
Radio Ambulante: Weekly show goes onstage with ‘Outsiders’
Having produced more than 60 stories told from 20 countries in its first two-plus years, Radio Ambulante is set to present its fourth live show Sunday, a bilingual event themed “Outsiders.” Half of the show’s stories are in English; some are half English, half Spanish; and all are subtitled, with multimedia components and the sound mixed live.
The program was founded by novelist Daniel Alarcón and a team of Latin American journalists and radio producers. It’s often compared to “This American Life” for its tight, well-produced and engaging stories, often told in first person and exploring the human condition. It was started in 2012 as a monthly Spanish-only podcast and has become a weekly production syndicated by Public Radio International.
“When we write it for live performance, it’s a little bit different because you have the person right there in front of you,” said Alarcón outside a SoMa cafe. “So it can be a little more personal. It’s perhaps a little bit less journalistic and a little more storytelling than the stuff we would have on the show; maybe a little funnier.”
The stories will range from a warring town in the heart of the Peruvian jungle to Cuban metalheads in Havana and a 17-year-old in San Francisco’s Mission District.
According to Alarcón, a recent survey revealed that 60 percent of the program’s listeners live in the United States.
“What that shows,” he said, “is there is a linguistic diversity in the States. That you can have storytelling in Spanish, which is an American audience — to me, if you’re living here, you’re American — and I think we are reaching those (American) audiences. It’s just that we’re doing it in Spanish. I think political boundaries are real, but linguistic and cultural boundaries are fluid, and that’s as it should be: The United States is part of Latin America just as Latin America is part of the United States, and I think that’s a beautiful thing, and I think it’s something that you don’t need to be particularly perceptive to realize.
“But this is a way that we can all be in a room at the same time, experience the same thing, and then meet out in the lobby and have a conversation about it. It will be a very Latin audience, (and) it will be a very non-Latin audience, and everyone will be sort of able to meet based on one experience. I think that’’s incredibly important and there aren’t enough spaces like that — in San Francisco or in the United States.”
IF YOU GO
Radio Ambulante: 5 p.m. Sunday. $20-$100. Yerba Buena Center for the Arts, 701 Mission St., S.F. (415) 978-2700.
This article originally appeared in The San Francisco Chronicle.
Photo by May-Li Khoe
Wow, two things strike me about this article: the first being wowed by radio ambulante, you can just feel how it pops with energy, and the second awareness is the…review..article…abstract…extract, it’s quiet lightening extract, like vanilla extract , the visceral taste of your subject extracted with lagunitas beer and your craftsmanship for writing that translates the energy and essence of the reading series, author or book and delivers it in words on the page without us having to be there to get it. I’m stunned by how everyone of your reviews is different as if you, and we the reader, and the subject of your review can trust you enough and that you’re secure enough as a writer that you almost disappear, it’s so subtle I can’t help but try to describe it while being scared I’ll miss it and give the wrong impression. It’s not that your reviews are voiceless, it’s you, but somehow without judgement or opinion as if you only review the subjects you like as if that’s a given, but they don’t seem that limited because its also as if your vision lands on what’s authentically good and worthy of mention as your seeing it, and at the same time, I have had the same great experiences you describe of authors and series I know, so your not gratuitously machine like promoting everyone you encounter, as if that’s your role, it seems like your radio playing what’s here, and the quantity and quality of what’s here is what’s so extraordinary