727 Haight St\, San Francisco \, 94117\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/02/image-49.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200417T200000
DTEND;TZID=America/Los_Angeles:20200417T210000
DTSTAMP:20260430T184610
CREATED:20200221T184124Z
LAST-MODIFIED:20200224T054941Z
UID:56029-1587153600-1587157200@litseen.com
SUMMARY:Grace Notes: Poets at Grace Cathedral
DESCRIPTION:Join Litquake for our annual National Poetry Month celebration\, at Grace Cathedral atop the city’s Nob Hill\, for readings from some of America’s best poets: Kazim Ali\, Natalie Diaz\, Tongo Eisen-Martin\, and Jane Hirshfield. Curated and hosted by Rebecca Foust\, bookstore provided by Russian Hill Books. Sales and signings to follow. FREE \nModerators \n\n\n \nRebecca Foust\nRebecca Foust was the Poet Laureate of Marin County and is the author of Paradise Drive\, All That Gorgeous Pitiless Song\, and God\, Seed\, as well as three chapbooks including The Unexploded Ordnance Bin\, released November 2019.\n\n\nSpeakers \n\n\n \nJane Hirshfield\nJane Hirshfield’s ninth collection\, Ledger (Knopf)\, just released. Chancellor emerita of the Academy of American Poets and recently elected into the American Academy of Arts & Sciences\, she works frequently at the intersection of poetry and science. Her essays\, poems\, and translations… Read More →\n\n\n \nTongo Eisen-Martin\nTongo Eisen-Martin is the author of Someone’s Dead Already and Heaven Is All Goodbyes (City Lights Pocket Poets Series)\, which won the 2018 California Book Award.\n\n\n \nNatalie Diaz\nNatalie Diaz is author of the new poetry collection Postcolonial Love Poem\, as well as the award-winning When My Brother Was an Aztec. She has received many honors\, including a MacArthur Fellowship\, a US Artists Ford Fellowship\, and a Lannan Literary Fellowship. She teaches at Arizona… Read More →\n\n\n \nKazim Ali\nKazim Ali’s many books include The Far Mosque\, which won an Alice James Books award and Inquisition (2018)\, as well as the prose books The Disappearance of Seth\, Bright Felon\, and Resident Alien. Ali co-founded Nightboat Books and is a professor at U.C. San Diego.
URL:https://litseen.com/event/grace-notes-poets-at-grace-cathedral/
LOCATION:Grace Cathedral\, 1100 California Street\, San Francisco\, 1100 California Street\, San Francisco\, CA\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/02/image-84.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200418T190000
DTEND;TZID=America/Los_Angeles:20200418T210000
DTSTAMP:20260430T184610
CREATED:20200312T201155Z
LAST-MODIFIED:20200312T201155Z
UID:56339-1587236400-1587243600@litseen.com
SUMMARY:Collected Poems of Bob Kaufman: A celebration on his 95th birthday—poetry and jazz
DESCRIPTION:In celebration of the recent publication of the Collected Poems of Bob Kaufman\, edited by Neeli Cherkovski\, Raymond Foye\, and Tate Swindell\, by City Lights Books\, we’re assembling a gathering of poets\, artists\, and musicians on what would be the late poet’s 95th birthday. Hosted by McRoskey Mattress Co.\, in their wonderful 3rd floor loft space\, and co-sponsored by The Poetry Center\, City Lights Books\, and The Green Arcade\, this event is free and open to the public. Please join us. Photo of Bob Kaufman by A.D. Winans. \n“He was an original voice. No one else talked like him. No one else wrote poetry like him.”––Lawrence Ferlinghetti \nBob Kaufman (April 18\, 1925\, New Orleans\, LA – January 12\, 1986) was one of the most important—and most original—poets of the twentieth century. He is among the inaugurators of what today is characterized as the Afro-Surreal\, uniting the surrealist practice of automatic writing with the jazz concept of spontaneous composition. He seldom wrote his poems down and often discarded those he did\, leaving them to be rescued by others. He was also a legendary figure of the Beat Generation\, known as much for hopping on tables to declaim his poetry as for maintaining a monastic silence for months or even years at a time. \nKaufman produced just three broadsides and three books in his lifetime. In 1967\, Golden Sardine was published by City Lights in its famed Pocket Poets Series\, and became an instant cult classic. Collected Poems is a landmark poetic achievement\, bringing together all of Kaufman’s known surviving poems\, including an extensive section of previously uncollected work\, in a long overdue return to City Lights Books. \nMusicians: Bruce Ackley and Aurora Josephson (performing Steve Lacy’s songs to Bob Kaufman’s poems); Hafez Modirzadeh\, Francis Wong\, David Boyce \nPoets and other artists: Josiah Luis Adelberte\, Will Alexander\, Arlene Biala\, James Cagney\, MK Chavez\, Neeli Cherkovski\, Dewey Crumpler\, Justin Desmangles\, Duane Deterville\, Tongo Eisen-Martin\, Agneta Falk\, C.S. Giscombe\, Leticia Hernández-Linares\, Jack Hirschman\, Sarah Menefee\, Alejandro Murguía\, Jevohn Newsome\, Barbara Jane Reyes\, Kim Shuck; Tate Swindell with Jessica Loos\, Niko Van Dyke\, and Michael Young (reading “Second April”); Sunnylyn Thibodeaux\, A.D. Winans \n  \n\n“With this magnetic new unveiling\, Bob Kaufman trenchantly sunders endemic retrocausal error and neglect that has casted his fate into a secondary enclave of lesser mastery. To set the story straight it was his spirit that helped sire the Ginsberg that we know and not vice versa. It was he who magically hoisted the invisible umbrella under which Kerouac and others such as Corso were enabled to protractedly flourish. Arrested 39 times for poetic brilliance via bravura he was the absolute contrary of the sterile academic scrounging for golden verbal eggs. Never concerned with immediate notoriety he passed across unerring emptiness as a poetic lahar sweeping in all directions at once. He volcanically en-veined the Beats as a mirage enveloped Surrealist; not as a formal poet\, but one\, like Rimbaud\, who embodied butane. Following the scent of his butane on one anonymous North Beach afternoon led Philip Lamantia to audibly utter to me that Bob Kaufman as per incandescent singularity is ‘our poet.'” —Will Alexander\n“Bob Kaufman is one of our most vulnerable\, mysterious\, and beautiful poets\, a nomadic maudit\, surrealist saint of the streets\, votary of silence\, the consummate Outrider with trickster imagination and visionary power. What does it take to be such a poet-man\, veils/layers of existence laced with hardship\, suffering? Not many like this anymore. The Black American Rimbaud\, as he was christened in France. His poems make me weep and bow with humility and wonder. I last saw him\, shape-shifting shaman on Ken Kesey’s stage in Oregon\, swirling in a torque of rage\, enlightenment\, and prescience. Pure product of America’s madness: fury and tenderness. The writing is complex and lays its soul-baring down on jazz-inflected syllables and riffs for all to read and tremble within. No serious canon is complete without this insistent rhythm\, poetic acuity\, and a body’s last resort to sing.” —Anne Waldman\n“Uplifting the voice of this under-sung literary master to future’s light is the mission of the Collected Poems of Bob Kaufman. This poet’s poet on the cliff edge of no ledge is still continuing to foster new surrealizations. Read this bebopian wordsmith\, his pen turned saxophone and ink notes that are black tears.” —Kamau Daáood\n“In collecting Bob Kaufman’s work\, the editors have sought to bind earthquakes with book paste. These pages vibrate\, a pulse not from way out\, but from way in this strange\, strange country. Wearing the poet’s trembling\, subterranean eyes\, I see the dirt of imperial graves\, grocery store corpses\, swank gas chambers\, and bomb shelters cut an inverted skyline against a too orange American sun. Blinking\, I look up and the real sun seems just as radioactive\, which is perhaps what leaves me the most shaken. To call these poems ‘surreal’ seems\, now\, to muffle Kaufman’s prophetic genius. He saw us\, our images in pools of blood\, milk\, and saxophone spittle. Maybe it was ever our shivering made the ripples that distorted the reflections.” —Douglas Kearney\n“Collected Poems of Bob Kaufman should finally liberate the kaleidoscopic surrealism of this San Franciscan\, and in many respects\, secular Franciscan\, poet from the shadows of Allen Ginsberg and the other Beats. While poems like ‘Night Sung Sailor’s Prayer’ and ‘Believe\, Believe’ presage both the linguistic flights of Will Alexander and the affirmative exuberance of Ross Gay\, the bulk of the book hearkens back to familiar figures like Blake\, Apollinaire\, and Artaud. In the end\, of course\, Bob Kaufman is Bob Kaufman\, and as this collection confirms\, the poems tend to extremes\, lurching between the sweeping force of a tornado (e.g.\, ‘The American Sun’ and ‘The Ancient Rain’) and the precision of a stiletto (e.g.\, “Demolition” and ‘I Am A Camera’). Kaufman’s libertarian tendencies (see\, for example\, ‘Abomunist Manifesto’) made him a largely apolitical\, if compassionate poet\, but what comes through above all else is a human being beset by the furies and desires he/she unleashed. Collected Poems of Bob Kaufman is a memoriam of unmitigated joy and abysmal despair.” —Tyrone Williams\n\n  \n\n\n\n\n\n\nFeatured: \nCollected Poems of Bob Kaufman\, edited by Neeli Cherkovski\, Raymond Foye\, and Tate Swindell (City Lights Booksellers and Publishers) \nThe world finally catches up to Bob Kaufman\, unsung hero of Beat Generation (by Denise Sullivan\, November 1\, 2019) \n\n\n\n\nEvent contact:\n\nThe Poetry Center\n\n\n\nEvent email:\n\npoetry@sfsu.edu\n\n\n\nEvent phone:\n\n415-338-2227\n\n\n\nEvent sponsor:\n\nThe Poetry Center and The Green Arcade
URL:https://litseen.com/event/collected-poems-of-bob-kaufman-a-celebration-on-his-95th-birthday-poetry-and-jazz/
LOCATION:3rd Floor McRoskey Mattress Loft\, 1687 Market Street\, San Francisco\, 94103
CATEGORIES:Free,San Francisco
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200420T193000
DTEND;TZID=America/Los_Angeles:20200420T210000
DTSTAMP:20260430T184610
CREATED:20191220T063124Z
LAST-MODIFIED:20191220T063124Z
UID:54420-1587411000-1587416400@litseen.com
SUMMARY:Miranda July with Jenny Odell
DESCRIPTION:TICKETSTo purchase over the phone: 415-392-4400 \nThis event appears in the series\nSocial Studies \n\n\nMiranda July is a filmmaker\, artist\, and writer. She is the author of the novel The First Bad Man\, and the short story collection No One Belongs Here More Than You and writer\, director and star of the films The Future and Me and You and Everyone We Know. Her forthcoming crime drama Kajillionaire stars Evan Rachel Wood and Gina Rodriguez. July’s participatory art works include the website Learning to Love You More\, Eleven Heavy Things (a sculpture garden created for the 2009 Venice Biennale)\, New Society (a performance)\, and Somebody (a messaging app created with Miu Miu.) Her new book\, Miranda July\, is a chronological retrospective of her multidisciplinary work. \n  \nJenny Odell is a multi-disciplinary artist and writer\, and the author of How to Do Nothing: Resisting the Attention Economy. She has been an artist in residence at Recology SF\, the San Francisco Planning Department\, the Yerba Buena Center for the Arts\, the Palo Alto Art Center\, ODC Dance Center\, Facebook\, and the Internet Archive and currently teaches internet art and digital/physical design at Stanford University. \n  \nPhotograph credit: Elizabeth Weinberg
URL:https://litseen.com/event/miranda-july-with-jenny-odell/
LOCATION:Sydney Goldstein Theater\, 275 Hayes St\, San Francisco\, CA\, 94102\, United States
CATEGORIES:San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/©-Elizabeth-Weinberg-Miranda_July_19-scaled-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200421T190000
DTEND;TZID=America/Los_Angeles:20200421T203000
DTSTAMP:20260430T184610
CREATED:20191227T024306Z
LAST-MODIFIED:20191227T024306Z
UID:54518-1587495600-1587501000@litseen.com
SUMMARY:Frank Wilderson III
DESCRIPTION:discussing the subject of his new book \nAfropessimism \npublished by Liveright Books / W.W. Norton \n\n\n\n\n\nIn the tradition of Edward Said’s Orientalism and Frantz Fanon’s Black Skin\, White Masks\, Afropessimism is an unparalleled account of the non-analogous experience of being Black. \nA seminal work that strikingly combines groundbreaking philosophy with searing flights of memoir\, Afropessimism presents the tenets of an increasingly influential intellectual movement that theorizes blackness through the lens of perpetual slavery. Rather than interpreting slavery through a Marxist framework of class oppression\, Frank B. Wilderson III\, “a truly indispensable thinker” (Fred Moten)\, demonstrates that the social construct of slavery\, as seen through pervasive\, anti-black subjugation and violence\, is hardly a relic of the past but an almost necessary force in our civilization that flourishes today\, and that Black struggles cannot be conflated with the experiences of any other oppressed group. In mellifluous prose\, Wilderson juxtaposes his seemingly idyllic upbringing in halcyon midcentury Minneapolis with the harshness that he would later encounter\, whether in radicalized\, late-1960s Berkeley or in the slums of Soweto. Following in the rich literary tradition of works by DuBois\, Malcolm X and Baldwin\, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. \nProfessor and chair of African American studies at the University of California\, Irvine\, and author of Incognegro: A Memoir of Exile and Apartheid\, Frank B. Wilderson III has received an NEA Literature Fellowship and a Zora Neale Hurston/Richard Wright Legacy Award for Creative Nonfiction\, among other awards. \nWhat has been said about the work of Frank Wilderson III: \n\n\n\n\n\n\n\n\n\n\nFrank Wilderson slings piercing stories and scalding analyses with literary fire and intellectual rigor. His tales juke genre and high-step over high-theory mumbo jumbo\, and float Franz Fanon some new wings. Like Ralph Ellison’s bluesman\, he peers unflinching into the abyss\, testifies to its brutal histories and hopeless predicaments\, ‘to finger its jagged grain\, and to transcend it\, not through the consolation of philosophy but by squeezing from it a near-tragic\, near-comic lyricism.’ He ghostwrites our brutal pasts into present and still hopeless predicaments\, yet divines deep love and blues humor. Even if our own hopes may live elsewhere\, we cannot dismiss Afropessimism’s unnerving and undeniable truths\, nor the timeless art of its author.  \n-Timothy B. Tyson\, author of The Blood of Emmett Till \nA writer of hard\, searing lyricism…. [Wilderson] is\, to my mind\, an indispensible thinker. \n-Fred Moten\, author of The Undercommons
URL:https://litseen.com/event/frank-wilderson-iii/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Afropessimissm.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200421T193000
DTEND;TZID=America/Los_Angeles:20200421T210000
DTSTAMP:20260430T184610
CREATED:20200207T205125Z
LAST-MODIFIED:20200207T205125Z
UID:55639-1587497400-1587502800@litseen.com
SUMMARY:9th Avenue: John Kaag at Green Apple Books
DESCRIPTION:ohn Kaag discusses his new book\, Sick Souls\, Healthy Minds: How William James Can Save Your Life. \nPraise for Sick Souls\, Healthy Minds \n“Kaag’s reading of James is as elucidating as readers have come to expect from him. Once again\, he writes in a clear\, focused\, and winningly self-aware style that makes friends of James and himself for anyone who wonders if life is worth living. A book in which Kaag further carves out his niche in philosophy: personal\, practical\, and crucial.”—Kirkus Reviews \n“Not since Robert Pirsig’s Zen and the Art of Motorcycle Maintenance have I read such a mesmerizing confluence of personal experience and formal thought as John Kaag’s American Philosophy: A Love Story. That combination is on display again in his Sick Souls\, Healthy Minds—a brief and powerful book about one of America’s most profound minds\, William James\, and what he can teach us about what makes life worth living.”―Robert D. Richardson\, author of William James: In the Maelstrom of American Modernism \n“In this beautifully written book\, which is filled with bracing insights\, John Kaag shows why William James has had a deep\, life-altering\, therapeutic effect on his readers over the past century—and can continue to have the same effect on new readers today.”—Jennifer Ratner-Rosenhagen\, author of American Nietzsche: A History of an Icon and His Ideas \nAbout Sick Souls\, Healthy Minds \nIn 1895\, William James\, the father of American philosophy\, delivered a lecture entitled “Is Life Worth Living?” It was no theoretical question for James\, who had contemplated suicide during an existential crisis as a young man a quarter century earlier. Indeed\, as John Kaag writes\, “James’s entire philosophy\, from beginning to end\, was geared to save a life\, his life”—and that’s why it just might be able to save yours\, too. Sick Souls\, Healthy Minds is a compelling introduction to James’s life and thought that shows why the founder of pragmatism and empirical psychology—and an inspiration for Alcoholics Anonymous—can still speak so directly and profoundly to anyone struggling to make a life worth living. \nKaag tells how James’s experiences as one of what he called the “sick-souled\,” those who think that life might be meaningless\, drove him to articulate an ideal of “healthy-mindedness”—an attitude toward life that is open\, active\, and hopeful\, but also realistic about its risks. In fact\, all of James’s pragmatism\, resting on the idea that truth should be judged by its practical consequences for our lives\, is a response to\, and possible antidote for\, crises of meaning that threaten to undo many of us at one time or another. Along the way\, Kaag also movingly describes how his own life has been endlessly enriched by James.
URL:https://litseen.com/event/9th-avenue-john-kaag-at-green-apple-books/
LOCATION:Green Apple Books 9th Avenue\, 1231 9th Avenue\, San Francisco\, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/9780691192161.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200422T193000
DTEND;TZID=America/Los_Angeles:20200422T210000
DTSTAMP:20260430T184610
CREATED:20200219T013814Z
LAST-MODIFIED:20200219T013814Z
UID:55832-1587583800-1587589200@litseen.com
SUMMARY:Kawai Strong Washburn: Sharks in the Time of Saviors
DESCRIPTION: Kawai Strong Washburn discusses his debut novel Sharks in the Time of Saviors. \nPraise for Sharks in the Time of Saviors \n“Sharks in the Time of Saviors is the novel you never knew you were waiting for. Old myths clash with new realities\, love is in a ride or die with grief\, faith rubs hard against magic\, and comic flips with tragic so much they meld into something new. All told with daredevil lyricism to burn. A ferocious debut.”—MARLON JAMES\, author of Black Leopard\, Red Wolf \n“Sharks in the Time of Saviors bursts with life. It is bright and beautifully noisy. It’s so good it hurts and hurts to where it heals. It is revelatory and unputdownable. Washburn is an extraordinarily brilliant new talent. This family saga is shark tooth sharp. Its pages shoot off crackles and sparks\, and you come out of it changed. It is sublime.”—TOMMY ORANGE\, author of There There \n“Sharks in the Time of Saviours is a brilliant novel and one of the most engaging and memorable books I’ve read this year. Sentences sparkle\, the narrative voices remain distinctive and complete\, and the deep notes of magic sound under the realism of poverty and loss. I didn’t want it to end.”—SARAH MOSS\, author of Ghost Wall \nAbout Sharks in the Time of Saviors \nIn 1995 Kailua-Kona\, Hawaii\, on a rare family vacation\, seven-year-old Nainoa Flores falls overboard a cruise ship into the Pacific Ocean. When a shiver of sharks appears in the water\, everyone fears for the worst. But instead\, Noa is gingerly delivered to his mother in the jaws of a shark\, marking his story as the stuff of legends. \nNainoa’s family\, struggling amidst the collapse of the sugarcane industry\, hails his rescue as a sign of favor from ancient Hawaiian gods—a belief that appears validated after he exhibits puzzling new abilities. But as time passes\, this supposed divine favor begins to drive the family apart: Nainoa\, working now as a paramedic on the streets of Portland\, struggles to fathom the full measure of his expanding abilities; further north in Washington\, his older brother Dean hurtles into the world of elite college athletics\, obsessed with wealth and fame; while in California\, risk-obsessed younger sister Kaui navigates an unforgiving academic workload in an attempt to forge her independence from the family’s legacy. \nWhen supernatural events revisit the Flores family in Hawai’i—with tragic consequences—they are all forced to reckon with the bonds of family\, the meaning of heritage\, and the cost of survival. \n 
URL:https://litseen.com/event/kawai-strong-washburn-sharks-in-the-time-of-saviors-2/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/Washburn.jpg
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DTSTART;TZID=America/Los_Angeles:20200423T180000
DTEND;TZID=America/Los_Angeles:20200423T180000
DTSTAMP:20260430T184610
CREATED:20200312T212247Z
LAST-MODIFIED:20200312T212247Z
UID:56368-1587664800-1587664800@litseen.com
SUMMARY:Lake Like a Mirror at The Ruby SF: Ho Sok Fong and Natascha Bruce in conversation with Meng Jin
DESCRIPTION:Celebrate the release of Ho Sok Fong’s Lake Like a Mirror\, translated by Natascha Bruce\, at The Ruby SF\, an arts and letters-focused work and gathering space for creative Bay Area women of all definitions. Ho Sok Fong and Natascha Bruce will be in conversation with writer Meng Jin. \nBy an author described by critics as “the most accomplished Malaysian writer\, full stop\,” Lake Like a Mirror is a scintillating exploration of the lives of women buffeted by powers beyond their control. Squeezing themselves between the gaps of rabid urbanization\, patriarchal structures and a theocratic government\, these women find their lives twisted in disturbing ways. \nIn precise and disquieting prose\, Ho Sok Fong draws her readers into a richly atmospheric world of naked sleepwalkers in a rehabilitation center for wayward Muslims\, mysterious wooden boxes\, gossip in unlicensed hair salons\, hotels with amnesiac guests\, and poetry classes with accidentally charged politics—a world that is peopled with the ghosts of unsaid words\, unmanaged desires and uncertain statuses\, surreal and utterly true. \nLight reception at 6:00. Conversation begins at 6:30. \n\n\nCONTACT:\n\nLeslie-Ann Woofter\nlwoofter@catranslation.org\n415.512.8812
URL:https://litseen.com/event/lake-like-a-mirror-at-the-ruby-sf-ho-sok-fong-and-natascha-bruce-in-conversation-with-meng-jin/
LOCATION:The Ruby\, 23rd and bryant street\, san francisco\, 94110
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/03/image-14.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T190000
DTEND;TZID=America/Los_Angeles:20200423T210000
DTSTAMP:20260430T184610
CREATED:20200312T201421Z
LAST-MODIFIED:20200312T201421Z
UID:56342-1587668400-1587675600@litseen.com
SUMMARY:Mazza Writer in Residence Wendy Trevino\, with Zaina Alsous\, reading and in conversation
DESCRIPTION:Under the heading “A border\, like race\, is a cruel fiction”—a line drawn from one of the poems in Wendy Trevino‘s remarkable book\, Cruel Fiction—Trevino\, The Poetry Center’s Mazza Writer in Residence for Spring 2020\, will be joined as part of her week-long residency by Palestinian poet Zaina Alsous\, for two public events. On Thursday April 23\, the two poets will each read and join in conversation with one another and with the audience\, at The Poetry Center. The following night\, Friday April 24\, they each read their work at Moe’s Books on Telegraph Avenue in Berkeley. Supported by the Sam Mazza Foundation—with the Poetry Center evening co-sponsored\, thanks to Rabab Abdulhadi\, by AMED: the Arab and Muslim Ethnicities and Diasporas Initiative\, at the College of Ethnic Studies\, San Francisco State University—these events are free and open to the public. \n\nWendy Trevino’s Cruel Fiction (Commune Editions) tells the truth about life as we know and endure it\, restlessly picking at the hangnails of both history and heartbreak. Trevino posits race as a “cruel fiction\,” nationality as its attendant mythology. Trevino asks: How do we resist these fictions without reproducing their murderous\, hierarchical logics? For Trevino\, “poetry is not enough” as long as we are not enough. Trevino’s insurgent colloquialism is a sleight of hand. Cruel Fiction speaks plainly but never simply. Trevino reflects on the lies with which we arm ourselves to refute the lies used against us. Against the near-orgasmic collective delusions of Obamamania\, Trevino recounts solidarities fostered during the Occupy movement. Exhilarating sonnet sequences titled “Popular Culture & Cruel Work\,” and “Brazilian Is Not a Race” interrogate the inter-sections of pop and protest. —Momtaza Mehri\, Somali-British poet\, Young People’s Laureate for London 2018-19\n\nWendy Trevino was born and raised in the Rio Grande Valley of South Texas. She now lives and works in San Francisco. Her chapbook 128-131 was published by Perfect Lovers Press in 2013. Her chapbook Brazilian Is Not a Race was published by Commune Editions in 2016\, followed by her first full-length book\, Cruel Fiction\, also from Commune Editions\, 2018. Her chapbook #YourHarveyWeinstein was also published by Spoilsport Editions—an online press she started with writer Oki Sogumi—in 2017. Her poems have appeared in various print and online journals\, including Abraham Lincoln\, Armed Cell\, the Capilano Review\, LIES\, Macaroni Necklace\, Mondo Bummer\, ELDERLY\, and Open House. Selected as The Poetry Center’s Mazza Writer in Residence for Spring 2020\, Wendy is not an experimental writer. \nZaina Alsous is a prison abolitionist\, a daughter of the Palestinian diaspora\, and a movement worker in South Florida. Her poetry\, reviews\, and essays have been published inPOETRY Magazine\, The Kenyon Review\, the New Inquiry\, Adroit\, and elsewhere. She edits for Scalawag Magazine\, a publication dedicated to unsettling dominant narratives of the U.S. South. Her chapbook Lemon Effigies won the Rick Campbell Chapbook Prize and was published by Anhinga Press. Her first full-length collection of poetry\, A Theory of Birds\, won the Etel Adnan Poetry Prize\, selected by Hayan Charara and Fady Joudah\, and was published by the University of Arkansas Press\, Fall 2019. Born and raised in North Carolina\, she currently lives in Miami\, Florida\, while pursuing an MFA in poetry and teaching undergraduate writing at the University of Miami. More at zainaalsous.com \n\nfrom “Brazilian Is Not A Race\,” Wendy Trevino\n\nA border\, like race\, is a cruel fiction\nMaintained by constant policing\, violence\nAlways threatening a new map. It takes\nTime\, lots of people’s time\, to organize\nThe world this way. & violence. It takes more\nViolence. Violence no one can confuse for\nAnything but violence. So much violence\nChanges relationships\, births a people\nThey can reason with. These people are not\nUs. They underestimate the violence.\nIt’s been awhile. We are who we are\nTo them\, even when we don’t know who we\nAre to each other & culture is a\nRecord of us figuring that out.\n \n\n\n\n\n\nRelated event: \nZaina Alsous and Wendy Trevino\nreading from their work\nFriday April 24\n7:00 pm @ Moe’s Books\n2476 Telegraph Avenue (at Dwight Way)\, Berkeley\nfree and open to the public\nsupported by the Sam Mazza Foundation \nFeatured: \n“Mexican Is Not a Race\,” Wendy Trevino in conversation with Chris Chen\, The New Inquiry\, April 6\, 2017 \nNick Estes on Wendy Trevino’s Cruel Fiction\, “Verso authors pick their favorite books of the year\,” 17 December 2019 \nFree pdf download: Wendy Trevino\, Brazilian Is Not a Race\, Commune Editions\, 2016 \n“Zaina Alsous Named Winner of 2019 Etel Adnan Poetry Prize\,” University of Arkansas Press \nMore on Zaina Alsous \n\n\n\n\nEvent contact:\n\nThe Poetry Center\n\n\n\nEvent email:\n\npoetry@sfsu.edu\n\n\n\nEvent phone:\n\n415-338-2227\n\n\n\nEvent sponsor:\n\nThe Poetry Center
URL:https://litseen.com/event/mazza-writer-in-residence-wendy-trevino-with-zaina-alsous-reading-and-in-conversation/
LOCATION:The Poetry Center\, San Francisco State University\, 1600 Holloway Ave\, San Francisco \, CA\, 94132\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/03/image-6.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T193000
DTEND;TZID=America/Los_Angeles:20200423T210000
DTSTAMP:20260430T184610
CREATED:20191231T203405Z
LAST-MODIFIED:20191231T203405Z
UID:54756-1587670200-1587675600@litseen.com
SUMMARY:Robert Hass & Matthew Zapruder
DESCRIPTION:Robert Hass and Matthew Zapruder read from their new poetry collections\, Summer Snow and Father’s Day. \nAbout Summer Snow \nA major collection of entirely new poems from the Pulitzer Prize and National Book Award-winning author of Time and Materials and The Apple Trees at Olema \nA new volume of poetry from Robert Hass is always an event. In Summer Snow\, his first collection of poems since 2010\, Hass further affirms his position as one of our most highly regarded living poets. Hass’s trademark careful attention to the natural world\, his subtle humor\, and the delicate but wide-ranging eye he casts on the human experience are fully on display in his masterful collection. Touching on subjects including the poignancy of loss\, the serene and resonant beauty of nature\, and the mutability of desire\, Hass exhibits his virtuosic abilities\, expansive intellect\, and tremendous readability in one of his most ambitious and formally brilliant collections to date. \nAbout Father’s Day \n“Zapruder’s new book\, Father’s Day\, is firmly situated in its (and our) political moment\, and is anchored by a compelling gravity and urgency.” ―The Washington Post \nThe poems in Matthew Zapruder’s fifth collection ask\, how can one be a good father\, partner\, and citizen in the early twenty-first century? Zapruder deftly improvises upon language and lyricism as he passionately engages with these questions during turbulent\, uncertain times. Whether interrogating the personalities of the Supreme Court\, watching a child grow off into a distance\, or tweaking poetry critics and hipsters alike\, Zapruder maintains a deeply generous sense of humor alongside a rich vein of love and moral urgency. The poems in Father’s Day harbor a radical belief in the power of wonder and awe to sustain the human project while guiding it forward.
URL:https://litseen.com/event/robert-hass-matthew-zapruder/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Hass-Zapruder.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T190000
DTEND;TZID=America/Los_Angeles:20200424T210000
DTSTAMP:20260430T184610
CREATED:20200312T201553Z
LAST-MODIFIED:20200312T202059Z
UID:56345-1587754800-1587762000@litseen.com
SUMMARY:Zaina Alsous and Wendy Trevino\, Mazza Writer in Residence\, reading from their work
DESCRIPTION:Under the heading “A border\, like race\, is a cruel fiction”—a line drawn from one of the poems in Wendy Trevino‘s remarkable book\, Cruel Fiction—Trevino\, The Poetry Center’s Mazza Writer in Residence for Spring 2020\, will be joined as part of her week-long residency by Palestinian poet Zaina Alsous\, for two public events. Following their Thursday April 23 reading and conversation at The Poetry Center\, on Friday April 24\, they each read their work at Moe’s Books on Telegraph Avenue in Berkeley. Arrive early\, to find some books in this incredible bookstore—and to make sure you get a seat! Supported by the Sam Mazza Foundation\, these events are free and open to the public. \nZaina Alsous is a prison abolitionist\, a daughter of the Palestinian diaspora\, and a movement worker in South Florida. Her poetry\, reviews\, and essays have been published in POETRY Magazine\, The Kenyon Review\, the New Inquiry\, Adroit\, and elsewhere. She edits for Scalawag Magazine\, a publication dedicated to unsettling dominant narratives of the U.S. South. Her chapbook Lemon Effigies won the Rick Campbell Chapbook Prize and was published by Anhinga Press. Her first full-length collection of poetry\, A Theory of Birds\, won the Etel Adnan Poetry Prize\, selected by Hayan Charara and Fady Joudah\, and was published by the University of Arkansas Press\, Fall 2019. Born and raised in North Carolina\, she currently lives in Miami\, Florida\, while pursuing an MFA in poetry and teaching undergraduate writing at the University of Miami. More at zainaalsous.com \nWendy Trevino was born and raised in the Rio Grande Valley of South Texas. She now lives and works in San Francisco. Her chapbook 128-131 was published by Perfect Lovers Press in 2013. Her chapbook Brazilian Is Not a Race was published by Commune Editions in 2016\, followed by her first full-length book\, Cruel Fiction\, also from Commune Editions\, 2018. Her chapbook #YourHarveyWeinstein was also published by Spoilsport Editions—an online press she started with writer Oki Sogumi—in 2017. Her poems have appeared in various print and online journals\, including Abraham Lincoln\, Armed Cell\, the Capilano Review\, LIES\, Macaroni Necklace\, Mondo Bummer\, ELDERLY\, and Open House. Selected as The Poetry Center’s Mazza Writer in Residence for Spring 2020\, Wendy is not an experimental writer. \n\n\n\n\n\n\n  \n\n\n\nRelated event: \nMazza Writer in Residence\nWendy Trevino with Zaina Alsous\nreading and in conversation\nThursday April 23\n7:00 pm @ The Poetry Center\nHumanities 512\, San Francisco State University\nfree and open to the public\nsupported by the Sam Mazza Foundation \nFeatured: \n“Mexican Is Not a Race\,” Wendy Trevino in conversation with Chris Chen\, The New Inquiry\, April 6\, 2017 \nNick Estes on Wendy Trevino’s Cruel Fiction\, “Verso authors pick their favorite books of the year\,” 17 December 2019 \nFree pdf download: Wendy Trevino\, Brazilian Is Not a Race\, Commune Editions\, 2016 \n“Zaina Alsous Named Winner of 2019 Etel Adnan Poetry Prize\,” University of Arkansas Press \nMore on Zaina Alsous \n\n\n\n  \n\n\n\n\nEvent contact:\n\nThe Poetry Center\n\n\n\nEvent email:\n\npoetry@sfsu.edu\n\n\n\nEvent phone:\n\n415-338-2227\n\n\n\nEvent sponsor:\n\nThe Poetry Center and Moe’s Books
URL:https://litseen.com/event/zaina-alsous-and-wendy-trevino-mazza-writer-in-residence-reading-from-their-work/
LOCATION:Moe’s Books\, 2476 Telegraph Ave\, Berkeley\, 94704
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/03/image-7.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200426T160000
DTEND;TZID=America/Los_Angeles:20200426T170000
DTSTAMP:20260430T184610
CREATED:20200203T213337Z
LAST-MODIFIED:20200203T213337Z
UID:55400-1587916800-1587920400@litseen.com
SUMMARY:Silent Book Club SF
DESCRIPTION:Bring a book\, bring a friend\, and join Silent Book Club for an afternoon of reading! At Silent Book Club\, there’s no assigned reading. All books and all ages are welcome. \nWe’ll kick off introvert happy hour at 4pm with some light chatter and informal book recommendations before settling in to read quietly\, but if you’d rather just pull up a chair and read\, by all means do so. No one will be shushed or shamed. The bar will be open for late afternoon libations. \nHappy reading and hope to see you there! \n\nPlease note: this event will be at The Bindery\, 1727 Haight. \nRSVP appreciated but not required. \nPhoto by Cody Pickens for O Magazine
URL:https://litseen.com/event/silent-book-club-sf-9/
LOCATION:The Bindery\, 1727 Haight St\, San Francisco \, 94117\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/02/image-2.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200426T190000
DTEND;TZID=America/Los_Angeles:20200426T203000
DTSTAMP:20260430T184610
CREATED:20191227T024150Z
LAST-MODIFIED:20191227T024150Z
UID:54515-1587927600-1587933000@litseen.com
SUMMARY:Maurice Carlos Ruffin in conversation with Margaret Wilkerson Sexton
DESCRIPTION:Maurice Carlos Ruffin reading from \nWe Cast A Shadow \npublished by One World \n\nAbout We Cast a Shadow: \n“An incisive and necessary” (Roxane Gay) debut for fans of Get Out and Paul Beatty’s The Sellout\, about a father’s obsessive quest to protect his son—even if it means turning him white \nLonglisted for the Center for Fiction First Novel Prize • “Stunning and audacious . . . at once a pitch-black comedy\, a chilling horror story and an endlessly perceptive novel about the possible future of race in America.”—NPR \nNAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE WASHINGTON POST \n“You can be beautiful\, even more beautiful than before.” This is the seductive promise of Dr. Nzinga’s clinic\, where anyone can get their lips thinned\, their skin bleached\, and their nose narrowed. A complete demelanization will liberate you from the confines of being born in a black body—if you can afford it. \nIn this near-future Southern city plagued by fenced-in ghettos and police violence\, more and more residents are turning to this experimental medical procedure. Like any father\, our narrator just wants the best for his son\, Nigel\, a biracial boy whose black birthmark is getting bigger by the day. The darker Nigel becomes\, the more frightened his father feels. But how far will he go to protect his son? And will he destroy his family in the process? \nThis electrifying\, hallucinatory novel is at once a keen satire of surviving racism in America and a profoundly moving family story. At its center is a father who just wants his son to thrive in a broken world. Maurice Carlos Ruffin’s work evokes the clear vision of Ralph Ellison\, the dizzying menace of Franz Kafka\, and the crackling prose of Vladimir Nabokov. We Cast a Shadow fearlessly shines a light on the violence we inherit\, and on the desperate things we do for the ones we love. \nPraise for We Cast a Shadow \n“We Cast a Shadow asks some of the most important questions fiction can ask\, and it does so with energetic and acrobatic prose\, hilarious wordplay and great heart. . . . Love is at the core of this funny\, beautiful novel . . . . At any moment\, Ruffin can summon the kind of magic that makes you want to slow down\, reread and experience the pleasure of him crystallizing an image again. . . . Read this book.”—Nana Kwame Adjei-Brenyah\, The New York Times Book Review (Editors’ Choice) \n“A full-throated novelistic debut of ferocious power and grace . . . a story that refracts the insanity of the world into a shape so unique you wonder how this book wasn’t there all along.”—Lit Hub \n“Propulsive . . . We Cast a Shadow proves that the eeriest works of speculative fiction are those that hit closest to home.”—Vulture \n\nMaurice Carlos Ruffin has been a recipient of an Iowa Review Award in fiction and a winner of the William Faulkner–William Wisdom Creative Writing Competition for Novel-in-Progress. His work has appeared in Virginia Quarterly Review\, AGNI\, The Kenyon Review\, The Massachusetts Review\, and Unfathomable City: A New Orleans Atlas. A native of New Orleans\, Ruffin is a graduate of the University of New Orleans Creative Writing Workshop and a member of the Peauxdunque Writers Alliance. \nBorn and raised in New Orleans\, Margaret Wilkerson Sexton studied creative writing at Dartmouth College and law at UC Berkeley. Her debut novel\, A Kind of Freedom\, \, was a 2017 National Book Award Nominee\, a New York Times Notable Book of 2017 and a New York Times Book Review Editor’s Choice. Her work has been published in The New York Times Book Review\, Oprah.com\, Lenny Letter\, The Massachusetts Review\, Grey Sparrow Journal\, and other publications. She lives in the Bay Area\, California\,
URL:https://litseen.com/event/maurice-carlos-ruffin-in-conversation-with-margaret-wilkerson-sexton/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Maurice.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200427T190000
DTEND;TZID=America/Los_Angeles:20200427T210000
DTSTAMP:20260430T184610
CREATED:20200207T200438Z
LAST-MODIFIED:20200207T200438Z
UID:55612-1588014000-1588021200@litseen.com
SUMMARY:Daniel Denvir at City Lights Books
DESCRIPTION:All-American Nativism: How the Bipartisan War on Immigrants Explains Politics as We Know It \npublished by Verso Books (part of the Jacobin Series) \n\nAmerican history told from the vantage of immigration politics \n\n\nIt is often said that with the election of Donald Trump nativism was raised from the dead. After all\, here was a president who organized his campaign around a rhetoric of unvarnished racism and xenophobia. Among his first acts on taking office was to block foreign nationals from seven predominantly Muslim countries from entering the United States. But although his actions may often seem unprecedented\, they are not as unusual as many people believe. This story doesn’t begin with Trump. For decades\, Republicans and Democrats alike have employed xenophobic ideas and policies\, declaring time and again that “illegal immigration” is a threat to the nation’s security\, wellbeing\, and future. \nThe profound forces of all-American nativism have\, in fact\, been pushing politics so far to the right over the last forty years that\, for many people\, Trump began to look reasonable. As Daniel Denvir argues\, issues as diverse as austerity economics\, free trade\, mass incarceration\, the drug war\, the contours of the post 9/11 security state\, and\, yes\, Donald Trump and the Alt-Right movement are united by the ideology of nativism\, which binds together assorted anxieties and concerns into a ruthless political project. \nAll-American Nativism provides a powerful and impressively researched account of the long but often forgotten history that gave us Donald Trump. \nDaniel Denvir is a Fellow at Brown University’s Watson Institute and host of The Dig\, a podcast from Jacobin magazine. His journalistic work covers criminal justice\, the drug war\, immigration\, and politics and has appeared in the New York Times\, Jacobin\, Vox\, the Nation\, the Guardian\, and elsewhere. \nPraise for All-American Nativism \n\n“As Daniel Denvir’s exceptional book shows\, the history of US immigration politics is central to understanding how our many crises have converged in this moment. It’s precisely the kind of analysis our movements need to pry open the fissures of the current order\, and join in common struggle for a better world.” \n– Naomi Klein\, author of No Is Not Enough \n\n\n\n“This is the book we need\, a searing work of scholarship that explains how we entered the current hellscape of American politics and what we have to do to get out. The roots of white nativism are deep\, as Denvir’s book makes clear\, but like all roots can be pulled up and killed. All-American Nativism will help us do so.” \n– Greg Grandin\, author of The End of the Myth: From the Frontier to the Border Wall in the Mind of America \n\n\n“In this timely book\, Daniel Denvir tackles an important question: what is old and what is new in Trump’s nativism? Denvir helps us understand both the historical roots and the more recent routes by which ‘build the wall’ came to be the central rallying cry of racial-nationalism. A must-read for anyone who wants to know how we got here.” \n– Mae Ngai\, author of Impossible Subjects: Illegal Aliens and the Making of Modern America \n\n\n“All American Nativism excavates the history of anti-immigrant politics in the United States and reveals a difficult truth: Donald Trump is the symptom\, and not the cause\, of a bipartisan consensus underlying the current war on immigrants. In this sense\, Denvir’s book is an invaluable tool for organizers and activists who subscribe to what Paulo Freire meant by praxis\, where reflection and action are required to bring about transformative change.” \n– Pablo Alvarado\, National Day Laborer Organizing Network \n\n\n“All-American Nativism powerfully explores the deep roots of nativism in national life as well as how Trump’s agenda is itself the culmination of the policies and the logic pursued for decades by both major parties. In the process\, Daniel Denvir masterfully demonstrates the relationship between today’s debates over immigration and ongoing struggles against neoliberal austerity\, mass incarceration\, and the violence of the security state. In this way\, the book not only offers a diagnosis of the present\, but also a stirring vision of solidarity and change. This is an essential and profound work\, providing critical insights about the American experience and where to go from here.” \n– Aziz Rana\, author of The Two Faces of American Freedom \n\n\n“Traces the development of anti-immigrant sentiment.” \n– Cora Currier\, The Intercept \n\n\n\n\n\n\n\n 
URL:https://litseen.com/event/daniel-denvir-at-city-lights-books/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/daniel-denvir-headshot.jpg
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DTSTART;TZID=America/Los_Angeles:20200428T190000
DTEND;TZID=America/Los_Angeles:20200428T203000
DTSTAMP:20260430T184610
CREATED:20191227T024015Z
LAST-MODIFIED:20191227T024015Z
UID:54512-1588100400-1588105800@litseen.com
SUMMARY:Ali Warren
DESCRIPTION:celebrating the release of \nLittle Hill \npublished by City Lights Books \n\nAward-winning poet explores new formal terrain in seven long poems against the violence of the present political moment. \nThe third full-length collection from Bay Area poet Alli Warren\, Little Hill comprises seven long poems written with propulsive prosody in a daybook fashion\, examining our present\, politically charged moment. These poems are at once energetic and contemplative\, intimate and direct\, as Warren focuses her attention on capitalism\, gender\, love\, inequality\, and resistance. Despite the dystopian now\, Warren finds promise in the smallest human instances of tenderness\, ecological connection\, and political solidarity. Little Hill is about learning to live and love in the 21st century while not shying away from all there is to struggle against. \n“[Warren] has begun writing longer poems\, putting her stamp on a running notational mode whose other practitioners include Stephanie Young\, Anselm Berrigan\, and Jacqueline Waters. I think you can hear the durational projects\, the self-conscious day-scores\, of Bernadette Mayer and of Lewis Warsh farther back in the tradition.”—Brian Blanchfield\, pen.org \nPraise for Little Hill: \n“In Little Hill Alli Warren’s principle method is articulation of exquisite units of speech (thought) that\, maintaining separation\, are capable of connection. The line might be a sentence or a part of one . . . I mean a delicious sense of grammatical distinctness is maintained. The poet\, also a lone unit\, seems to exist less in relation than as that lone one\, condemning this hard world with its villain work and elusive hierarchies. The language is precise\, lush\, unexpected and often thrilling. Articulation would seem to be the true other\, or maybe nature is. The book is gift more than condemnation\, though as the latter it’s unsparing. Still\, it’s a gift.”––Alice Notley\, author of For the Ride and Benediction \n“The number of gasps and everything else gets lost in the concentration of Little Hill. Alli Warren keeps company with those rare poets whose every new book is their best. ‘This is an old machine with a pulley / It makes music work\,’ Warren writes\, reworking the ancient technology of poetry to a shine! Dear Poet\, thank you for the wow WOW wowing!”––CAConrad\, author of While Standing in Line for Death \n“Reading Alli Warren’s Little Hill\, I find it incredible that amidst the relentless circulation of capital and commodities—and despite attempts to make all life yield to the logics of extraction\, work\, accumulation\, and the entrepreneurial self—a remainder is created\, that of poetry. Little Hill embodies a poetics of radical uncertainty\, one that attends to its horrific condition of possibility and is produced through the unmooring catastrophes that define our present moment: the destruction of the earth\, mass imprisonment\, late-capitalism—the litany does not end there. ‘I saw the death of the earth in a child’s toy\,’ she writes. Everywhere the speaker looks there is ‘congealed shit\, sometimes on sale.’ Yet yearning\, even as it is raised tentatively\, is not crushed. In and against it all\, a question is raised—the question of what it means to love in times of terror.”—Jackie Wang\, author of Carceral Capitalism
URL:https://litseen.com/event/ali-warren/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Little-Hill.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200428T193000
DTEND;TZID=America/Los_Angeles:20200428T210000
DTSTAMP:20260430T184610
CREATED:20191231T203450Z
LAST-MODIFIED:20191231T203450Z
UID:54758-1588102200-1588107600@litseen.com
SUMMARY:John Kaag: Sick Souls\, Healthy Minds
DESCRIPTION:John Kaag discusses his new book\, Sick Souls\, Healthy Minds: How William James Can Save Your Life. \nPraise for Sick Souls\, Healthy Minds \n“Kaag’s reading of James is as elucidating as readers have come to expect from him. Once again\, he writes in a clear\, focused\, and winningly self-aware style that makes friends of James and himself for anyone who wonders if life is worth living. A book in which Kaag further carves out his niche in philosophy: personal\, practical\, and crucial.”– Kirkus Reviews \n“Not since Robert Pirsig’s Zen and the Art of Motorcycle Maintenance have I read such a mesmerizing confluence of personal experience and formal thought as John Kaag’s American Philosophy: A Love Story. That combination is on display again in his Sick Souls\, Healthy Minds—a brief and powerful book about one of America’s most profound minds\, William James\, and what he can teach us about what makes life worth living.”―Robert D. Richardson\, author of William James: In the Maelstrom of American Modernism \n“In this beautifully written book\, which is filled with bracing insights\, John Kaag shows why William James has had a deep\, life-altering\, therapeutic effect on his readers over the past century—and can continue to have the same effect on new readers today.”—Jennifer Ratner-Rosenhagen\, author of American Nietzsche: A History of an Icon and His Ideas \nAbout Sick Souls\, Healthy Minds \nIn 1895\, William James\, the father of American philosophy\, delivered a lecture entitled “Is Life Worth Living?” It was no theoretical question for James\, who had contemplated suicide during an existential crisis as a young man a quarter century earlier. Indeed\, as John Kaag writes\, “James’s entire philosophy\, from beginning to end\, was geared to save a life\, his life”—and that’s why it just might be able to save yours\, too. Sick Souls\, Healthy Minds is a compelling introduction to James’s life and thought that shows why the founder of pragmatism and empirical psychology—and an inspiration for Alcoholics Anonymous—can still speak so directly and profoundly to anyone struggling to make a life worth living. \nKaag tells how James’s experiences as one of what he called the “sick-souled\,” those who think that life might be meaningless\, drove him to articulate an ideal of “healthy-mindedness”—an attitude toward life that is open\, active\, and hopeful\, but also realistic about its risks. In fact\, all of James’s pragmatism\, resting on the idea that truth should be judged by its practical consequences for our lives\, is a response to\, and possible antidote for\, crises of meaning that threaten to undo many of us at one time or another. Along the way\, Kaag also movingly describes how his own life has been endlessly enriched by James. \nEloquent\, inspiring\, and filled with insight\, Sick Souls\, Healthy Minds may be the smartest and most important self-help book you’ll ever read.
URL:https://litseen.com/event/john-kaag-sick-souls-healthy-minds/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/John-Kaag.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200428T193000
DTEND;TZID=America/Los_Angeles:20200428T210000
DTSTAMP:20260430T184610
CREATED:20191231T203551Z
LAST-MODIFIED:20191231T203551Z
UID:54760-1588102200-1588107600@litseen.com
SUMMARY:Aaron Smith: The Book of Daniel
DESCRIPTION:Aaron Smith discusses his new poetry collection\, The Book of Daniel\, with sam sax and Randall Mann. \nPraise for The Book of Daniel \n“Smith’s poems expound a complicated and distinctly queer relationship to beauty. . . . He levels a caustic wit at the pantheons of pop culture and modern poetry\, but also strikes resounding notes of hurt and rage at homophobia\, misogyny\, rejection\, and loss.”\n–The New Yorker \n“Aaron Smith writes with arresting\, melancholy literalness about bruises\, exaltations\, arousals\, delectations\, and defeats. He doesn’t mess around with filigree. He sticks to abject delineation\, punchy straightforwardness—a new way of being formal and naked. I believe in these gripping poems\, and in their message to the world.”– Wayne Koestenbaum \n“‘Does anyone have / a poem to Cher?’ I doubt it’s as honest or fresh as the poems in The Book of Daniel. Can a poet be as well-versed in Plath\, Lorde\, Olds\, and Baraka as he is in celebrity and pop culture? Spoiler alert: hell\, yeah. With the gift of a high-speed Internet connection\, Smith maneuvers the confusing messages of grief\, rejection\, and\, yes\, contemporary poetry. Poets beware: you are not off the hook. Smith brilliantly challenges everything you hold sacred.”– Yona Harvey \nAbout The Book of Daniel \nA tour de force\, Aaron Smith’s fourth collection of poetry\, The Book of Daniel\, resists the easy satisfactions of Beauty while managing the contemporary entanglements of art\, sex\, and grief. Part pop-thriller\, part queer rage\, and part mourning\, these poems depict not only the complications of representation in the age of social media but a critique of identity. Taking on subjects as diverse as the literary canon\, his mother’s incurable cancer diagnosis\, gay bashing\, celebrity gossip\, bigotry\, violence on TV\, and Alexander McQueen’s suicide\, Smith proves that the confessional lyric is not dead. In tangents as wild as they are reigned\, with his characteristic blend of directness\, vulnerability and humor\, these poems take on the world as it is\, a world we love even as it resists all intimacy. \n 
URL:https://litseen.com/event/aaron-smith-the-book-of-daniel/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Smith.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200429T193000
DTEND;TZID=America/Los_Angeles:20200429T210000
DTSTAMP:20260430T184610
CREATED:20191220T062948Z
LAST-MODIFIED:20191220T062948Z
UID:54417-1588188600-1588194000@litseen.com
SUMMARY:Femail: The Art of Sustainable Fashion
DESCRIPTION:TICKETSTo purchase over the phone: 415-392-4400 \nThis event appears in the series\nSpecial Events \n\n\nCamilla Carper and Janelle Abbott met at Parsons School of Design in 2008. After college\, both returned to their respective homelands on the West Coast: San Francisco and Seattle. Their need to maintain a friendship from afar was resolved with FEMAIL: an art and fashion collaboration conducted remotely by sending work back and forth through the USPS. Each time the pair passes work from one to the next\, new scraps and remnants are added\, sometimes\, things are taken away. They work reactively\, intuitively\, and with commas\, always. In this way\, what is created by FEMAIL is a documentation of duo’s conversations and ultimately\, their friendship. \n  \nAvery Trufelman produces original pieces about architecture and design for the award-winning podcast 99% Invisible by Radiotopia. In September of 2018\, she made a six-part series about clothing and fashion called Articles of Interest\, which was declared one of the best podcasts of 2018 by the New Yorker\, and the finale was called the”best podcast episode of the year” by Vulture.
URL:https://litseen.com/event/femail-the-art-of-sustainable-fashion/
LOCATION:Sydney Goldstein Theater\, 275 Hayes St\, San Francisco\, CA\, 94102\, United States
CATEGORIES:San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/femail-headshots-scaled-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200429T193000
DTEND;TZID=America/Los_Angeles:20200429T210000
DTSTAMP:20260430T184610
CREATED:20191231T203642Z
LAST-MODIFIED:20191231T203642Z
UID:54762-1588188600-1588194000@litseen.com
SUMMARY:Rufi Thorpe: The Knockout Queen
DESCRIPTION:Rufi Thorpe discusses her new novel\, The Knockout Queen. \nPraise for The Knockout Queen \n“Is it cheesy to say The Knockout Queen knocked me off my feet? I couldn’t put it down\, and when I had to\, I did so only reluctantly\, shakily. With unrelenting humor and terrifying intelligence\, Rufi Thorpe tells the story of an unlikely high school friendship—the kind of friendship from which you never recover—with intensity and attentiveness. This captivating\, generous book is a moving examination on human motivation\, darkness\, and love—calling attention to the ways we can be deeply different\, and yet so much the same.” – Rachel Khong\, author of Goodbye\, Vitamin \n“Fearless\, tender\, and savagely alive\, The Knockout Queen is unlike anything you’ll read this year. Rufi Thorpe’s third novel is about unruly thoughts and unruly bodies\, about violence and love\, about doing the wrong thing for the right reasons and the drag of human being. You won’t be able to look away. You might even recognize yourself.” – Chloe Benjamin\, best-selling author of The Immortalists \n“The Knockout Queen is an intense\, unflinching examination of friendship\, the threads that connect us in such strange ways. Rufi Thorpe navigates this difficult terrain thanks to a masterful use of detail and a wonderfully dark sense of humor that lands at just the right moment. Michael and Bunny are two of the most unique characters I’ve ever met\, drawn with such precision that it’s impossible to leave them behind. This is a hypnotic\, beautiful novel\, and Rufi Thorpe is an unbelievably unique talent.” – Kevin Wilson\, best-selling author of Nothing to See Here \nAbout The Knockout Queen \nA dazzling and darkly comic novel of love\, violence\, and friendship in the California suburbs \nBunny Lampert is the princess of North Shore⁠—beautiful\, tall\, blond\, with a rich real-estate-developer father and a swimming pool in her backyard. Michael⁠⁠—with a ponytail down his back and a septum piercing⁠—lives with his aunt in the cramped stucco cottage next door. When Bunny catches Michael smoking in her yard\, he discovers that her life is not as perfect as it seems. At six foot three\, Bunny towers over their classmates. Even as she dreams of standing out and competing in the Olympics\, she is desperate to fit in\, to seem normal\, and to get a boyfriend\, all while hiding her father’s escalating alcoholism. Michael has secrets of his own. At home and at school Michael pretends to be straight\, but at night he tries to understand himself by meeting men online for anonymous encounters that both thrill and scare him. When Michael falls in love for the first time\, a vicious strain of gossip circulates and a terrible\, brutal act becomes the defining feature of both his and Bunny’s futures⁠⁠—and of their friendship. With storytelling as intoxicating as it is intelligent\, Rufi Thorpe has created a tragic and unflinching portrait of identity\, a fascinating examination of our struggles to exist in our bodies\, and an excruciatingly beautiful story of two humans aching for connection.
URL:https://litseen.com/event/rufi-thorpe-the-knockout-queen/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Thorpe.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200430T190000
DTEND;TZID=America/Los_Angeles:20200430T210000
DTSTAMP:20260430T184610
CREATED:20200207T200725Z
LAST-MODIFIED:20200207T200725Z
UID:55615-1588273200-1588280400@litseen.com
SUMMARY:Robert Mailer Anderson at City Lights Bookstore
DESCRIPTION:Windows on the World \nCo-authored with Zack Anderson \nIllustrations by Jon Sack \npublished by Fantagraphics Books \nSet in a New York City in mourning\, this poignant graphic novel explores the push-and-pull between love and obligation. \nOn the morning of September 11\, 2001\, an undocumented worker named Balthazar busses tables at New York City’s famous Windows on the World restaurant. Back in Mexico\, his family watches their TV screen in horror as the Twin Towers collapse. Refusing to give up hope that Balthazar is alive\, his son Fernando embarks on a treacherous journey across the border to New York to find him. Along the way\, Fernando learns what it means to be undocumented in America — encountering at turns an indifferent bureaucracy and a supportive group of fellow immigrants who help guide him through his quixotic mission to bring his family back together. \nNow a major motion picture! \nRobert Mailer Anderson is a San Francisco Library Laureate as well as a novelist\, screenwriter\, producer\, and activist. He is the author of the novel Boonville. \nJon Sack is a US and UK based artist and writer whose comic books include La Lucha and Iraqi Oil For Beginners.
URL:https://litseen.com/event/robert-mailer-anderson-at-city-lights-bookstore/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/WotW-cover-FINAL.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200501T193000
DTEND;TZID=America/Los_Angeles:20200501T210000
DTSTAMP:20260430T184610
CREATED:20200219T014100Z
LAST-MODIFIED:20200219T014100Z
UID:55834-1588361400-1588366800@litseen.com
SUMMARY:Adam Levin: Bubblegum
DESCRIPTION:Adam Levin discusses his new novel Bubblegum. \nPraise for Bubblegum \n“Adam Levin is one of our wildest writers and our funniest\, and Bubblegum is a dazzling accomplishment of wit and inventiveness – an irrepressible and insanely entertaining examination of our obsessive culture that doesn’t forget to be fond of that which it is satirizing. Levin’s keen and ornery mind\, reveling in the world with vast energy\, shows us new ways of loving it.”George Saunders\, author of the Booker Prize-winning Lincoln in the Bardo  \n“Adam Levin’s brilliant\, inventive\, fully imagined alternative world gives us insight and clarity about the actual world we live in.  We are implicated\, warned\, but what a hilarious ride. Bubblegum is a wild\, ambitious\, and original novel.  Levin is a wonder.”Dana Spiotta\, author of Eat the Document \n“With Bubblegum\, Adam Levin has created a cubist painting about consumerism\, fetishization\, and the increasingly blurred line between life and advertisement in a hyper-materialist\, post-IRL society. Levin masterfully creates a world without the internet to examine the impact and insanity it has sewn into the American project\, and he does so while gleefully skewering our unraveling vernacular. A freaky marvel of a tome.”Catherine Lacey\, author of Certain American States\, The Answers and Nobody is Ever Missing \nAbout Bubblegum \nBubblegum is set in an alternate present-day world in which the Internet does not exist\, and has never existed. Rather\, a wholly different species of interactive technology–a “flesh-and-bone robot” called the Curio–has dominated both the market and the cultural imagination since the late 1980s. Belt Magnet\, who as a boy in greater Chicago became one of the lucky first adopters of a Curio\, is now writing his memoir\, and through it we follow a singular man out of sync with the harsh realities of a world he feels alien to\, but must find a way to live in.\nAt age thirty-eight\, still living at home with his widowed father\, Belt insulates himself from the awful and terrifying world outside by spending most of his time with books\, his beloved Curio\, and the voices in his head\, which he isn’t entirely sure are in his head. After Belt’s father goes on a fishing excursion\, a simple trip to the bank escalates into an epic saga that eventually forces Belt to confront the world he fears\, as well as his estranged childhood friend Jonboat\, the celebrity astronaut and billionaire.\nIn Bubblegum\, Adam Levin has crafted a profoundly hilarious\, resonant\, and monumental narrative about heartbreak\, longing\, art\, and the search for belonging in an incompatible world. Bubblegum is a rare masterwork of provocative social (and self-) awareness and intimate emotional power.
URL:https://litseen.com/event/adam-levin-bubblegum/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/Levin.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200502T190000
DTEND;TZID=America/Los_Angeles:20200502T190000
DTSTAMP:20260430T184610
CREATED:20200215T023157Z
LAST-MODIFIED:20200215T023157Z
UID:55803-1588446000-1588446000@litseen.com
SUMMARY:OFFSITE: An Evening with Mikel Jollett / Hollywood Park
DESCRIPTION:Booksmith and Quiet Lightningpresent The Airborne Toxic Event’s Mikel Jollett for his only San Francisco/Bay Area. He will be reading from and discussing his memoir\, Hollywood Park. \n \nPlease note: This ticketed event will be held at First Unitarian Universalist Society of San Francisco: 1187 Franklin St\, San Francisco\, CA 94109. Tickets can be purchased in advance here and are not guaranteed to be available at the door. Please read the ticketing information carefully and direct any questions to events@booksmith.com. \n\nWe were never young. We were just too afraid of ourselves. No one told us who we were or what we were or where all our parents went. They would arrive like ghosts\, visiting us for a morning\, an afternoon. They would sit with us or walk around the grounds\, to laugh or cry or toss us in the air while we screamed. Then they’d disappear again\, for weeks\, for months\, for years\, leaving us alone with our memories and dreams\, our questions and confusion … \nSo begins Hollywood Park\, Mikel Jollett’s remarkable memoir. His story opens in an experimental commune in California\, which later morphed into the Church of Synanon\, one of the country’s most infamous and dangerous cults.  Per the leader’s mandate\, all children\, including Jollett and his older brother\, were separated from their parents when they were six months old\, and handed over to the cult’s “School.”  After spending years in what was essentially an orphanage\, Mikel escaped the cult one morning with his mother and older brother.  But in many ways\, life outside Synanon was even harder and more erratic. \nIn his raw\, poetic and powerful voice\, Jollett portrays a childhood filled with abject poverty\, trauma\, emotional abuse\, delinquency and the lure of drugs and alcohol.  Raised by a clinically depressed\, narcissistic mother\, tormented by his angry older brother\, subjected to the unpredictability of troubled step-fathers and longing for contact with his father\, a former heroin addict and ex-con\, Jollett slowly\, often painfully\, builds a life that leads him to Stanford University and\, eventually\, to finding his voice as a writer and musician. \nHollywood Park is told at first through the limited perspective of a child\, and then broadens as Jollett begins to understand the world around him. Although Mikel Jollett’s story is filled with heartbreak\, it is ultimately an unforgettable portrayal of love at its fiercest and most loyal. \n\nMikel Jollett is the frontman of the indie band The Airborne Toxic Event. Prior to forming the band\, Jollett graduated with honors from Stanford University. He was an on-air columnist for NPR’s All Things Considered\, an editor-at-large for Men’s Health and an editor at Filter magazine. His fiction has been published in McSweeney’s.  \n\nThis event is held at First Unitarian Universalist Society of San Francisco: 1187 Franklin St\, San Francisco\, CA 94109. \nDoors at 6:30pm. Program at 7:30. Program includes signing. Duration of event is up to the author. \nImportant signing and photo details to come. \nTickets are non-refundable and non-transferable. All ticket sales are final. \nAccessibility is important to us! If you have any special needs\, please write to events@booksmith.com no later than 48 hours before the event and we will do our absolute best to accommodate you. \nIf you can’t attend the event but would like to order a signed copy of Hollywoord Park\, order below and add your request in the special field. \nRSVP is not required\, but always appreciated.
URL:https://litseen.com/event/offsite-an-evening-with-mikel-jollett-hollywood-park/
LOCATION:First Unitarian Universalist Society of San Francisco\, 1187 Franklin St\, San Francisco\, CA\, 94109\, United States
CATEGORIES:San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/02/image-50.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200502T190000
DTEND;TZID=America/Los_Angeles:20200502T203000
DTSTAMP:20260430T184610
CREATED:20191227T070431Z
LAST-MODIFIED:20191227T070431Z
UID:54614-1588446000-1588451400@litseen.com
SUMMARY:An Evening with Mikel Jollett / Hollywood Park
DESCRIPTION:Booksmith and Quiet Lightning present The Airborne Toxic Event’s Mikel Jollett for his only San Francisco/Bay Area. He will be reading from and discussing his memoir\, Hollywood Park. \nPlease note: This ticketed event will be held at First Unitarian Universalist Society of San Francisco: 1187 Franklin St\, San Francisco\, CA 94109. Tickets can be purchased in advance here and are not guaranteed to be available at the door. Please read the ticketing information carefully and direct any questions to events AT booksmith DOT com. \nWe were never young. We were just too afraid of ourselves. No one told us who we were or what we were or where all our parents went. They would arrive like ghosts\, visiting us for a morning\, an afternoon. They would sit with us or walk around the grounds\, to laugh or cry or toss us in the air while we screamed. Then they’d disappear again\, for weeks\, for months\, for years\, leaving us alone with our memories and dreams\, our questions and confusion … \nSo begins Hollywood Park\, Mikel Jollett’s remarkable memoir. His story opens in an experimental commune in California\, which later morphed into the Church of Synanon\, one of the country’s most infamous and dangerous cults.  Per the leader’s mandate\, all children\, including Jollett and his older brother\, were separated from their parents when they were six months old\, and handed over to the cult’s “School.”  After spending years in what was essentially an orphanage\, Mikel escaped the cult one morning with his mother and older brother.  But in many ways\, life outside Synanon was even harder and more erratic. \nIn his raw\, poetic and powerful voice\, Jollett portrays a childhood filled with abject poverty\, trauma\, emotional abuse\, delinquency and the lure of drugs and alcohol.  Raised by a clinically depressed\, narcissistic mother\, tormented by his angry older brother\, subjected to the unpredictability of troubled step-fathers and longing for contact with his father\, a former heroin addict and ex-con\, Jollett slowly\, often painfully\, builds a life that leads him to Stanford University and\, eventually\, to finding his voice as a writer and musician. \nHollywood Park is told at first through the limited perspective of a child\, and then broadens as Jollett begins to understand the world around him. Although Mikel Jollett’s story is filled with heartbreak\, it is ultimately an unforgettable portrayal of love at its fiercest and most loyal. \n\nMikel Jollett is the frontman of the indie band The Airborne Toxic Event. Prior to forming the band\, Jollett graduated with honors from Stanford University. He was an on-air columnist for NPR’s All Things Considered\, an editor-at-large for Men’s Health and an editor at Filter magazine. His fiction has been published in McSweeney’s. \n\nThis event is held at First Unitarian Universalist Society of San Francisco: 1187 Franklin St\, San Francisco\, CA 94109. \nDoors at 6:30pm. Program at 7:30. Program includes signing. Duration of event is up to the author. \nImportant signing and photo details to come. \nTickets are non-refundable and non-transferable. All ticket sales are final. \nAccessibility is important to us! If you have any special needs\, please write to events@booksmith.com no later than 48 hours before the event and we will do our absolute best to accommodate you. \nIf you can’t attend the event but would like to order a signed copy of Hollywoord Park\, order below and add your request in the special field. \nRSVP is not required\, but always appreciated.
URL:https://litseen.com/event/an-evening-with-mikel-jollett-hollywood-park/
LOCATION:First Unitarian Universalist Society of San Francisco\, 1187 Franklin St\, San Francisco\, CA\, 94109\, United States
CATEGORIES:San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/front-cover-of-Hollywood-Park.jpg
ORGANIZER;CN="Quiet Lightning":MAILTO:evan AT quietlightning DOT org
END:VEVENT
END:VCALENDAR