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DTSTART;TZID=America/Los_Angeles:20200408T190000
DTEND;TZID=America/Los_Angeles:20200408T200000
DTSTAMP:20260409T114705
CREATED:20200207T195346Z
LAST-MODIFIED:20200207T195346Z
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SUMMARY:Robert Williams at City Lights Books
DESCRIPTION:Robert Williams: The Father of Exponential Imagination \npublished by Fantagraphics \nRobert Williams: The Father of Exponential Imagination is a comprehensive\, career-spanning collection of the iconic painter’s fine art\, including over 300 oil paintings as well as drawings\, sculptures\, and more. Simply put\, this is the definitive volume that Williams has been working towards his entire career. \nIn the late 20th and early 21st century\, diverse forms of commonplace and popular art appeared to be coalescing into a formidable faction of new painted realism. The new school of imagery was a product of art that didn’t fit comfortably into the accepted definition of fine art. It embraced some of the figurative graphics that formal art academia tended to reject: comic books\, movie posters\, trading cards\, surfer art\, and hot rod illustration\, to mention a few. \nThis alternative art movement found its most apt participant in one of America’s most controversial underground artists\, the painter\, Robert Williams. It was this artist who brought the term “lowbrow” into the fine arts lexicon\, with his groundbreaking 1979 book\, The Lowbrow Art of Robt. Williams. Williams pursued a career as a fine artist years before joining the art studio of Ed “Big Daddy” Roth in the mid-1960s. From this position he moved into the rebellious\, anti-war circles of early underground comix\, as one of the celebrated ZAP cartoonists. \nFeaturing an introductory essay by Coagula Art Journal founder Mat Gleason along with a new foreword and annotations by Williams himself\, as well as rare photos\, artifacts\, and ephemera. \n\n\n\n\n 
URL:https://litseen.com/event/robert-williams-at-city-lights-books/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/robert_williams.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200408T193000
DTEND;TZID=America/Los_Angeles:20200408T210000
DTSTAMP:20260409T114705
CREATED:20200219T013429Z
LAST-MODIFIED:20200219T013429Z
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SUMMARY:Kathy Valentine: All I Ever Wanted
DESCRIPTION:Kathy Valentine\, bassist for The Go-Go’s\, discusses her new memoir All I Ever Wanted. \nAbout All I Ever Wanted \nGo-Go’s bassist Kathy Valentine’s story is a roller coaster of sex\, drugs\, and of course\, music; it’s also a story of what it takes to find success and find yourself\, even when it all comes crashing down. \nAt twenty-one\, Kathy Valentine was at the Whisky in Los Angeles when she met a guitarist from a fledgling band called the Go-Go’s—and the band needed a bassist. The Go-Go’s became the first multi-platinum-selling\, all-female band to play instruments themselves\, write their own songs\, and have a number one album. Their debut\, Beauty and the Beat\, spent six weeks at the top of the Billboard 200 and featured the hit songs “We Got the Beat” and “Our Lips Are Sealed.” The record’s success brought the pressures of a relentless workload and schedule culminating in a wild\, hazy\, substance-fueled tour that took the band from the club circuit to arenas\, where fans\, promoters\, and crew were more than ready to keep the party going. For Valentine\, the band’s success was the fulfillment of a lifelong dream—but it’s only part of her story. All I Ever Wanted traces the path that took her from her childhood in Texas—where she all but raised herself—to the height of rock n’ roll stardom\, devastation after the collapse of the band that had come to define her\, and the quest to regain her sense of self after its end. Valentine also speaks candidly about the lasting effects of parental betrayal\, abortion\, rape\, and her struggles with drugs and alcohol—and the music that saved her every step of the way. Populated with vivid portraits of Valentine’s interac-tions during the 1980s with musicians and actors from the Police and Rod Stewart to John Belushi and Rob Lowe\, All I Ever Wanted is a deeply personal reflection on a life spent in music. \nAbout the Author \nKathy Valentine is a working musician and songwriter known for being part of the all-female band the Go-Go’s. She wrote or cowrote many of the band’s most renowned songs\, including “Vacation” and “Head Over Heels.” In addition to playing music and writing songs\, Valentine has worked as an actor\, public speaker and spokesperson\, and producer. In 2017 she created “She Factory\,” an event series to raise money for women-centered nonprofits. She currently lives in her hometown of Austin with her daughter\, where she plays in a band and is completing her first college degree. \n 
URL:https://litseen.com/event/kathy-valentine-all-i-ever-wanted/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/Valentine.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200409T190000
DTEND;TZID=America/Los_Angeles:20200409T203000
DTSTAMP:20260409T114705
CREATED:20191227T024906Z
LAST-MODIFIED:20191227T024906Z
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SUMMARY:Melville House @ City Lights
DESCRIPTION:Melville House Publishers is celebrated by City Lights! \nThree authors with recently released books join us for an evening of spirited discussion \nMalcolm Harris in conversation with Curtis White\, moderated by Jenny Odell \nMalcolm Harris celebrates the release of SHIT IS FUCKED UP AND BULLSHIT: History Since the End of History  \nCurtis White celebrates the release of Living in a World that Can’t Be Fixed: Reimagining Counterculture Today \nJenny Odell is the author of How to Do Nothing \n—————– \nabout Shit Is Fucked Up and Bullshit: History Since The End Of History \n\nFrom the writer hailed for giving voice to a generation in Kids These Days comes a bold rejection of a society in which inequality\, student debt\, and exploitation have come to define our lives. \n\n\nOur economic situation\, political discourse\, and future prospects have gotten much worse since a guy brought a sign that said “Shit is Fucked Up and Bullshit” to the Occupy Wall Street protests. We all knew what he meant then . . . but where are we now? And how has so much happened since the so-called end of history? \nMalcolm Harris\, one of our sharpest and most versatile critics\, tackles these questions in over 30 new and selected pieces\, examining everything from the lowering of wages to the rise of fascism–and the maddening cultural landscape in between. Along the way\, he cops to being the guy who tricked protestors into thinking Radiohead was playing Occupy Wall Street; investigates why the robots that will replace us so often look like sex objects; and\, most comfortingly\, assures us that Marx saw the necessity of a crisis moment just like the one we’re in. \nRarely does a writer come along who can turn our world so thoroughly upside-down that we can finally understand it for what it really is\, but Harris’s wry and biting essays do just that\, and help us laugh at what we see. \n——————– \nabout Living In A World That Can’t Be Fixed \n\n“This is a book about counterculture\, and that’s a problem . . . “ \n\n\nSo begins Curtis White’s thrilling call for the revitalization of counterculture today. \nThe problem\, White argues\, is twofold: first\, most of us think of counterculture as a phenomenon stuck in the 1960s\, and\, second\, what passes as counterculture today … simply isn’t. Nevertheless\, a reimagined counterculture is our best hope to save the planet\, bypass social antagonisms\, and create the world we actually want to live in. Now. \nWhite—”the most inspiringly wicked social critic of the moment” (Will Blythe\, Elle)—shows how the products of our so-called resistance\, from Ken Burns to Black Panther\, rarely offer a meaningful challenge to power\, and how our loyalty to the “American Lifestyle” is self-defeating and keeps us from making any real social change. \nThe result is an inspiring case for practicing civil disobedience as a way of life\, and a clear vision for a better world—full of play\, caring\, and human connection. \n——————— \n\n\nabout How To Do Nothing \n\n\nA galvanizing critique of the forces vying for our attention—and our personal information—that redefines what we think of as productivity\, reconnects us with the environment\, and reveals all that we’ve been too distracted to see about ourselves and our world \n\n\nNothing is harder to do these days than nothing. But in a world where our value is determined by our 24/7 data productivity . . . doing nothing may be our most important form of resistance. \nSo argues artist and critic Jenny Odell in this field guide to doing nothing (at least as capitalism defines it). Odell sees our attention as the most precious—and overdrawn—resource we have. Once we can start paying a new kind of attention\, she writes\, we can undertake bolder forms of political action\, reimagine humankind’s role in the environment\, and arrive at more meaningful understandings of happiness and progress. \nFar from the simple anti-technology screed\, or the back-to-nature meditation we read so often\, How to do Nothing is an action plan for thinking outside of capitalist narratives of efficiency and techno-determinism. Provocative\, timely\, and utterly persuasive\, this book is a four-course meal in the age of Soylent. \n———————– \n\n\n\nMalcolm Harris is a freelance writer and an editor at The New Inquiry. His work has appeared in the New Republic\, Bookforum\, the Village Voice\, n+1\, and the New York Times Magazine. His first book was Kids These Days: The Making of Millennials. He lives in Philadelphia. \nJenny Odell is an artist and writer who teaches at Stanford\, has been an artist-in-residence at places like the San Francisco dump\, Facebook\, the Internet Archive\, and the San Francisco Planning Department\, and has exhibited her art all over the world. She lives in Oakland. \nCurtis White is a novelist and social critic whose works include Memories of My Father Watching TV\, The Middle Mind\, and\, most recently\, The Science Delusion\, We\, Robots\, and Lacking Character. He is the founder (with Ronald Sukenick) of FC2\, a publisher of innovative fiction run collectively by its authors. He lives in Port Townsend\, WA. \nMelville House is an independent publisher located in Brooklyn\, New York. It was founded in 2001 by sculptor Valerie Merians and fiction writer/journalist Dennis Johnson\, in order to publish Poetry After 9/11\, a book of material culled from Johnson’s groundbreaking MobyLives book blog. The material consisted of things sent in to the blog by writers and poets in response to the 9/11 attacks\, and Johnson and Merians felt it better represented the spirit of New York than the call to war of the Bush administration. Melville House is also well-known for its fiction\, with two Nobel Prize winners on its list: Imre Kertesz and Heinrich Boll. In particular\, the company has developed a world-wide reputation for its rediscovery of forgotten international writers — its translation of a forgotten work by Hans Fallada\, Every Man Dies Alone\, launched a world-wide phenomenon. The company also takes pride in its discovery of many first-time writers — such as Lars Iyer (Spurious)\, Tao Lin (Shoplifting from American Apparel)\, Jeremy Bushnell (The Weirdness) and Christopher Boucher (How to Keep Your Volkswagen Alive) — all of whom have gone on to greater success.
URL:https://litseen.com/event/melville-house-city-lights/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/malcolm_harris.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200409T190000
DTEND;TZID=America/Los_Angeles:20200409T210000
DTSTAMP:20260409T114705
CREATED:20200312T200907Z
LAST-MODIFIED:20200312T200907Z
UID:56332-1586458800-1586466000@litseen.com
SUMMARY:Poetry Center Book Award Reading: Ashley Toliver and Jason Bayani\, reading and in conversation
DESCRIPTION:Join us for this reading by Poetry Center Book Award winner Ashley Toliver\, for her work Spectra (Coffee House Press\, 2018). She’ll be joined by award judge Jason Bayani\, reading and in conversation. Supported in part by the National Endowment for the Arts\, this event is free and open to the public. \n\nAshley Toliver’s Spectra is an immensely moving work. Its three-act structure entrenches within the violent friction between nature and manmade forms and between nature and the human body. Under Toliver’s carefully measured pen\, this movement through violence brought to mind for me\, persistence: the persistence to withstand the structures of domesticity (and all those structures domesticity is nestled under); the persistence to withstand an attack from within the body as that same body is bearing a new life. It is Toliver’s persistence that tempers and\, at times\, wields the flame of this violence\, it is this persistence that seeks to create from absence\, and from the first page to the last it absolutely mesmerizes me. In the poem “Standing Outside Your House with a Match and a Gallon of Gasoline”\, Toliver writes “I still don’t know what kind of woman/ I am. But as the flame nears the fingers/ that trust the match\, as close as the skin/ can stand it to singe\, I call this the nerve/ to find out—”. As taken as I am by the journey within the book\, I am also moved by the vision the book creates\, a vision of a woman holding both the fire of life and death in her hands\, that searches within it all with a keen strength and wonder. And how gorgeous and powerful of a vision Ashley Toliver makes\, what this vision\, when we acknowledge it from a Black woman’s lens\, means within the context of this time; what it pulls back from erasure; what it invokes and empowers. I am deeply in awe of this book— this book that is constantly seeking\, that seeks to reclaim and repossess\, that knows this is worthy of our persistence\, at least until death\, which\, as Toliver writes\, is “the last road to awe I know.”—Jason Bayani\n\nAshley Toliver is the author of Spectra (Coffee House Press\, 2018)\, which in addition to being awarded The Poetry Center Book Award\, was a finalist for the 2018 Believer Book Award\, 2020 Kate Tufts Discovery Award\, and the Oregon Book Award. She teaches poetry at the The Attic Institute in southeast Portland and serves as poetry editor at Moss. A Journal of the Pacific Northwest. Her work has been supported by fellowships from the Cave Canem Foundation\, Oregon Literary Arts\, and the Academy of American Poets. She received her MFA from Brown University in 2013. \nJason Bayani is the author of Locus (Omnidawn Publishing\, 2019) and Amulet (Write Bloody Publishing\, 2013). He’s an MFA graduate from Saint Mary’s College\, a Kundiman fellow\, and works as the artistic director for Kearny Street Workshop\, the oldest multi-disciplinary Asian Pacific American arts organization in the country. His publishing credits include World Literature Today\, Muzzle Magazine\, Lantern Review\, and other publications. Jason performs regularly around the country and debuted his solo theater show “Locus of Control” in 2016 with theatrical runs in San Francisco\, New York\, and Austin.
URL:https://litseen.com/event/poetry-center-book-award-reading-ashley-toliver-and-jason-bayani-reading-and-in-conversation/
LOCATION:The Poetry Center\, San Francisco State University\, 1600 Holloway Ave\, San Francisco \, CA\, 94132\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/03/image-4.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200409T193000
DTEND;TZID=America/Los_Angeles:20200409T210000
DTSTAMP:20260409T114705
CREATED:20191220T063337Z
LAST-MODIFIED:20191220T063337Z
UID:54423-1586460600-1586466000@litseen.com
SUMMARY:Namwali Serpell & Carmen Maria Machado
DESCRIPTION:TICKETSTo purchase over the phone: 415-392-4400 \nThis event appears in the series\nSocial Studies \n\n\nNamwali Serpell is a Zambian writer who teaches at the University of California\, Berkeley. She won the 2015 Caine Prize for African Writing\, and her work has appeared in The New Yorker\, The New York Times\, The New York Review of Books\, and The Best American Short Stories. Her first novel\, The Old Drift\, which Salman Rushdie calls a “dazzling debut\,” tells the stories of three Zambian families across three generations\, from the precolonial past into the near future. It was listed as one of The New York Times 100 Notable Books of 2019. \nIn 2018\, the New York Times named Carmen Maria Machado’s  Her Body and Other Parties one of “15 remarkable books by women that are shaping the way we read and write fiction in the 21st century.” Machado’s most recent publication\, the memoir of trauma and abuse\, In The Dreamhouse\, has garnered further acclaim. “Machado has already dazzled us with her brilliant fiction writing and she exceeds all expectations as she breaks new ground in what memoir can do.” — Roxanne Gay. \n  \nPhotograph credit: Peg Skorpinski (left) & Art Streiber (right)
URL:https://litseen.com/event/namwali-serpell-carmen-maria-machado/
LOCATION:Sydney Goldstein Theater\, 275 Hayes St\, San Francisco\, CA\, 94102\, United States
CATEGORIES:San Francisco
ATTACH;FMTTYPE=image/gif:https://litseen.com/wp-content/uploads/2019/12/Serpell.Machado.square.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200409T200000
DTEND;TZID=America/Los_Angeles:20200409T200000
DTSTAMP:20260409T114705
CREATED:20200309T202542Z
LAST-MODIFIED:20200309T202542Z
UID:56293-1586462400-1586462400@litseen.com
SUMMARY:Bawdy Storytelling's 'Twitterpated'
DESCRIPTION:Thursday\, April 9th\, 2020 \nat the Verdi Club \n2424 Mariposa\, San Francisco\, CA \nRemember: Bang-O at 7:00 PM\, Stories at 8:00 PM \nWant a sample of Bawdy? \nListen to the Bawdy Storytelling podcast at \nhttp://bit.ly/bawdypodcast \n•••••••••••••••••••••••••••••••••••••••••••••••••••••••••• \nThis Evening of Stories\, Songs & Sex Toys features: \n❤ Hosted by Sexual Folklorist Dixie De La Tour \n❤ Legendary Author/Speaker/Kinkster Race Bannon \n❤ Songs by Bawdy’s brilliant cohort\, Jefferson Bergey \n❤ Pitch your story to Dixie@BawdyStorytelling.com \n❤ Play Bang-O & WIN Prizes\, just for making new friends \n❤ Bang-O Grand Prizes from Good Vibrations \n❤ Bawdy’s new merchandise\, FINALLY #BawdyGotMeLaid \n❤ Reserved Seating puts you right up front \n❤ Custom Bawdy Cocktails to help you get your flirt on #CBT #UnicornsButthole #EthicalSlut \n•••••••••••••••••••••••••••••••••••••••••••••••••••••••••• \nFor Millions of Years\, Sexual Folklorist & Podcast host Dixie De La Tour has brought the Nation’s Perverrati together & onto the Bawdy Storytelling stage to tell their own infamously true tales of lust\, love\, kinky collisions\, gender redefinition\, sexual identity\, life-changing hook-ups\, educational one-night stands & everything in between. \n•••••••••••••••••••••••••••••••••••••••••••••••••••••••••• \nThe Original Sex + Storytelling series\, featuring Real People & Rockstars sharing their Bona Fide Sexual Exploits\, Live Onstage \n•••••••••••••••••••••••••••••••••••••••••••••••••••••••••• \nAnd we know you’re on FetLife\, ya pervert. Join the Bawdy Storytelling group there! \nhttps://fetlife.com/groups/46341 \n•••••••••••••••••••••••••••••••••••••••••••••••••••••••••• \nPerformer Bios: \n❤ Dixie De La Tour is a sexual folklorist\, professional storyteller\, podcaster\, teacher\, coach\, community builder and most of all\, a facilitator. She is also the Founder\, Curator & Host of the Award-winning and NSFW storytelling series\, Bawdy Storytelling (“The Moth for Pervs” – LA Weekly\, “The Original Sex and Storytelling series” – Playgirl) that’s been lauded for its transformational\, relatable\, empowering performances. This live stage series is currently headed into its 13th year\, the groundbreaking Bawdy Storytelling podcast has had over 1.5 million downloads\, plus it’s been acknowledged as a ‘Best Of’ Sex podcast from Forbes\, GQ Magazine\, Marie Claire\, Uproxx\, Daily Mail UK\, Bustle and (twice!) by Esquire Magazine. \nDixie has been Sainted by the Sisters of Perpetual Indulgence (“Saint Kiss & Make You Tell”) for her work to reduce stigma and eliminate shame\, and she recently became a Muppet. Discover more about Dixie De La Tour and Bawdy Storytelling at Facebook.com/BawdyStorytelling\, on Instagram at https://www.instagram.com/bawdystorytelling on Twitter at @Bawdy and always at www.BawdyStorytelling.com \nIn addition to story and public speaking coaching for her own series\, Dixie coaches for TEDx\, Women in Technology\, offers custom Brand Storytelling coaching\, has led storytelling events in Libraries\, teaches Storytelling for the Classroom and has been a featured teller for the National Storytelling Conference. Ultimately\, this story-loving southerner is passionate about storytelling’s ability to keep people safe\, reduce social anxiety and connect us with strangers. Stories help you find your people! \n❤ Kinky sex has been one of Race Bannon’s passions as a practitioner\, organizer\, writer\, educator\, commentator\, activist and leader since his first explorations of the leather world starting in 1973. Race’s accomplishments include co-founder of the Kink Aware Professionals referral service; leader of The DSM Project that began to change how psychotherapy professionals view kink; author of the bestselling Learning The Ropes: A Basic Guide to Safe and Fun BDSM Lovemaking; founder of Daedalus Publishing Company\, the first company dedicated to publishing nonfiction leather/SM/fetish books; prolific writer; former sex advice columnist; former producer and host of the first kink internet talk show Bound To Talk; past Board member of the National Coalition for Sexual Freedom\, Community-Academic Consortium for Research on Alternative Sexualities\, NLA International and Avatar Club Los Angeles; co-founder of NLA Los Angeles; and member of Chicago Hellfire Club\, The 15 Association\, and Society of Janus. Race is currently on the Board of the Leather Hall of Fame. Recently Race was inducted into the Society of Janus Hall of Fame. He is featured in the documentaries Vice and Consent\, Out of the Darkness: The Reality of S&M and Folsom Forever\, was a BDSM consultant for the movie Exit to Eden\, and is currently an Executive Producer for Divine Deviance\, an upcoming documentary about the global kink/BDSM/fetish scene. Race is also a popular speaker who has delivered the keynote address for a number of events. He has been awarded the 2006 National Leather Association International’s Lifetime Achievement Award\, 2010 Mister Marcus Hernandez Lifetime Achievement Award (Man) Pantheon of Leather Community Service Award\, the 2011 Philip M. Turner Lifetime Achievement Award\, the 2013 National Gay and Lesbian Task Force Creating Change Leather Leadership Award\, 2014 San Francisco Bay Area Leather Alliance Co-Man of the Year (tie)\, and the 2016 NorCal/Northwest Regional Pantheon of Leather Award. You can read some of Race’s writings at www.bannon.com or www.racebannon.com or in the Bay Area Reporter (ebar.com) where he is the leather/kink columnist. \n❤ Straddling the line between sentimental and sleazy\, Jefferson Bergey blends gritty\, soulful pop with elements of folk\, blues\, and country with a penchant for the ridiculous in his original compositions. \nThe Oakland based singer-songwriter performs his family-unfriendly music all over the Bay Area. He’s a frequent contributor\, writing custom songs for the award-winning\, San Francisco based\, Bawdy Storytelling. As a solo acoustic act\, Bergey’s sound is akin to folky musical theater in a coffee shop…if the coffee shop also sold sex toys and sativa gummy bears. His polite vulgarity may not be for the very young and impressionable or the very old and conservative but he won’t tell you how to raise your kids or upset your grandparents. \nHe can be seen and heckled every Monday night at his Risqué residency at Scopo Divino in San Francisco. For well over two years straight\, he’s put on a unique and interactive show where he plays original music and cover songs suggested by those in attendance who haven’t already left in disgust. \nBergey’s music can be heard on the RISK! and Bawdy Storytelling podcasts. He has performed at The Independent\, Sweetwater\, Great American Music Hall\, Jewish Community Center in SF\, John Steinbeck Association\, Special Olympics in Long Beach\, Punchline SF\, and SF Sketchfest. \nHis newest EP titled ‘Always Up (To Go Down)’ was originally written for Bawdy Storytelling and is flanked by a few of his ‘inter-lewds’\, now fleshed out with piano\, bass\, and pedal steel. It also features the talents of Natalie Smith (Cape Weather) on vocals. \nwww.jeffersonbergey.com \nhttps://www.patreon.com/jeffersonbergey \nhttps://www.facebook.com/jefferson.bergey \nhttps://www.instagram.com/jeffersonbergey \n• No Refunds or Exchanges \n• Lineup Subject to Change \n• ASL Interpretation available with prior written notice. Contact BawdyStorytelling@gmail.com for more information \n• General Admission seating is first come\, first served. We recommend you arrive when doors open for best seating (Reserved Seating guarantees you a seat right up front) \n•••••••••••••••••••••••••••••••••••••••••••••••••••••••••• \nWinner of SFist’s Best Storytelling Show\, the SF Weekly’s Best of San Francisco & the LA Weekly’s Best Of Los Angeles (for Best Storytelling) & 2 Time Winner of the SF Bay Guardian’s Best of the Bay Award (Best Literary Event) \n•••••••••••••••••••••••••••••••••••••••••••••••••••••••••• \n“The Moth for Pervs” – LA Weekly \n•••••••••••••••••••••••••••••••••••••••••••••••••••••••••• \n“Dixie De La Tour’s scandalous\, over-the-top Bawdy Storytelling series” – SF Weekly \n•••••••••••••••••••••••••••••••••••••••••••••••••••••••••• \nWant more Bawdy? \nwww.BawdyStorytelling.com \nTwitter: @Bawdy \n& at Facebook.com/BawdyStorytelling
URL:https://litseen.com/event/bawdy-storytellings-twitterpated/
LOCATION:Verdi Club\, 2424 Mariposa St\, San Francisco \, CA\, 94110\, United States
CATEGORIES:San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/03/image-1.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200410T173000
DTEND;TZID=America/Los_Angeles:20200410T200000
DTSTAMP:20260409T114705
CREATED:20200312T203248Z
LAST-MODIFIED:20200312T203248Z
UID:56355-1586539800-1586548800@litseen.com
SUMMARY:National Poetry Month: Stegner Fellows Reading + Happy Hour!
DESCRIPTION:Join us for a special Ruby happy hour in honor of National Poetry Month featuring readings by Monica Sok\, Safia Elfhillo\, Claire Meuschke\, and Taneum Bambrick; all current Stegner fellows at Stanford University. Drinks and bites served at 5:30pm followed by performances! \nAbout the poets: \nMonica Sok is a Cambodian American poet and the daughter of former refugees. She is the author of A Nail the Evening Hangs On (Copper Canyon Press\, 2020). Her work has been recognized with a “Discovery” Prize from 92Y. She has received fellowships from Poetry Society of America\, Hedgebrook\, Elizabeth George Foundation\, National Endowment for the Arts\, Kundiman\, Jerome Foundation\, MacDowell Colony\, and others. Sok has taught poetry to Southeast Asian youths at Banteay Srei and the Center for Empowering Refugees and Immigrants in Oakland. She is originally from Lancaster\, Pennsylvania. \nSafia Elhillo is the author of The January Children (University of Nebraska Press\, 2017)\, which received the the Sillerman First Book Prize for African Poets and an Arab American Book Award\, and Girls That Never Die (One World/Random House 2021)\, as well as a novel in verse forthcoming in 2021 from Make Me A World/Random House. A co-editor of the anthology Halal If You Hear Me (Haymarket Books\, 2019)\, Elhillo was listed in Forbes Africa’s 2018 “30 Under 30” and is a 2019-2021 Stegner Fellow at Stanford University. \nClaire Meuschke is the author of Upend (Noemi Press\, 2020). From the Bay Area\, she has lived in New York City\, New Mexico\, and Arizona. She is poetry editor for Contra Viento and assistant poetry editor for DIAGRAM. She is a Stegner Fellow at Stanford University and lives in Oakland. \nTaneum Bambrick is the author of VANTAGE\, which was selected by Sharon Olds for the 2019 American Poetry Review/Honickman first book award (Copper Canyon Press). Her chapbook\, Reservoir\, was selected by Ocean Vuong for the 2017 Yemassee Chapbook Prize. Her poems and essays appear or are forthcoming in theNew Yorker\, The American Poetry Review\,PENAmerica\, and elsewhere. She is a Stegner Fellow at Stanford University. \nNOTE: This event is co-ed but we ask that all our guests be mindful of the Ruby’s mission to create a safe space that prioritizes the voices of women and nonbinary artists. \n\n\n\n\n\n\nSource:: https://www.eventbrite.com/e/national-poetry-month-stegner-fellows-reading-happy-hour-tickets-91356199853
URL:https://litseen.com/event/national-poetry-month-stegner-fellows-reading-happy-hour/
LOCATION:The Ruby\, 23rd and bryant street\, san francisco\, 94110
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/03/image-10.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200410T193000
DTEND;TZID=America/Los_Angeles:20200410T210000
DTSTAMP:20260409T114705
CREATED:20200131T185633Z
LAST-MODIFIED:20200214T013644Z
UID:54913-1586547000-1586552400@litseen.com
SUMMARY:Joanne McNeil: Lurking: How a Person Became a User
DESCRIPTION:Joanne McNeil discusses her new book Lurking: How A Person Became a User with Jenny Odell. \nPraise for Lurking \n“The internet isn’t ‘out there’ somewhere; it’s coextensive with the brain of any writer who’d be worth reading on the subject. In Lurking\, Joanne McNeil writes as an internet ‘supertaster\,’ a veteran of more platforms and forums and flame wars and start-ups than most of us could ever imagine. She employs a trees-not-forest style\, immersing herself in the paradoxes\, and reinscribing her body at the scene. By risking a freely figurative language\, she hacks the mystery at its source.”—JONATHAN LETHEM \n“Without a doubt\, Joanne McNeil is the most original writer on technology working today. This poetic\, empathetic\, and incisive history of the internet will resonate deeply with anyone who goes online to listen and learn\, not shout and grandstand. Never cynical or reductive\, McNeil traces the commercialization of the digital world in unexpected and insightful ways\, revealing what has been lost\, what stolen\, and what utopian possibilities may still be recovered. Lurkers may not be inclined to rally around a manifesto\, but this profound and refreshing meditation will certainly do the trick. Lurkers of the world unite\, or at least read this book.”—ASTRA TAYLOR\, author of The People’s Platform \n“We all know what it’s like to spend time online\, but nobody has written about it with more depth and beauty than Joanne McNeil. Lurking makes the connections between internet protocol and human dignity tangible\, whether reflecting on her early days as an avid 90s web user or zooming out for critical insight into today’s tech giants and tomorrow’s possibilities. I learned something new on every page.”—JACE CLAYTON\, author of Uproot: Travels in 21st-Century Music and Digital Culture \nAbout Lurking \nA concise but wide-ranging personal history of the internet from—for the first time—the point of view of the user. \nIn a shockingly short amount of time\, the internet has bound people around the world together and torn us apart and changed not just the way we communicate but who we are and who we can be. It has created a new\, unprecedented cultural space that we are all a part of—even if we don’t participate\, that is how we participate—but by which we’re continually surprised\, betrayed\, enriched\, befuddled. We have churned through platforms and technologies and in turn been churned by them. And yet\, the internet is us and always has been. \nIn Lurking\, Joanne McNeil digs deep and identifies the primary (if sometimes contradictory) concerns of people online: searching\, safety\, privacy\, identity\, community\, anonymity\, and visibility. She charts what it is that brought people online and what keeps us here even as the social equations of digital life—what we’re made to trade\, knowingly or otherwise\, for the benefits of the internet—have shifted radically beneath us. It is a story we are accustomed to hearing as tales of entrepreneurs and visionaries and dynamic and powerful corporations\, but there is a more profound\, intimate story that hasn’t yet been told. \nLong one of the most incisive\, ferociously intelligent\, and widely respected cultural critics online\, McNeil here establishes a singular vision of who we are now\, tells the stories of how we became us\, and helps us start to figure out what we do now.
URL:https://litseen.com/event/joanne-mcneil-lurking-how-a-person-became-a-user/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/01/McNeil.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200411T140000
DTEND;TZID=America/Los_Angeles:20200411T150000
DTSTAMP:20260409T114705
CREATED:20200215T020843Z
LAST-MODIFIED:20200215T020843Z
UID:55784-1586613600-1586617200@litseen.com
SUMMARY:Author Event /// Arroz con Pollo and Apple Pie: Raising Bicultural Children
DESCRIPTION:Author Event with Maritere R. Bellas //// Parenting Expert Topic – Bilingualism\, Biculturalism\, Multiculturalism & Award-Winning Author\, Influencer\, Speaker\, Podcast Host\, Features Writer
URL:https://litseen.com/event/author-event-arroz-con-pollo-and-apple-pie-raising-bicultural-children/
LOCATION:Adobe Books\, 3130 24th St.\, San Francisco\, CA\, 94110\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/02/image-45.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200411T193000
DTEND;TZID=America/Los_Angeles:20200411T213000
DTSTAMP:20260409T114705
CREATED:20200126T020859Z
LAST-MODIFIED:20200126T020859Z
UID:55161-1586633400-1586640600@litseen.com
SUMMARY:Writers with Drinks
DESCRIPTION:Juliana delgado Lopera (Fiebre Tropical)\nCyrus Grace Dunham (A Year Without a Name)\nJulia Serano (Whipping Girl\, 99 Erics: A Kat Cataclysm Faux Novel)\nTara Ison (Ball: Stories)\nThea Matthews (Unearth [The Flowers])\nBeth Lisick (Edie on the Green Screen) \nCost: $5 to $20\, no-one turned away\nAll proceeds benefit a local non-profit TBA\nAt The Make Out Room 3225 22nd St.\, San Francisco CA\, from 7:30 PM to 9:30 PM\, doors open at 7 PM. \n 
URL:https://litseen.com/event/writers-with-drinks-28/
LOCATION:Make-Out Room\, 3225 22nd St\, San Francisco\, CA\, 94110\, United States
CATEGORIES:San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2018/02/Writers-With-Drinks.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200413T193000
DTEND;TZID=America/Los_Angeles:20200413T210000
DTSTAMP:20260409T114705
CREATED:20200226T180652Z
LAST-MODIFIED:20200226T180652Z
UID:56138-1586806200-1586811600@litseen.com
SUMMARY:Lisa Brown: Long Story Short: 100 Classic Books in 3 Panels
DESCRIPTION:Lisa Brown discusses her new book\, Long Story Short: 100 Classic Books in 3 Panels. \nAbout Long Story Short \nDoes Proust get you down? Do you find The Unbearable Lightness of Being simply unbearable? Is The Inferno your own private hell? Do you long to be conversant about classics like Moby Dick\, the Bhagavad Gita\, Madame Bovary\, and\, um\, Twilight? \nBestselling illustrator Lisa Brown (The Airport Book; Baby\, Mix Me a Drink) did her homework. Long Story Short offers 100 pithy and skewering three-panel literary summaries\, from curriculum classics like Don Quixote\, Lord of the Flies\, and Jane Eyre to modern favorites like Beloved\, The Brief Wondrous Life of Oscar Wao\, and Atonement\, conveniently organized by subjects including “Love\,” “Sex\,” “Death\,” and “Female Trouble.” Lisa Brown’s Long Story Short is the perfect way to turn a traipse through what your English teacher called “the canon” into a frolic—or to happily cram for the next occasion that requires you to appear bookish and well-read. \nAbout Lisa Brown \nLisa Brown draws things like illustrations and comics\, writes things like books and book reviews\, and teaches things to kids and college students. Her debut picture book\, How to Be\, was one of the Thirteen Best Children’s Books for Family Literacy.  She is a comics contributor at The Rumpus and teaches illustration at the California College of the Arts. She lives in San Francisco with her husband and son. You can find her online at americanchickens.com or on Twitter: @lisabrowndraws.
URL:https://litseen.com/event/lisa-brown-long-story-short-100-classic-books-in-3-panels/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/Brown.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200414T193000
DTEND;TZID=America/Los_Angeles:20200414T210000
DTSTAMP:20260409T114705
CREATED:20191231T203245Z
LAST-MODIFIED:20191231T203245Z
UID:54752-1586892600-1586898000@litseen.com
SUMMARY:Bonnie Tsui: Why We Swim
DESCRIPTION:Bonnie Tsui discusses her new book\, Why We Swim\, with Caroline Paul. \nPraise for Why We Swim \n “A beautifully written love letter to water and a fascinating story. I was enchanted.”–Rebecca Skloot\, bestselling author of The Immortal Life of Henrietta Lacks \n“The only thing better than reading Bonnie Tsui’s writing about swimming is swimming itself—and both are sublime. Why We Swim is an aquatic tour de force\, a captivating story filled with adventure\, meditation\, and celebration.”– Susan Casey\, New York Times bestselling author of The Wave and Voices in the Ocean \n“This is a jewel of a book\, a paean to the wonders of water and our place within it.” –James Nestor\, author of Deep: Freediving\, Renegade Science\, and What the Ocean Tells Us about Ourselves \n“Magnificent. Only a truly great story can hold my attention and Why We Swim had me nailed to the chair . . . I love this book.” – Christopher McDougall\, bestselling author of Born to Run and Natural Born Heroes \nAbout Why We Swim \nHumans\, unlike other animals that are drawn to water\, are not natural-born swimmers. We must be taught. Our evolutionary ancestors learned for survival; now in the twenty-first century we swim in freezing Arctic waters and piranha-infested rivers to test our limits. Swimming is an introspective and silent sport in a chaotic and noisy age; it’s therapeutic for both the mind and body; and it’s an adventurous way to get from point A to point B. It’s also one route to that elusive\, ecstatic state of flow. These reasons\, among many others\, make swimming one of the most popular activities in the world. \nWhy We Swim is propelled by stories of Olympic champions\, a Baghdad swim club that meets in Saddam Hussein’s palace pool\, modern-day Japanese samurai swimmers\, and even an Icelandic fisherman who improbably survives a wintry six-hour swim after a shipwreck. New York Times contributor Bonnie Tsui\, a swimmer herself\, dives into the deep\, from the San Francisco Bay to the South China Sea\, investigating what about water—despite its dangers—seduces us and why we come back to it again and again. \n 
URL:https://litseen.com/event/bonnie-tsui-why-we-swim/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Tsui.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200415T190000
DTEND;TZID=America/Los_Angeles:20200415T203000
DTSTAMP:20260409T114705
CREATED:20191227T024640Z
LAST-MODIFIED:20191227T024640Z
UID:54525-1586977200-1586982600@litseen.com
SUMMARY:Wendy Liu
DESCRIPTION:discussing the subject of her new book \nAbolish Silicon Valley: How to Liberate Technology from Capitalism \nfrom Repeater Books \nFormer insider turned critic Wendy Liu busts the myths of the tech industry\, and offers a galvanising argument for why and how we must reclaim technology’s potential for the public good. \nInnovation. Meritocracy. The possibility of overnight success. What’s not to love about Silicon Valley? \nThese days\, it’s hard to be unambiguously optimistic about the growth-at-all-costs ethos of the tech industry. Public opinion is souring in the wake of revelations about Cambridge Analytica\, Theranos\, and the workplace conditions of Amazon warehouse workers or Uber. We’re starting to see the cracks in the edifice\, as we realise that the wealth that the tech industry is so good at creating is neither sustainable nor always desirable. \nAbolish Silicon Valley is both a heartfelt personal story about the wasteful inequality and unsubstantiated lies of Silicon Valley\, and a rallying call to engage in the radical politics needed to upend the status quo. Going beyond the idiosyncrasies of the individual founders and companies that characterise the industry today\, Liu delves into the structural factors of the economy that led to Silicon Valley in its current form\, and links them to the economy at large. Ultimately\, she proposes a more radical way of developing technology\, where innovation is conducted for the benefit of society at large\, and not merely to enrich a select few. \n\nWendy Liu is a former startup founder who now writes about the political economy of the tech industry and why tech workers need to unionise.
URL:https://litseen.com/event/wendy-liu/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Wendy-Liu.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200415T193000
DTEND;TZID=America/Los_Angeles:20200415T210000
DTSTAMP:20260409T114705
CREATED:20200219T013550Z
LAST-MODIFIED:20200219T013550Z
UID:55830-1586979000-1586984400@litseen.com
SUMMARY:Kaouther Adimi: Our Riches
DESCRIPTION:Algerian author Kaouther Adimi discusses his new novel Our Riches. Sponsored by the Cultural Services of the French Embassy. \nPraise for Our Riches \n“An understated\, lyrical story of reading and resistance over the tumultuous generations.”—Kirkus Reviews (Starred) \n“Adimi’s confident prose displays Ryad and Charlot’s emotional depth while nimbly shuttling the reader through nearly a century of history. This is a moving tribute to the enduring power of literature.”—Publishers Weekly \n“Fascinating: Adimi synthesizes the private minutiae of the great and sometimes forgotten publisher Edmond Charlot with the history of the times in a surprisingly light\, almost breezy fashion\, making this a fast\, interesting\, and engaging read.”—Adam Hocker\, Albertine Bookstore \nAbout Our Riches \nThe powerful English debut of a rising young French star\, Our Riches is a marvelous\, surprising\, hybrid novel about a beloved Algerian bookshop \nOur Riches celebrates quixotic devotion and the love of books in the person of Edmond Charlot\, who at the age of twenty founded Les Vraies Richesses (Our True Wealth)\, the famous Algerian bookstore/publishing house/lending library. He more than fulfilled its motto “by the young\, for the young\,” discovering the twenty-four-year-old Albert Camus in 1937. His entire archive was twice destroyed by the French colonial forces\, but despite financial difficulties (he was hopelessly generous) and the vicissitudes of wars and revolutions\, Charlot (often compared to the legendary bookseller Sylvia Beach) carried forward Les Vraies Richesses as a cultural hub of Algiers. Our Riches interweaves Charlot’s story with that of another twenty-year-old\, Ryad (dispatched in 2017 to empty the old shop and repaint it). Ryad’s no booklover\, but old Abdallah\, the bookshop’s self-appointed\, nearly illiterate guardian\, opens the young man’s mind. Cutting brilliantly from Charlot to Ryad\, from the 1930s to current times\, from WWII to the bloody 1961 Free Algeria demonstrations in Paris\, Adimi delicately packs a monumental history of intense political drama into her swift and poignant novel. But most of all\, it’s a hymn to the book and to the love of books.
URL:https://litseen.com/event/kaouther-adimi-our-riches/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/Adimi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200416T190000
DTEND;TZID=America/Los_Angeles:20200416T190000
DTSTAMP:20260409T114705
CREATED:20200203T212742Z
LAST-MODIFIED:20200203T212742Z
UID:55398-1587063600-1587063600@litseen.com
SUMMARY:Readings by Aaron Shurin and Gillian Conoley
DESCRIPTION:Booksmith hosts a special evening with beloved Bay Area writers Aaron Shurin (The Blue Absolute) and Gillian Conoley (A Little More Red Sun on the Human: New and Selected Poems). Please join us for a night of readings! \nAbout The Blue Absolute \nUrban and pastoral\, highly figured and fragmented\, grieving and dreaming\, the prose poems of The Blue Absolute set people moving and thinking amidst a flurry of dashes\, dots\, perspective shifts\, and the fragmented action of San Francisco\, the great city on the edge. \nThe Blue Absolute’s prose poems are hot boxes of lyrical language combusting with daily life. People move and think amidst a flurry of dots and dashes in a constant shift of perspective and action—urban and pastoral\, highly figured and fragmented\, grieving and dreaming—each poem a compressed but fluid zone of almost psychedelic intensity. The book closes with “Shiver\,” an American epic\, at once a lament for and vision of a great city on the edge: San Francisco past\, present\, and future. \nAaron Shurin is the author of fourteen books of poetry and prose\, most recently Flowers & Sky: Two Talks (Entre Rios Books\, 2017)\, The Skin of Meaning: Collected Literary Essays and Talks (University of Michigan Press\, 2015)\, and two books from City Lights: Citizen (poems\, 2012) and King of Shadows (essays\, 2008). His work has appeared in over forty national and international anthologies\, from The Norton Anthology of Postmodern American Poetry to Italy’s Nuova Poesia Americana: San Francisco\, and has been supported by grants from The National Endowment for the Arts\, The California Arts Council\, The San Francisco Arts Commission\, and the Gerbode Foundation. A pioneer in both LGBTQ studies and innovative verse\, Shurin was a member of the original Good Gay Poets collective in Boston\, and later the first graduate of the storied Poetics Program at New College of California. He has written numerous critical essays about poetic theory and compositional practice\, as well as personal narratives on sexual identity\, gender fluidity\, and the AIDS epidemic. A longtime educator\, he’s the former director and currently Professor Emeritus for the MFA Writing Program at the University of San Francisco. \n\nAbout A Little More Red Sun on the Human \nA selection of poems by celebrated poet Gillian Conoley that spans her arresting body of work: from the idiosyncrasies of Texas girlhood toward an encompassing inquiry into spirit and matter\, individual and state. \nGillian Conoley’s new and selected poems assemble a shockingly varied body of work\, comprising narrative\, lyric\, and fragmented forms. Her coruscating vibrant poems are informed by visual art and film\, political engagement and playful linguistic constructions. Throughout\, one can trace Conoley’s obsessions and concerns: democracy\, metaphysics\, motherhood\, gender and race\, futurity and history. \nGillian Conoley was awarded the 2017 Shelley Memorial Award from the Poetry Society of America. A Little More Red Sun on the Human: Selected Poems is forthcoming with Nightboat Books in Fall 2019. Her seventh poetry collection\, PEACE\, was named an Academy of American Poets Standout Book for 2014 and a finalist for the Los Angeles Times Book Prize. Conoley’s work has received the Jerome J. Shestack Poetry Prize\, a National Endowment for the Arts grant\, and a Fund for Poetry Award. Her translations of Henri Michaux\, Thousand Times Broken\, appeared with City Lights in 2014. Conoley is Poet-in-Residence and Professor of English at Sonoma State University\, where she edits Volt. \n\nThis event is free and all ages. \nRSVP appreciated but not required. \nIf you cannot attend the event but would like to request a signed copy of The Blue Absolute and/or A Little More Red Sun on the Human\, click on the appropriate title(s) in this sentence and be sure to put your request in the special field.
URL:https://litseen.com/event/readings-by-aaron-shurin-and-gillian-conoley/
LOCATION:The Booksmith\, 1644 Haight St\, San Francisco \, CA\, 94117\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2016/06/01414_i44lhi7JF2b_600x450.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200416T190000
DTEND;TZID=America/Los_Angeles:20200416T203000
DTSTAMP:20260409T114705
CREATED:20191227T024439Z
LAST-MODIFIED:20191227T024504Z
UID:54521-1587063600-1587069000@litseen.com
SUMMARY:Tess Taylor with Ilya Kaminsky
DESCRIPTION:celebrating the release of Tess Taylor’s \n \nRift Zone:poems \npublished by Red Hen Press \nand \n \nLast West \npublished by Museum of Modern Art Books \nabout Rift Zone \nRIFT ZONE\, Taylor’s much-anticipated third book traces literal and metaphoric fault lines—rifts between past and present\, childhood and adulthood\, what is and what was. Circling Taylor’s hometown—an ordinary California suburb lying along the Hayward fault—these poems unearth strata that include a Spanish land grant\, a bloody land grab\, gun violence\, valley girls\, strip malls\, redwood trees\, and the painful history of Japanese internment. Taylor’s ambitious and masterful poems read her home state’s historic violence against our world’s current unsteadinesses—mass eviction\, housing crises\, deportation\, inequality. They also ponder what it means to try to bring up children along these rifts. What emerges is a powerful core sample of America at the brink—an American elegy equally tuned to maternal and to geologic time. \nabout Last West \nLast West is a book-length commission from the Museum of Modern Art. It will be published by the Museum of Modern Art (NYC) this February and part of the Dorothea Lange Words & Pictures exhibit. The book revisits the work of Dorothea Lange in California in contemporary poems examining issues of migrancy\, shelterlessness\, and climate change as they appear in Lange’s work and continue to affect us today. \nabout Ilya Kaminski’s Deaf Republic \nDeaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy\, Petya\, the gunshot becomes the last thing the citizens hear―they all have gone deaf\, and their dissent becomes coordinated by sign language. At once a love story\, an elegy\, and an urgent plea\, Ilya Kaminsky’s long-awaited Deaf Republic confronts our time’s vicious atrocities and our collective silence in the face of them. \nTess Taylor is a poet and the poetry critic for NPR’s All Things Considered. Her books include Work & Days (Red Hen Press\, 2016)\, named one of the best poetry books of 2016 by The New York Times; The Forage House (Red Hen Press\, 2013)\, a finalist for the Believer Poetry Award which The San Francisco Chronicle called “stunning\,” and the chapbook The Misremembered World\, which was selected by Eavan Boland for the Poetry Society of America’s inaugural chapbook fellowship. In February 2020\, Last West\, an exciting book length commission from the Museum of Modern Art\, will be published in conjunction with the MOMA show\, Dorothea Lange: Words & Pictures. In his introduction to the collection\, Ilya Kaminsky calls Taylor’s voice “invaluable” and a “poet for our moment.”  Her work explores California and the American West\, her life as a critic\, and the intersection of poetry and journalism. \nIlya Kaminsky is the author of the widely acclaimed Deaf Republic (Graywolf\, 2019)\, a finalist for the 2019 National Book Award for Poetry\, which Kevin Young\, writing in The New Yorker\, called a work of “profound imagination.” Poems from Deaf Republic were awarded Poetry magazine’s Levinson Prize and the Pushcart Prize. He is also the author of Dancing In Odessa (Tupelo Press\, 2004)\, and Musica Humana (Chapiteau Press\, 2002). Kaminsky has won the Whiting Writer’s Award\, the American Academy of Arts and Letters’ Metcalf Award\, the Dorset Prize\, a Ruth Lilly Fellowship\, and the Foreword Magazine’s Best Poetry Book of the Year award. Recently\, he was on the short-list for the Neusdadt International Literature Prize. His poems have been translated into numerous languages and his books have been published in many countries including Turkey\, Holland\, Russia\, France\, Mexico\, Macedonia\, Romania\, Spain and China\, where his poetry was awarded the Yinchuan International Poetry Prize. His poems have been compared to work by Anna Akhmatova\, Osip Mandelstam\, and Marina Tsvetaeva.
URL:https://litseen.com/event/tess-taylor-with-ilya-kaminsky/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Tess-Taylor.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200416T193000
DTEND;TZID=America/Los_Angeles:20200416T210000
DTSTAMP:20260409T114705
CREATED:20191231T203327Z
LAST-MODIFIED:20191231T203327Z
UID:54754-1587065400-1587070800@litseen.com
SUMMARY:Emily St. John Mandel: The Glass Hotel
DESCRIPTION:Emily St. John Mandel discusses her new novel\, The Glass Hotel. \nPraise for The Glass Hotel \n“Long-anticipated… At its heart\, this is a ghost story in which every boundary is blurred\, from the moral to the physical… In luminous prose\, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure. A strange\, subtle\, and haunting novel. – Kirkus Reviews\, starred \n“Mandel’s wonderful novel (after Station Eleven) follows a brother and sister as they navigate heartache\, loneliness\, wealth\, corruption\, drugs\, ghosts\, and guilt… This ingenious\, enthralling novel probes the tenuous yet unbreakable bonds between people and the lasting effects of momentary carelessness.”– Publisher’s Weekly\, starred \nAbout The Glass Hotel \nVincent is a bartender at the Hotel Caiette\, a five-star hotel on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis\, a hooded figure scrawls a message on the lobby’s glass wall: “Why don’t you swallow broken glass.” Leon Prevant\, a shipping executive for Neptune-Avradimis\, reads the words and orders a drink to calm down. Alkaitis\, the owner of the hotel and a wealthy investment manager\, arrives too late to read the threat\, never knowing it was intended for him. He leaves Vincent a hundred dollar tip along with his business card\, and a year later they are living together as husband and wife. \nHigh above Manhattan\, a greater crime is committed: Alkaitis is running an international Ponzi scheme\, moving imaginary sums of money through clients’ accounts. He holds the life savings of an artist named Olivia Collins\, the fortunes of a Saudi prince and his extended family\, and countless retirement funds\, including Leon Prevant’s. The collapse of the financial empire is as swift as it is devastating\, obliterating fortunes and lives\, while Vincent walks away into the night. Until\, years later\, she steps aboard a Neptune-Avramidis vessel\, the Neptune Cumberland\, and disappears from the ship between ports of call. \nIn this captivating story of crisis and survival\, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless\, underground electronica clubs\, the business of international shipping\, service in luxury hotels\, and life in a federal prison. Rife with unexpected beauty\, The Glass Hotel is a captivating portrait of greed and guilt\, love and delusion\, ghosts and unintended consequences\, and the infinite ways we search for meaning in our lives. \n 
URL:https://litseen.com/event/emily-st-john-mandel-the-glass-hotel/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/St.-John-Mandel.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200417T180000
DTEND;TZID=America/Los_Angeles:20200417T180000
DTSTAMP:20260409T114705
CREATED:20200410T214131Z
LAST-MODIFIED:20200410T214131Z
UID:56654-1587146400-1587146400@litseen.com
SUMMARY:Homewreck: A Shipwreck Fundraiser
DESCRIPTION:Get ready\, matchmakers: we’re going back to Austenland for a night of charming romantic misunderstandings and youthful hubris. Join us to wreck EMMA from the comfort of your home. \nTo the best of technology’s ability\, this will be like a regular Shipwreck. Six great writers will submit erotic fanfiction about a character from Emma\, Baruch will read them anonymously\, Amy and Casey will host\, you’ll laugh and drink too much. The show will stream for free on Booksmith’s Facebook page and our Twitch stream. At the end\, anyone who’s donated by purchasing a ticket will vote for the winner. \nTicket proceeds—and do please feel free to buy in multiples—go toward keeping our skeleton crew running during the shutdown (and paying the writers and performer). \nThanks\, as ever\, for laughing with us. \nFeatured writers: Joe Wadlington\, Alan Leggitt\, Molly Sanchez\, Sarah Lynn Rogers\, Nate Waggoner\, and Viv Pustell. \nvv “TICKET” PRICES BELOW vv \n  \n\n\n\n\nBooks:\n\n\n\n\n\n$5 Ticket\n\n$5.00\nSKU: SW5\n\n\n\n\n\n\n\n$10 Ticket\n\n$10.00\nSKU: SW10\n\n\n\n\n\n\n\n$25 Ticket\n\n$25.00\nSKU: SW25
URL:https://litseen.com/event/homewreck-a-shipwreck-fundraiser/
LOCATION:CA
CATEGORIES:San Francisco,Virtual
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/04/image.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200417T190000
DTEND;TZID=America/Los_Angeles:20200417T190000
DTSTAMP:20260409T114705
CREATED:20200215T022552Z
LAST-MODIFIED:20200215T022552Z
UID:55800-1587150000-1587150000@litseen.com
SUMMARY:BINDERY: Launch for Jennifer Hasegawa / La Chica’s Field Guide to Banzai Living
DESCRIPTION:The Bindery hosts a special evening with Jennifer Hasegawa to launch her debut book\, La Chica’s Field Guide to Banzai Living. More information to be announced soon\, but please save the date and join us! \nFrom the small towns strung along the coast of the Big Island of Hawai‘i to the land-locked landscapes of Paraguay to the volcanic surface of Venus\, this is a field guide to flora\, fauna\, and mineralia encountered\, real and imagined. Packed tightly into exploratory rocket segments\, these poems ignite our gravest flaws to send our grandest potentials into orbit\, sprinkling us all with an antidotal salve to viewing any life as ordinary. \nBanzai has a literal translation of “10\,000 years” and was used by the Japanese as a rallying cry in imperialistic and militaristic contexts. Today\, the word has a comparatively neutral translation of “Hurrah!” in Japan and beyond. In La Chica’s Field Guide to Banzai Living\, Hasegawa aims to reclaim banzai\, recasting the language of war and dogmatic loyalty into the language of a life and poetry created against racism and harmful norms\, and toward tolerance and self-acceptance. \nJennifer Hasegawa is a poet and photographer. She’s sold funeral insurance door-to-door and had her suitcase stolen from a plastic surgery clinic in Paraguay. The manuscript for her first collection of poetry\, La Chica’s Field Guide to Banzai Living\, received the Joseph Henry Jackson Literary Award. Hasegawa’s work has been nominated for a Pushcart Prize\, has appeared in The Adroit Journal\, Bamboo Ridge\, and Tule Review; and is forthcoming in Bennington Review and Vallum. She was born and raised in Hilo\, Hawai‘i and lives in San Francisco. \nPlease note: this event will be held at The Bindery\, 1727 Haight. \nThis is a free\, all-ages event. The bar opens at 6:30pm; event starts at 7pm. \nRSVP appreciated but not required. \nAs with all of our events\, seating may be limited; you can guarantee a seat by pre-purchasing the book below — when checking out\, just be sure to include a note that you’d like to attend the event. If you cannot attend the event but would like to request a signed copy of La Chica’s Field Guide to Banzai Living\, order below and be sure to put your request in the comments field. \nAccessibility is important to us! If you have special needs please let us know and we’ll do our absolute best to accommodate you: events@booksmith.com.
URL:https://litseen.com/event/bindery-launch-for-jennifer-hasegawa-la-chicas-field-guide-to-banzai-living/
LOCATION:The Bindery\, 1727 Haight St\, San Francisco \, 94117\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/02/image-49.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200417T200000
DTEND;TZID=America/Los_Angeles:20200417T210000
DTSTAMP:20260409T114705
CREATED:20200221T184124Z
LAST-MODIFIED:20200224T054941Z
UID:56029-1587153600-1587157200@litseen.com
SUMMARY:Grace Notes: Poets at Grace Cathedral
DESCRIPTION:Join Litquake for our annual National Poetry Month celebration\, at Grace Cathedral atop the city’s Nob Hill\, for readings from some of America’s best poets: Kazim Ali\, Natalie Diaz\, Tongo Eisen-Martin\, and Jane Hirshfield. Curated and hosted by Rebecca Foust\, bookstore provided by Russian Hill Books. Sales and signings to follow. FREE \nModerators \n\n\n \nRebecca Foust\nRebecca Foust was the Poet Laureate of Marin County and is the author of Paradise Drive\, All That Gorgeous Pitiless Song\, and God\, Seed\, as well as three chapbooks including The Unexploded Ordnance Bin\, released November 2019.\n\n\nSpeakers \n\n\n \nJane Hirshfield\nJane Hirshfield’s ninth collection\, Ledger (Knopf)\, just released. Chancellor emerita of the Academy of American Poets and recently elected into the American Academy of Arts & Sciences\, she works frequently at the intersection of poetry and science. Her essays\, poems\, and translations… Read More →\n\n\n \nTongo Eisen-Martin\nTongo Eisen-Martin is the author of Someone’s Dead Already and Heaven Is All Goodbyes (City Lights Pocket Poets Series)\, which won the 2018 California Book Award.\n\n\n \nNatalie Diaz\nNatalie Diaz is author of the new poetry collection Postcolonial Love Poem\, as well as the award-winning When My Brother Was an Aztec. She has received many honors\, including a MacArthur Fellowship\, a US Artists Ford Fellowship\, and a Lannan Literary Fellowship. She teaches at Arizona… Read More →\n\n\n \nKazim Ali\nKazim Ali’s many books include The Far Mosque\, which won an Alice James Books award and Inquisition (2018)\, as well as the prose books The Disappearance of Seth\, Bright Felon\, and Resident Alien. Ali co-founded Nightboat Books and is a professor at U.C. San Diego.
URL:https://litseen.com/event/grace-notes-poets-at-grace-cathedral/
LOCATION:Grace Cathedral\, 1100 California Street\, San Francisco\, 1100 California Street\, San Francisco\, CA\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/02/image-84.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200418T190000
DTEND;TZID=America/Los_Angeles:20200418T210000
DTSTAMP:20260409T114705
CREATED:20200312T201155Z
LAST-MODIFIED:20200312T201155Z
UID:56339-1587236400-1587243600@litseen.com
SUMMARY:Collected Poems of Bob Kaufman: A celebration on his 95th birthday—poetry and jazz
DESCRIPTION:In celebration of the recent publication of the Collected Poems of Bob Kaufman\, edited by Neeli Cherkovski\, Raymond Foye\, and Tate Swindell\, by City Lights Books\, we’re assembling a gathering of poets\, artists\, and musicians on what would be the late poet’s 95th birthday. Hosted by McRoskey Mattress Co.\, in their wonderful 3rd floor loft space\, and co-sponsored by The Poetry Center\, City Lights Books\, and The Green Arcade\, this event is free and open to the public. Please join us. Photo of Bob Kaufman by A.D. Winans. \n“He was an original voice. No one else talked like him. No one else wrote poetry like him.”––Lawrence Ferlinghetti \nBob Kaufman (April 18\, 1925\, New Orleans\, LA – January 12\, 1986) was one of the most important—and most original—poets of the twentieth century. He is among the inaugurators of what today is characterized as the Afro-Surreal\, uniting the surrealist practice of automatic writing with the jazz concept of spontaneous composition. He seldom wrote his poems down and often discarded those he did\, leaving them to be rescued by others. He was also a legendary figure of the Beat Generation\, known as much for hopping on tables to declaim his poetry as for maintaining a monastic silence for months or even years at a time. \nKaufman produced just three broadsides and three books in his lifetime. In 1967\, Golden Sardine was published by City Lights in its famed Pocket Poets Series\, and became an instant cult classic. Collected Poems is a landmark poetic achievement\, bringing together all of Kaufman’s known surviving poems\, including an extensive section of previously uncollected work\, in a long overdue return to City Lights Books. \nMusicians: Bruce Ackley and Aurora Josephson (performing Steve Lacy’s songs to Bob Kaufman’s poems); Hafez Modirzadeh\, Francis Wong\, David Boyce \nPoets and other artists: Josiah Luis Adelberte\, Will Alexander\, Arlene Biala\, James Cagney\, MK Chavez\, Neeli Cherkovski\, Dewey Crumpler\, Justin Desmangles\, Duane Deterville\, Tongo Eisen-Martin\, Agneta Falk\, C.S. Giscombe\, Leticia Hernández-Linares\, Jack Hirschman\, Sarah Menefee\, Alejandro Murguía\, Jevohn Newsome\, Barbara Jane Reyes\, Kim Shuck; Tate Swindell with Jessica Loos\, Niko Van Dyke\, and Michael Young (reading “Second April”); Sunnylyn Thibodeaux\, A.D. Winans \n  \n\n“With this magnetic new unveiling\, Bob Kaufman trenchantly sunders endemic retrocausal error and neglect that has casted his fate into a secondary enclave of lesser mastery. To set the story straight it was his spirit that helped sire the Ginsberg that we know and not vice versa. It was he who magically hoisted the invisible umbrella under which Kerouac and others such as Corso were enabled to protractedly flourish. Arrested 39 times for poetic brilliance via bravura he was the absolute contrary of the sterile academic scrounging for golden verbal eggs. Never concerned with immediate notoriety he passed across unerring emptiness as a poetic lahar sweeping in all directions at once. He volcanically en-veined the Beats as a mirage enveloped Surrealist; not as a formal poet\, but one\, like Rimbaud\, who embodied butane. Following the scent of his butane on one anonymous North Beach afternoon led Philip Lamantia to audibly utter to me that Bob Kaufman as per incandescent singularity is ‘our poet.'” —Will Alexander\n“Bob Kaufman is one of our most vulnerable\, mysterious\, and beautiful poets\, a nomadic maudit\, surrealist saint of the streets\, votary of silence\, the consummate Outrider with trickster imagination and visionary power. What does it take to be such a poet-man\, veils/layers of existence laced with hardship\, suffering? Not many like this anymore. The Black American Rimbaud\, as he was christened in France. His poems make me weep and bow with humility and wonder. I last saw him\, shape-shifting shaman on Ken Kesey’s stage in Oregon\, swirling in a torque of rage\, enlightenment\, and prescience. Pure product of America’s madness: fury and tenderness. The writing is complex and lays its soul-baring down on jazz-inflected syllables and riffs for all to read and tremble within. No serious canon is complete without this insistent rhythm\, poetic acuity\, and a body’s last resort to sing.” —Anne Waldman\n“Uplifting the voice of this under-sung literary master to future’s light is the mission of the Collected Poems of Bob Kaufman. This poet’s poet on the cliff edge of no ledge is still continuing to foster new surrealizations. Read this bebopian wordsmith\, his pen turned saxophone and ink notes that are black tears.” —Kamau Daáood\n“In collecting Bob Kaufman’s work\, the editors have sought to bind earthquakes with book paste. These pages vibrate\, a pulse not from way out\, but from way in this strange\, strange country. Wearing the poet’s trembling\, subterranean eyes\, I see the dirt of imperial graves\, grocery store corpses\, swank gas chambers\, and bomb shelters cut an inverted skyline against a too orange American sun. Blinking\, I look up and the real sun seems just as radioactive\, which is perhaps what leaves me the most shaken. To call these poems ‘surreal’ seems\, now\, to muffle Kaufman’s prophetic genius. He saw us\, our images in pools of blood\, milk\, and saxophone spittle. Maybe it was ever our shivering made the ripples that distorted the reflections.” —Douglas Kearney\n“Collected Poems of Bob Kaufman should finally liberate the kaleidoscopic surrealism of this San Franciscan\, and in many respects\, secular Franciscan\, poet from the shadows of Allen Ginsberg and the other Beats. While poems like ‘Night Sung Sailor’s Prayer’ and ‘Believe\, Believe’ presage both the linguistic flights of Will Alexander and the affirmative exuberance of Ross Gay\, the bulk of the book hearkens back to familiar figures like Blake\, Apollinaire\, and Artaud. In the end\, of course\, Bob Kaufman is Bob Kaufman\, and as this collection confirms\, the poems tend to extremes\, lurching between the sweeping force of a tornado (e.g.\, ‘The American Sun’ and ‘The Ancient Rain’) and the precision of a stiletto (e.g.\, “Demolition” and ‘I Am A Camera’). Kaufman’s libertarian tendencies (see\, for example\, ‘Abomunist Manifesto’) made him a largely apolitical\, if compassionate poet\, but what comes through above all else is a human being beset by the furies and desires he/she unleashed. Collected Poems of Bob Kaufman is a memoriam of unmitigated joy and abysmal despair.” —Tyrone Williams\n\n  \n\n\n\n\n\n\nFeatured: \nCollected Poems of Bob Kaufman\, edited by Neeli Cherkovski\, Raymond Foye\, and Tate Swindell (City Lights Booksellers and Publishers) \nThe world finally catches up to Bob Kaufman\, unsung hero of Beat Generation (by Denise Sullivan\, November 1\, 2019) \n\n\n\n\nEvent contact:\n\nThe Poetry Center\n\n\n\nEvent email:\n\npoetry@sfsu.edu\n\n\n\nEvent phone:\n\n415-338-2227\n\n\n\nEvent sponsor:\n\nThe Poetry Center and The Green Arcade
URL:https://litseen.com/event/collected-poems-of-bob-kaufman-a-celebration-on-his-95th-birthday-poetry-and-jazz/
LOCATION:3rd Floor McRoskey Mattress Loft\, 1687 Market Street\, San Francisco\, 94103
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/03/image-5.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200420T193000
DTEND;TZID=America/Los_Angeles:20200420T210000
DTSTAMP:20260409T114705
CREATED:20191220T063124Z
LAST-MODIFIED:20191220T063124Z
UID:54420-1587411000-1587416400@litseen.com
SUMMARY:Miranda July with Jenny Odell
DESCRIPTION:TICKETSTo purchase over the phone: 415-392-4400 \nThis event appears in the series\nSocial Studies \n\n\nMiranda July is a filmmaker\, artist\, and writer. She is the author of the novel The First Bad Man\, and the short story collection No One Belongs Here More Than You and writer\, director and star of the films The Future and Me and You and Everyone We Know. Her forthcoming crime drama Kajillionaire stars Evan Rachel Wood and Gina Rodriguez. July’s participatory art works include the website Learning to Love You More\, Eleven Heavy Things (a sculpture garden created for the 2009 Venice Biennale)\, New Society (a performance)\, and Somebody (a messaging app created with Miu Miu.) Her new book\, Miranda July\, is a chronological retrospective of her multidisciplinary work. \n  \nJenny Odell is a multi-disciplinary artist and writer\, and the author of How to Do Nothing: Resisting the Attention Economy. She has been an artist in residence at Recology SF\, the San Francisco Planning Department\, the Yerba Buena Center for the Arts\, the Palo Alto Art Center\, ODC Dance Center\, Facebook\, and the Internet Archive and currently teaches internet art and digital/physical design at Stanford University. \n  \nPhotograph credit: Elizabeth Weinberg
URL:https://litseen.com/event/miranda-july-with-jenny-odell/
LOCATION:Sydney Goldstein Theater\, 275 Hayes St\, San Francisco\, CA\, 94102\, United States
CATEGORIES:San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/©-Elizabeth-Weinberg-Miranda_July_19-scaled-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200421T190000
DTEND;TZID=America/Los_Angeles:20200421T203000
DTSTAMP:20260409T114705
CREATED:20191227T024306Z
LAST-MODIFIED:20191227T024306Z
UID:54518-1587495600-1587501000@litseen.com
SUMMARY:Frank Wilderson III
DESCRIPTION:discussing the subject of his new book \nAfropessimism \npublished by Liveright Books / W.W. Norton \n\n\n\n\n\nIn the tradition of Edward Said’s Orientalism and Frantz Fanon’s Black Skin\, White Masks\, Afropessimism is an unparalleled account of the non-analogous experience of being Black. \nA seminal work that strikingly combines groundbreaking philosophy with searing flights of memoir\, Afropessimism presents the tenets of an increasingly influential intellectual movement that theorizes blackness through the lens of perpetual slavery. Rather than interpreting slavery through a Marxist framework of class oppression\, Frank B. Wilderson III\, “a truly indispensable thinker” (Fred Moten)\, demonstrates that the social construct of slavery\, as seen through pervasive\, anti-black subjugation and violence\, is hardly a relic of the past but an almost necessary force in our civilization that flourishes today\, and that Black struggles cannot be conflated with the experiences of any other oppressed group. In mellifluous prose\, Wilderson juxtaposes his seemingly idyllic upbringing in halcyon midcentury Minneapolis with the harshness that he would later encounter\, whether in radicalized\, late-1960s Berkeley or in the slums of Soweto. Following in the rich literary tradition of works by DuBois\, Malcolm X and Baldwin\, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. \nProfessor and chair of African American studies at the University of California\, Irvine\, and author of Incognegro: A Memoir of Exile and Apartheid\, Frank B. Wilderson III has received an NEA Literature Fellowship and a Zora Neale Hurston/Richard Wright Legacy Award for Creative Nonfiction\, among other awards. \nWhat has been said about the work of Frank Wilderson III: \n\n\n\n\n\n\n\n\n\n\nFrank Wilderson slings piercing stories and scalding analyses with literary fire and intellectual rigor. His tales juke genre and high-step over high-theory mumbo jumbo\, and float Franz Fanon some new wings. Like Ralph Ellison’s bluesman\, he peers unflinching into the abyss\, testifies to its brutal histories and hopeless predicaments\, ‘to finger its jagged grain\, and to transcend it\, not through the consolation of philosophy but by squeezing from it a near-tragic\, near-comic lyricism.’ He ghostwrites our brutal pasts into present and still hopeless predicaments\, yet divines deep love and blues humor. Even if our own hopes may live elsewhere\, we cannot dismiss Afropessimism’s unnerving and undeniable truths\, nor the timeless art of its author.  \n-Timothy B. Tyson\, author of The Blood of Emmett Till \nA writer of hard\, searing lyricism…. [Wilderson] is\, to my mind\, an indispensible thinker. \n-Fred Moten\, author of The Undercommons
URL:https://litseen.com/event/frank-wilderson-iii/
LOCATION:City Lights Bookstore\, 261 Columbus Ave\, San Francisco \, CA\, 94133\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Afropessimissm.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200421T193000
DTEND;TZID=America/Los_Angeles:20200421T210000
DTSTAMP:20260409T114705
CREATED:20200207T205125Z
LAST-MODIFIED:20200207T205125Z
UID:55639-1587497400-1587502800@litseen.com
SUMMARY:9th Avenue: John Kaag at Green Apple Books
DESCRIPTION:ohn Kaag discusses his new book\, Sick Souls\, Healthy Minds: How William James Can Save Your Life. \nPraise for Sick Souls\, Healthy Minds \n“Kaag’s reading of James is as elucidating as readers have come to expect from him. Once again\, he writes in a clear\, focused\, and winningly self-aware style that makes friends of James and himself for anyone who wonders if life is worth living. A book in which Kaag further carves out his niche in philosophy: personal\, practical\, and crucial.”—Kirkus Reviews \n“Not since Robert Pirsig’s Zen and the Art of Motorcycle Maintenance have I read such a mesmerizing confluence of personal experience and formal thought as John Kaag’s American Philosophy: A Love Story. That combination is on display again in his Sick Souls\, Healthy Minds—a brief and powerful book about one of America’s most profound minds\, William James\, and what he can teach us about what makes life worth living.”―Robert D. Richardson\, author of William James: In the Maelstrom of American Modernism \n“In this beautifully written book\, which is filled with bracing insights\, John Kaag shows why William James has had a deep\, life-altering\, therapeutic effect on his readers over the past century—and can continue to have the same effect on new readers today.”—Jennifer Ratner-Rosenhagen\, author of American Nietzsche: A History of an Icon and His Ideas \nAbout Sick Souls\, Healthy Minds \nIn 1895\, William James\, the father of American philosophy\, delivered a lecture entitled “Is Life Worth Living?” It was no theoretical question for James\, who had contemplated suicide during an existential crisis as a young man a quarter century earlier. Indeed\, as John Kaag writes\, “James’s entire philosophy\, from beginning to end\, was geared to save a life\, his life”—and that’s why it just might be able to save yours\, too. Sick Souls\, Healthy Minds is a compelling introduction to James’s life and thought that shows why the founder of pragmatism and empirical psychology—and an inspiration for Alcoholics Anonymous—can still speak so directly and profoundly to anyone struggling to make a life worth living. \nKaag tells how James’s experiences as one of what he called the “sick-souled\,” those who think that life might be meaningless\, drove him to articulate an ideal of “healthy-mindedness”—an attitude toward life that is open\, active\, and hopeful\, but also realistic about its risks. In fact\, all of James’s pragmatism\, resting on the idea that truth should be judged by its practical consequences for our lives\, is a response to\, and possible antidote for\, crises of meaning that threaten to undo many of us at one time or another. Along the way\, Kaag also movingly describes how his own life has been endlessly enriched by James.
URL:https://litseen.com/event/9th-avenue-john-kaag-at-green-apple-books/
LOCATION:Green Apple Books 9th Avenue\, 1231 9th Avenue\, San Francisco\, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/9780691192161.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200422T193000
DTEND;TZID=America/Los_Angeles:20200422T210000
DTSTAMP:20260409T114705
CREATED:20200219T013814Z
LAST-MODIFIED:20200219T013814Z
UID:55832-1587583800-1587589200@litseen.com
SUMMARY:Kawai Strong Washburn: Sharks in the Time of Saviors
DESCRIPTION: Kawai Strong Washburn discusses his debut novel Sharks in the Time of Saviors. \nPraise for Sharks in the Time of Saviors \n“Sharks in the Time of Saviors is the novel you never knew you were waiting for. Old myths clash with new realities\, love is in a ride or die with grief\, faith rubs hard against magic\, and comic flips with tragic so much they meld into something new. All told with daredevil lyricism to burn. A ferocious debut.”—MARLON JAMES\, author of Black Leopard\, Red Wolf \n“Sharks in the Time of Saviors bursts with life. It is bright and beautifully noisy. It’s so good it hurts and hurts to where it heals. It is revelatory and unputdownable. Washburn is an extraordinarily brilliant new talent. This family saga is shark tooth sharp. Its pages shoot off crackles and sparks\, and you come out of it changed. It is sublime.”—TOMMY ORANGE\, author of There There \n“Sharks in the Time of Saviours is a brilliant novel and one of the most engaging and memorable books I’ve read this year. Sentences sparkle\, the narrative voices remain distinctive and complete\, and the deep notes of magic sound under the realism of poverty and loss. I didn’t want it to end.”—SARAH MOSS\, author of Ghost Wall \nAbout Sharks in the Time of Saviors \nIn 1995 Kailua-Kona\, Hawaii\, on a rare family vacation\, seven-year-old Nainoa Flores falls overboard a cruise ship into the Pacific Ocean. When a shiver of sharks appears in the water\, everyone fears for the worst. But instead\, Noa is gingerly delivered to his mother in the jaws of a shark\, marking his story as the stuff of legends. \nNainoa’s family\, struggling amidst the collapse of the sugarcane industry\, hails his rescue as a sign of favor from ancient Hawaiian gods—a belief that appears validated after he exhibits puzzling new abilities. But as time passes\, this supposed divine favor begins to drive the family apart: Nainoa\, working now as a paramedic on the streets of Portland\, struggles to fathom the full measure of his expanding abilities; further north in Washington\, his older brother Dean hurtles into the world of elite college athletics\, obsessed with wealth and fame; while in California\, risk-obsessed younger sister Kaui navigates an unforgiving academic workload in an attempt to forge her independence from the family’s legacy. \nWhen supernatural events revisit the Flores family in Hawai’i—with tragic consequences—they are all forced to reckon with the bonds of family\, the meaning of heritage\, and the cost of survival. \n 
URL:https://litseen.com/event/kawai-strong-washburn-sharks-in-the-time-of-saviors-2/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2020/02/Washburn.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T180000
DTEND;TZID=America/Los_Angeles:20200423T180000
DTSTAMP:20260409T114705
CREATED:20200312T212247Z
LAST-MODIFIED:20200312T212247Z
UID:56368-1587664800-1587664800@litseen.com
SUMMARY:Lake Like a Mirror at The Ruby SF: Ho Sok Fong and Natascha Bruce in conversation with Meng Jin
DESCRIPTION:Celebrate the release of Ho Sok Fong’s Lake Like a Mirror\, translated by Natascha Bruce\, at The Ruby SF\, an arts and letters-focused work and gathering space for creative Bay Area women of all definitions. Ho Sok Fong and Natascha Bruce will be in conversation with writer Meng Jin. \nBy an author described by critics as “the most accomplished Malaysian writer\, full stop\,” Lake Like a Mirror is a scintillating exploration of the lives of women buffeted by powers beyond their control. Squeezing themselves between the gaps of rabid urbanization\, patriarchal structures and a theocratic government\, these women find their lives twisted in disturbing ways. \nIn precise and disquieting prose\, Ho Sok Fong draws her readers into a richly atmospheric world of naked sleepwalkers in a rehabilitation center for wayward Muslims\, mysterious wooden boxes\, gossip in unlicensed hair salons\, hotels with amnesiac guests\, and poetry classes with accidentally charged politics—a world that is peopled with the ghosts of unsaid words\, unmanaged desires and uncertain statuses\, surreal and utterly true. \nLight reception at 6:00. Conversation begins at 6:30. \n\n\nCONTACT:\n\nLeslie-Ann Woofter\nlwoofter@catranslation.org\n415.512.8812
URL:https://litseen.com/event/lake-like-a-mirror-at-the-ruby-sf-ho-sok-fong-and-natascha-bruce-in-conversation-with-meng-jin/
LOCATION:The Ruby\, 23rd and bryant street\, san francisco\, 94110
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/03/image-14.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T190000
DTEND;TZID=America/Los_Angeles:20200423T210000
DTSTAMP:20260409T114705
CREATED:20200312T201421Z
LAST-MODIFIED:20200312T201421Z
UID:56342-1587668400-1587675600@litseen.com
SUMMARY:Mazza Writer in Residence Wendy Trevino\, with Zaina Alsous\, reading and in conversation
DESCRIPTION:Under the heading “A border\, like race\, is a cruel fiction”—a line drawn from one of the poems in Wendy Trevino‘s remarkable book\, Cruel Fiction—Trevino\, The Poetry Center’s Mazza Writer in Residence for Spring 2020\, will be joined as part of her week-long residency by Palestinian poet Zaina Alsous\, for two public events. On Thursday April 23\, the two poets will each read and join in conversation with one another and with the audience\, at The Poetry Center. The following night\, Friday April 24\, they each read their work at Moe’s Books on Telegraph Avenue in Berkeley. Supported by the Sam Mazza Foundation—with the Poetry Center evening co-sponsored\, thanks to Rabab Abdulhadi\, by AMED: the Arab and Muslim Ethnicities and Diasporas Initiative\, at the College of Ethnic Studies\, San Francisco State University—these events are free and open to the public. \n\nWendy Trevino’s Cruel Fiction (Commune Editions) tells the truth about life as we know and endure it\, restlessly picking at the hangnails of both history and heartbreak. Trevino posits race as a “cruel fiction\,” nationality as its attendant mythology. Trevino asks: How do we resist these fictions without reproducing their murderous\, hierarchical logics? For Trevino\, “poetry is not enough” as long as we are not enough. Trevino’s insurgent colloquialism is a sleight of hand. Cruel Fiction speaks plainly but never simply. Trevino reflects on the lies with which we arm ourselves to refute the lies used against us. Against the near-orgasmic collective delusions of Obamamania\, Trevino recounts solidarities fostered during the Occupy movement. Exhilarating sonnet sequences titled “Popular Culture & Cruel Work\,” and “Brazilian Is Not a Race” interrogate the inter-sections of pop and protest. —Momtaza Mehri\, Somali-British poet\, Young People’s Laureate for London 2018-19\n\nWendy Trevino was born and raised in the Rio Grande Valley of South Texas. She now lives and works in San Francisco. Her chapbook 128-131 was published by Perfect Lovers Press in 2013. Her chapbook Brazilian Is Not a Race was published by Commune Editions in 2016\, followed by her first full-length book\, Cruel Fiction\, also from Commune Editions\, 2018. Her chapbook #YourHarveyWeinstein was also published by Spoilsport Editions—an online press she started with writer Oki Sogumi—in 2017. Her poems have appeared in various print and online journals\, including Abraham Lincoln\, Armed Cell\, the Capilano Review\, LIES\, Macaroni Necklace\, Mondo Bummer\, ELDERLY\, and Open House. Selected as The Poetry Center’s Mazza Writer in Residence for Spring 2020\, Wendy is not an experimental writer. \nZaina Alsous is a prison abolitionist\, a daughter of the Palestinian diaspora\, and a movement worker in South Florida. Her poetry\, reviews\, and essays have been published inPOETRY Magazine\, The Kenyon Review\, the New Inquiry\, Adroit\, and elsewhere. She edits for Scalawag Magazine\, a publication dedicated to unsettling dominant narratives of the U.S. South. Her chapbook Lemon Effigies won the Rick Campbell Chapbook Prize and was published by Anhinga Press. Her first full-length collection of poetry\, A Theory of Birds\, won the Etel Adnan Poetry Prize\, selected by Hayan Charara and Fady Joudah\, and was published by the University of Arkansas Press\, Fall 2019. Born and raised in North Carolina\, she currently lives in Miami\, Florida\, while pursuing an MFA in poetry and teaching undergraduate writing at the University of Miami. More at zainaalsous.com \n\nfrom “Brazilian Is Not A Race\,” Wendy Trevino\n\nA border\, like race\, is a cruel fiction\nMaintained by constant policing\, violence\nAlways threatening a new map. It takes\nTime\, lots of people’s time\, to organize\nThe world this way. & violence. It takes more\nViolence. Violence no one can confuse for\nAnything but violence. So much violence\nChanges relationships\, births a people\nThey can reason with. These people are not\nUs. They underestimate the violence.\nIt’s been awhile. We are who we are\nTo them\, even when we don’t know who we\nAre to each other & culture is a\nRecord of us figuring that out.\n \n\n\n\n\n\nRelated event: \nZaina Alsous and Wendy Trevino\nreading from their work\nFriday April 24\n7:00 pm @ Moe’s Books\n2476 Telegraph Avenue (at Dwight Way)\, Berkeley\nfree and open to the public\nsupported by the Sam Mazza Foundation \nFeatured: \n“Mexican Is Not a Race\,” Wendy Trevino in conversation with Chris Chen\, The New Inquiry\, April 6\, 2017 \nNick Estes on Wendy Trevino’s Cruel Fiction\, “Verso authors pick their favorite books of the year\,” 17 December 2019 \nFree pdf download: Wendy Trevino\, Brazilian Is Not a Race\, Commune Editions\, 2016 \n“Zaina Alsous Named Winner of 2019 Etel Adnan Poetry Prize\,” University of Arkansas Press \nMore on Zaina Alsous \n\n\n\n\nEvent contact:\n\nThe Poetry Center\n\n\n\nEvent email:\n\npoetry@sfsu.edu\n\n\n\nEvent phone:\n\n415-338-2227\n\n\n\nEvent sponsor:\n\nThe Poetry Center
URL:https://litseen.com/event/mazza-writer-in-residence-wendy-trevino-with-zaina-alsous-reading-and-in-conversation/
LOCATION:The Poetry Center\, San Francisco State University\, 1600 Holloway Ave\, San Francisco \, CA\, 94132\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/03/image-6.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T193000
DTEND;TZID=America/Los_Angeles:20200423T210000
DTSTAMP:20260409T114705
CREATED:20191231T203405Z
LAST-MODIFIED:20191231T203405Z
UID:54756-1587670200-1587675600@litseen.com
SUMMARY:Robert Hass & Matthew Zapruder
DESCRIPTION:Robert Hass and Matthew Zapruder read from their new poetry collections\, Summer Snow and Father’s Day. \nAbout Summer Snow \nA major collection of entirely new poems from the Pulitzer Prize and National Book Award-winning author of Time and Materials and The Apple Trees at Olema \nA new volume of poetry from Robert Hass is always an event. In Summer Snow\, his first collection of poems since 2010\, Hass further affirms his position as one of our most highly regarded living poets. Hass’s trademark careful attention to the natural world\, his subtle humor\, and the delicate but wide-ranging eye he casts on the human experience are fully on display in his masterful collection. Touching on subjects including the poignancy of loss\, the serene and resonant beauty of nature\, and the mutability of desire\, Hass exhibits his virtuosic abilities\, expansive intellect\, and tremendous readability in one of his most ambitious and formally brilliant collections to date. \nAbout Father’s Day \n“Zapruder’s new book\, Father’s Day\, is firmly situated in its (and our) political moment\, and is anchored by a compelling gravity and urgency.” ―The Washington Post \nThe poems in Matthew Zapruder’s fifth collection ask\, how can one be a good father\, partner\, and citizen in the early twenty-first century? Zapruder deftly improvises upon language and lyricism as he passionately engages with these questions during turbulent\, uncertain times. Whether interrogating the personalities of the Supreme Court\, watching a child grow off into a distance\, or tweaking poetry critics and hipsters alike\, Zapruder maintains a deeply generous sense of humor alongside a rich vein of love and moral urgency. The poems in Father’s Day harbor a radical belief in the power of wonder and awe to sustain the human project while guiding it forward.
URL:https://litseen.com/event/robert-hass-matthew-zapruder/
LOCATION:Green Apple Books on the Park\, 1231 9th Ave\, San Francisco \, CA\, 94122\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/jpeg:https://litseen.com/wp-content/uploads/2019/12/Hass-Zapruder.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T190000
DTEND;TZID=America/Los_Angeles:20200424T210000
DTSTAMP:20260409T114705
CREATED:20200312T201553Z
LAST-MODIFIED:20200312T202059Z
UID:56345-1587754800-1587762000@litseen.com
SUMMARY:Zaina Alsous and Wendy Trevino\, Mazza Writer in Residence\, reading from their work
DESCRIPTION:Under the heading “A border\, like race\, is a cruel fiction”—a line drawn from one of the poems in Wendy Trevino‘s remarkable book\, Cruel Fiction—Trevino\, The Poetry Center’s Mazza Writer in Residence for Spring 2020\, will be joined as part of her week-long residency by Palestinian poet Zaina Alsous\, for two public events. Following their Thursday April 23 reading and conversation at The Poetry Center\, on Friday April 24\, they each read their work at Moe’s Books on Telegraph Avenue in Berkeley. Arrive early\, to find some books in this incredible bookstore—and to make sure you get a seat! Supported by the Sam Mazza Foundation\, these events are free and open to the public. \nZaina Alsous is a prison abolitionist\, a daughter of the Palestinian diaspora\, and a movement worker in South Florida. Her poetry\, reviews\, and essays have been published in POETRY Magazine\, The Kenyon Review\, the New Inquiry\, Adroit\, and elsewhere. She edits for Scalawag Magazine\, a publication dedicated to unsettling dominant narratives of the U.S. South. Her chapbook Lemon Effigies won the Rick Campbell Chapbook Prize and was published by Anhinga Press. Her first full-length collection of poetry\, A Theory of Birds\, won the Etel Adnan Poetry Prize\, selected by Hayan Charara and Fady Joudah\, and was published by the University of Arkansas Press\, Fall 2019. Born and raised in North Carolina\, she currently lives in Miami\, Florida\, while pursuing an MFA in poetry and teaching undergraduate writing at the University of Miami. More at zainaalsous.com \nWendy Trevino was born and raised in the Rio Grande Valley of South Texas. She now lives and works in San Francisco. Her chapbook 128-131 was published by Perfect Lovers Press in 2013. Her chapbook Brazilian Is Not a Race was published by Commune Editions in 2016\, followed by her first full-length book\, Cruel Fiction\, also from Commune Editions\, 2018. Her chapbook #YourHarveyWeinstein was also published by Spoilsport Editions—an online press she started with writer Oki Sogumi—in 2017. Her poems have appeared in various print and online journals\, including Abraham Lincoln\, Armed Cell\, the Capilano Review\, LIES\, Macaroni Necklace\, Mondo Bummer\, ELDERLY\, and Open House. Selected as The Poetry Center’s Mazza Writer in Residence for Spring 2020\, Wendy is not an experimental writer. \n\n\n\n\n\n\n  \n\n\n\nRelated event: \nMazza Writer in Residence\nWendy Trevino with Zaina Alsous\nreading and in conversation\nThursday April 23\n7:00 pm @ The Poetry Center\nHumanities 512\, San Francisco State University\nfree and open to the public\nsupported by the Sam Mazza Foundation \nFeatured: \n“Mexican Is Not a Race\,” Wendy Trevino in conversation with Chris Chen\, The New Inquiry\, April 6\, 2017 \nNick Estes on Wendy Trevino’s Cruel Fiction\, “Verso authors pick their favorite books of the year\,” 17 December 2019 \nFree pdf download: Wendy Trevino\, Brazilian Is Not a Race\, Commune Editions\, 2016 \n“Zaina Alsous Named Winner of 2019 Etel Adnan Poetry Prize\,” University of Arkansas Press \nMore on Zaina Alsous \n\n\n\n  \n\n\n\n\nEvent contact:\n\nThe Poetry Center\n\n\n\nEvent email:\n\npoetry@sfsu.edu\n\n\n\nEvent phone:\n\n415-338-2227\n\n\n\nEvent sponsor:\n\nThe Poetry Center and Moe’s Books
URL:https://litseen.com/event/zaina-alsous-and-wendy-trevino-mazza-writer-in-residence-reading-from-their-work/
LOCATION:Moe’s Books\, 2476 Telegraph Ave\, Berkeley\, 94704
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/03/image-7.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200426T160000
DTEND;TZID=America/Los_Angeles:20200426T170000
DTSTAMP:20260409T114705
CREATED:20200203T213337Z
LAST-MODIFIED:20200203T213337Z
UID:55400-1587916800-1587920400@litseen.com
SUMMARY:Silent Book Club SF
DESCRIPTION:Bring a book\, bring a friend\, and join Silent Book Club for an afternoon of reading! At Silent Book Club\, there’s no assigned reading. All books and all ages are welcome. \nWe’ll kick off introvert happy hour at 4pm with some light chatter and informal book recommendations before settling in to read quietly\, but if you’d rather just pull up a chair and read\, by all means do so. No one will be shushed or shamed. The bar will be open for late afternoon libations. \nHappy reading and hope to see you there! \n\nPlease note: this event will be at The Bindery\, 1727 Haight. \nRSVP appreciated but not required. \nPhoto by Cody Pickens for O Magazine
URL:https://litseen.com/event/silent-book-club-sf-9/
LOCATION:The Bindery\, 1727 Haight St\, San Francisco \, 94117\, United States
CATEGORIES:Free,San Francisco
ATTACH;FMTTYPE=image/png:https://litseen.com/wp-content/uploads/2020/02/image-2.png
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END:VCALENDAR